Guilt-ridden over the belief that she’s somehow responsible for her mom’s death, Riley is desperate to see her mother’s elusive spirit to gain her forgiveness. When her father moves the family to Scotland so they can all start over, Riley believes her life couldn’t get worse––that is until the ghost of nineteen-year-old Ian MacKinnon catches her purposely cutting herself. An uneasy truce quickly turns into friendship, and soon Riley’s falling hard for Ian. Riley believes her gift could help Ian end the curse that has kept him tied to the land for centuries, but that would mean letting him go forever and she’s not sure she is strong enough to do that. As if her life wasn’t complicated enough, the spirit of the woman who killed Ian returns and she’ll stop at nothing to keep Riley from helping Ian find eternal peace.

    Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley.

    Inspired by our native landscapes and traversing boundaries of the past and future, this collection is Tom Cox's first foray into fiction. Funny, strange and poignant, it elicits the unexpected and unseen to raise our hackles and set imaginations whirring.Inspired by our native landscapes, saturated by the shadows beneath trees and behind doors, listening to the run of water and half-heard voices, Tom Cox's first collection of short stories is a series of evocative and unsettling trips into worlds previously visited by the likes of M.R. James and E.F. Benson.Railway tunnels, the lanes and hills of the Peak District, family homes, old stones, shreds fluttering on barbed wire, night drawing in, something that might be an animal shifting on the other side of a hedge: Tom has drawn on his life-long love of weird fiction, folklore and nature's unregarded corners to write a collection of stories that will delight fans old and new, and leave them very uneasy about turning the reading lamp off.

    ‘Going Green’ gets a whole new meaning when a shadowy evil haunts an eco-lodge. And a young boy's mother must protect him from a terrifying monster unleashed upon their home…Scare Street is proud to present the best in bone-chilling supernatural horror. This volume contains three macabre morsels for your reading pleasure. These pulse-pounding tales are filled with enough twists and turns to keep you guessing until you reach the bitter end. And they’ll leave you wondering just how safe you really are, under the warm covers of your bed. They say bad luck comes in threes. But that’s just a silly superstition… isn’t it?

    It lurks in the shadows, spreading fear and icy cold – and it carries a sharp and very solid dagger...The headmaster wastes no time in enlisting the help of ghost-hunters Anthony Lockwood, Lucy Carlyle and George Cubbins.Can Lockwood & Co. survive the night and save the day?

    Through its doors came the weak and the weary, the disabled and the discarded, the frail and the forgotten. But an open door is an invitation, and some visitors, once invited, are loath to leave. The hospital abruptly closed in 1958 under a cloud of mystery. It has remained empty and silent, save for the memories trapped both within its walls and far below the surface of the nearby lake that bears its name. At the bottom of Asylum Lake, the unremembered are growing restless. Brady Tanner is trying to outrun memories of his own. After the sudden death of his wife, Brady retreats to the small town where he spent the summers of his youth. But he soon learns small towns can be stained by memories... and secrets, too. As Brady is drawn into unearthing these secrets, as he discovers a new love in an old friend, he is also drawn into the mystery of Asylum Lake and the evil that lies submerged beneath its sparkling surface. What is the source of this evil - and what does it want with Brady Tanner?

    As one of the last descendants of the Van Helsing lineage, she has trained since childhood to destroy monsters both corporeal and spiritual: the corporeal undead go down by the bullet, the spiritual undead by the lens. With an analog SLR camera as her best weapon, Micheline exorcises ghosts by capturing their spiritual energy on film. She's aided by her crew: Oliver, a techno-whiz and the boy who developed her camera's technology; Jude, who can predict death; and Ryder, the boy Micheline has known and loved forever.When a routine ghost hunt goes awry, Micheline and the boys are infected with a curse known as a soulchain.As the ghostly chains spread through their bodies, Micheline learns that if she doesn't exorcise her entity in seven days or less, she and her friends will die. Now pursued as a renegade agent by her monster-hunting father, Leonard Helsing, she must track and destroy an entity more powerful than anything she's faced before . . . or die trying.Lock, stock, and lens, she’s in for one hell of a week.

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    With Mattie Blackman, it's demons. At work, in her car, even at the foot of her bed. And with the FBI on the hunt for a rogue demon master, she's desperate to get rid of them. Thwarted at every turn to solve her problem through legitimate channels, she turns to Shore Haven's sexy mage for the answer: a fate she refuses to accept. But as the serial killer's victims pile up, Mattie realizes there's only one way to stop a demon master. To save her friends and the people she loves, Mattie must choose between her life and her destiny. “…amusingly off-beat…fun…romp.” – LocusDestiny Blues is the first book in the Hand of Fate urban fantasy series.Fans of Mercy Thompson, Sookie Stackhouse, or the Iron Druid will likely enjoy this series.

    A young man finds out from a fortune teller that there’s always a price to be paid. A rich man doesn’t quite have the 25th high school reunion experience he expected. Beware of strangers on a train. A dog may not be man’s best friend. An aging hitman takes a trip down memory lane.

    She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.

    But as the stories unfold, a newer and more surprising narrative emerges, one that is perhaps the most frightening of all.

    With his halfling abilities still untapped, Vine is allowed to join the mission, but only as a spectator. The clock is ticking and the tragedy is proving difficult to stop. Will Vine be able to sit back and watch, or will the power of heaven unleash just in time?

    Suddenly the words DON'T LOOK INSIDE scratch furiously into the leather, as if carved by an invisible hand. Lizzie jolts, terrified. She intends to heed the warning. No way in hell is she opening the book now.But her curiosity gets the better of her. She feels compelled to look inside. Her hands move with a will of their own, opening the book. Her heart hammers in her chest as she reads the first line. No. She reels in horror. What have I done? She should have obeyed the warning. She never should have looked inside. But now it's too late, because the book is about to exact a hideous punishment...Spike Black's Don't Look Inside is an unrelenting, fast-paced supernatural horror novel. Written in an arresting and irresistible style, it's a high concept, must-read ghost story that will haunt you long after its uncompromising and spectacular conclusion.

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits