But is it a mistake, where does the money come from, and can Kitkat get through New Year's Day without its owner asking for the money back?This is a 7,000-word short story.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    Global in scope, each story is set in the year 2040 and imagines what the world might look like if the dire warnings issued by the Special Report on Global Warming of 1.5 °C were to come true. Using fiction—informed here and there by realism and climate science—this issue explores the tangible, day-to-day implications of these cataclysmic scientific projections. Featuring Tommy Orange, Elif Shafak, Luis Alberto Urrea, Asja Bakic, Rachel Heng, and others, with gorgeous full-color illustrations by Wesley Allsbrook.From the issue’s introduction by Susan Casey-Lefkowitz, Chief Program Officer of the NRDC: “Each story in this special issue is the product of a unique collaboration between its author and an NRDC policy expert with specialized knowledge of how climate change is already affecting the world, and how it could continue to affect the world in the decades to come. The result, we hope, is a collection where fiction’s already considerable power is fortified by science.”Featuring original stories by:Tommy OrangeClaire G. ColemanBirna Anna BjörnsdóttirLuis Alberto UrreaElif ShafakAbbey Mei OtisAsja BakićRachel HengKanishk TharoorMikael Awake

    He has chosen 49 stories by a wide array of writers including Alistair MacLeod, Margaret Laurence, Carol Shields, Dionne Brand, Mavis Gallant, Stephen Leacock, Glenn Gould, Alice Munro, Rohinton Mistry, David Adams Richards and many more. Full of diversity and surprise, these writings reveal the geographical, emotional and literary range of the country. Above all, Michael Ondaatje's personal selection offers good reading and great entertainment.

    She has a wonderful best friend and an auntie who is bonkers, yes, but loves her to the moon and back. But Robin has a secret. Behind the mask she carefully applies every day, things just feel ... grey. And lonely. She struggles to fit in with the school mum crew. Online dating is totally despair-inducing, and she worries every day about raising her little girl with self-confidence, courage and joy.What Robin longs for is someone (over the age of six) to share with - someone who's always on her team. After 4 years (2 months, and 15 days!) of single-mum-dom, it's time for Robin Wilde to Change. Her. Life. Exciting new opportunities are about to come Robin's way ... Perhaps a man, perhaps the chance of a lifetime ...What will Robin do with the possibilities she creates for herself? And what potential will she unlock if she takes the leap?

    It's on India's southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It's blessed with rich soil and scenic beauty, and it's been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed. A twelve-year-old boy named Ziauddin, a gofer at a tea shop near the railway station, is enticed into wrongdoing because a fair-skinned stranger treats him with dignity and warmth. George D'Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs. Gomes, and then loses it all when he attempts to be something more. A little girl's first act of love for her father is to beg on the street for money to support his drug habit. A factory owner is forced to choose between buying into underworld economics and blinding his staff or closing up shop. A privileged schoolboy, using his own ties to the Kittur underworld, sets off an explosive in a Jesuit-school classroom in protest against casteism. A childless couple takes refuge in a rapidly diminishing forest on the outskirts of town, feeding a group of "intimates" who visit only to mock them. And the loneliest member of the Marxist-Maoist Party of India falls in love with the one young woman, in the poorest part of town, whom he cannot afford to wed. Between the Assassinations showcases the most beloved aspects of Adiga's writing to brilliant effect: the class struggle rendered personal; the fury of the underdog and the fire of the iconoclast; and the prodigiously ambitious narrative talent that has earned Adiga acclaim around the world and comparisons to Gogol, Ellison, Kipling, and Palahniuk. In the words of The Guardian (London), "Between the Assassinations shows that Adiga...is one of the most important voices to emerge from India in recent years." A blinding, brilliant, and brave mosaic of Indian life as it is lived in a place called Kittur, Between the Assassinations, with all the humor, sympathy, and unflinching candor of The White Tiger, enlarges our understanding of the world we live in today.

    Comprised of a surprising mix of newly minted professionals, ex-prisoners, intellectuals, musicians, and faithful Party workers, the community is vibrant and resilient and life in Magadan thrives even under the cover of near-perpetual snow. By blending history and fable, each of Melnik's stories transports us somewhere completely new: a married Magadan woman considers a proposition from an Italian footballer in '70s Moscow; an ailing young girl visits a witch doctor’s house where nothing is as it seems; a middle-aged dance teacher is entranced by a new student’s raw talent; a former Soviet boss tells his granddaughter the story of a thorny friendship; and a woman in 1958 jumps into a marriage with an army officer far too soon.Weaving in and out of the last half of the twentieth century, Snow in May is an inventive, gorgeously rendered, and touching portrait of lives lived on the periphery where, despite their isolation—and perhaps because of it—the most seemingly insignificant moments can be beautiful, haunting, and effervescent.

    'Some people lose their sense of proportion; I've lost my sense of scale.' The short story 'Scale' was taken from the collection Grey Area.

    The five weird and wonderful tales collected here each unlock the many-tongued language of desire, whether it takes the form of hunger, lust, sudden infatuation or the secret longings of the heart.Selected from Haruki’s Murakami’s short story collections The Elephant Vanishes, Blind Willow Sleeping Woman and Men Without Women.

    He is grieving for the loss of his wife when the tunnel collapses and traps the bus inside. In the darkness that follows, he manages to fumble out of the bus with the only other survivor, an astute and gentle woman who reminds him of his late wife. Without any light to guide them and with only each other to depend on, they try to escape the stifling darkness and along the way find themselves confronted by their pasts and given their last chance at intimacy, and ultimately, absolution.A realist story that plays with surreal elements, the tale poses a simple question: what is the meaning of hope?

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    The stories have been selected and introduced by Haruki Murakami.

    Stacey Tanner flees a stalking psychopathic ex-boyfriend and confronts all of her worst fears in one fateful evening.

    He's got everything he ever wanted, except his health. The knives are out. His rivals sense blood. Their time is now. But Thompson's not going down without a fight. Violence in the Blood documents Thompson's rise to power from the backstreets of Glasgow to the industrial heartland of the Midlands. Join the rampage as Malkie and his crew blaze a trail of mayhem and destruction north and south of the border.

    . . an alphabet soup of -delight in language. Eat up."—Alice Sebold"Brilliant. Wildly inventive, profane, and hilarious."—Bret Easton EllisThe author of the acclaimed cult classic Dear Dead Person ("refreshing, nauseating, hilarious"—Kirkus) returns with this long-awaited collection of brilliantly written and outrageously imaginative short stories.Benjamin Weissman is the author of Dear Dead Person (High Risk/Serpent’s Tail, 1995). He is a contributing editor to Bomb Magazine and writes regularly for the contemporary art magazines Parkett and Artforum. A painter and a professor at Art Center College of Design and Otis College of the Arts, he now lives in Los Angeles.