This student textbook includes research on implicit memory, feature integration, neuropsychology and brain imaging.

    Thank you! Want to speak Japanese but don't know where to start? This book is for you! Don't waste money buying ten different books when you can learn everything you need in this one book. Don't waste money taking classes at a school when you can teach yourself. With Speak Japanese in 90 Days, all of the prep work is done for you. Each daily lesson will teach you not only what, but how to study. Speak Japanese in 90 Days is a comprehensive self study guide, and teaches everything you need to know for the JLPT N5 (Japanese Language Proficiency Test) as well as most of the grammar needed for the JLPT N4. It can also be used by intermediate students to brush up on grammar and vocabulary. The content includes: How to Study - Tips and tricks on how to study and what to study to learn and retain the language quickly. Pronunciation - An easy and accurate guide for English speakers. Every sentence is written with English pronunciation, Japanese kana, and kanji. Grammar - All essential grammar tested in the JLPT N5 and most of the grammar tested in the JLPT N4. Vocabulary - Over 1000 of the most common Japanese words and phrases. Vocabulary nuances - Detailed explanations of how to use vocabulary correctly, that you can't find in a dictionary or other text books.

    (Was it just bread, or was it chapatti, rye, dal, or pita?) Brand-new word spectrums show where your word falls in a line between two polar opposites (passable is three-quarters of the way from beautiful to ugly).Other features include quick guides to easily confused words; helpful, real-world usage guidance to tricky sticking points of grammar and word choice; and careful, expert distinctions among awkward synonyms. All Oxford American dictionaries use an easy-to-use respelling system to show how entries are pronounced. It uses simple, familiar markings to represent common American English sounds. The Oxford American Writer's Thesaurus will unlock the power of language and is certain to be the thesaurus that stays on the desk--and stays open.

    ● In-depth pieces that illuminate such treasures of the City of Light as the bridges on the Seine; Parisian train stations; cobbled streets and hidden gardens; the peculiarities of the French language; the delights of French bread, chocolate, and wine; and much more.● Enticing recommendations for further reading, including novels, histories, memoirs, cookbooks, and guidebooks.● An A–Z Miscellany of concise and entertaining information on special shops, hotels, and museums not to be missed; French phrases and customs; boat trips on the Seine; Jewish history; antiques; spas; tips for shopping; and the most romantic spots in Paris.● Recommendations for excursions to Chartres, Fontainebleau, Burgundy, Brittany, and Champagne.● More than 150 photographs and illustrations.

    Written by acknowledged specialists in the field, the volume begins with a general introduction to language and language families, followed by language-family sections that provide an informative essay about that language, and individual chapters that discuss the history, distribution, syntax, grammar and punctuation, writing and spelling systems, standards of usage, and other important aspects of each language.

    Throughout history, pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and pure luck, Chromatopia reveals the origin stories behind over fifty of history’s most vivid color pigments.Featuring informative and detailed color histories, a section on working with monochromatic color, and “recipes” for paint-making, Chromatopia provides color enthusiasts with an eclectic story of how synthetic colors came to be. Red lead, for example, was invented by the ancient Greeks by roasting white lead, and it became the dominant red in medieval painting.Spanning from the ancient world to modern leaps in technology, and vibrantly illustrated throughout, this book will add a little chroma to anyone’s understanding of the history of colors.

    More than 250 color photos.

    This beautiful collection is the product of years of full-time research by a team of British and American scholars and represents the most thorough examination ever undertaken of the nature and authority of Shakespeare's work. The editors reconsidered every detail of the text in the light of modern scholarship and they thoroughly re-examined the earliest printed versions of the plays, firmly establishing the canon and chronological order of composition. All stage directions have been reconsidered in light of original staging, and many new directions for essential action have been added. This superb volume also features a brief introduction to each work as well as an illuminating General Introduction. Finally, the editors have added a wealth of secondary material, including an essay on language, a list of contemporary allusions to Shakespeare, an index of Shakespearean characters, a glossary, a consolidated bibliography, and an index of first lines of the Sonnets.Compiled by the world's leading authorities, packed with information, and attractively designed, The Oxford Shakespeare is the gold standard of Shakespearean anthologies.

    The examples use the language of real-life situations. This new edition also makes difficult topics, like the difference between mood and tense, even easier to understand. Numerous fill-in-the-blank and other exercises with delayed answers help cut down the time it takes readers to gain proficiency and confidence communicating in French.

    The second edition features many additional terms, both traditional and recent, with a greater array of examples that make it an even more useful and informative reference than before.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    It's the most "meta" experiment he's ever untaken, and like a Mobius strip in book form, the concept is circular, self-indulgent, and--maybe, possibly, hopefully--brilliant.For fans of Dave Eggers and David Sedaris, Publish This Book is the modern day saga of an idealistic, ambitious, audacious, unyielding young writer who is tired of waiting his turn. Like any work that claims gleefully to be about nothing, it's really about pretty much everything--sex, drugs, politics, pop-culture, ex-girlfriends and sexy vampires. From the hope of early adulthood to the rage of life's many (unavoidable) disappointments, it is a story of overcoming the obstacles and discovering a happy ending at last.Most importantly, it's a story that will inspire readers to find their true voice in their work and in their life.Praise for Stephen Markley: "Markley seems clever and funny, but it may be his "fire" that ultimately makes him worthwhile." -- Literary Chicago"Compelling, emotionally resonant passages . . ." -- Publishers Weekly"Markley is a knockout storyteller" -- Kirkus Reviews

    The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

    Professor Barsam's clear writing, thorough presentation of fundamental film principles, and unique pedagogical additions to the traditional introductory text-- including an entire chapter devoted to analytical writing-- ensure that students approach screenings and writing assignments equipped with the analytical tools necessary to be active, insightful interpreters of movies. "Looking at Movies" is accompanied by two outstanding multimedia resources, the Student website and CD-ROM, both of which are integrated directly with the text.

    In these segments, Olbermann calls out the perpetrators of mismanagement, brutality, cronyism, and the appalling lack of accountability at the highest levels of the Bush administration. In so doing, Olbermann goes where most of the mainstream media fear to tread–and his rapidly expanding audience eagerly follows. In Truth and Consequences, Olbermann collects the best of his Special Comments, presented here with additional observations and other new material. Whether taking to task the likes of Vice President Dick Cheney and (the thankfully former) Secretary of Defense Donald Rumsfeld, who compare critics of the Iraq War to Nazi appeasers, or giving his impassioned perspective on why torture is un-American and what it really means to support our troops, or grilling timid lawmakers who fail to rein in presidential overreach and abuses of executive power, Olbermann’s devastatingly blunt (and at times wickedly funny) commentary cuts to the core of the duplicity and cynicism of a government that has lost the ability to distinguish between leading our great nation and ruling it. Naturally, Keith Olbermann’s candor and razor-sharp polemic have earned him many detractors and enemies. His antagonists in the media, such as Bill O’Reilly, have mocked him and accused him of rank intolerance. Yes, Keith Olbermann is intolerant–of hypocrisy, demagoguery, fear-mongering, and especially the equation of dissent with treason. In Truth and Consequences, he fights to reclaim for himself and all Americans the dignity of speaking one’s mind and acting on one’s conscience. Praise for Keith Olbermann “A truth-telling, Bush-bashing accidental liberal hero.”–New York “The most honest man in news . . . Olbermann clearly relishes his feuds and doesn’t seem to worry much about sparking new ones.”–Rolling Stone “Part Jon Stewart (the funny), Dennis Miller (the erudite and biting sub-references), [and] H. L. Mencken (the skewering of power and stupidity in equal doses) as well as crusading journalist . . . Olbermann has emerged as a kind of force of nature.” –San Francisco Chronicle“Intelligent, well-read, forceful and incisive.”–Rocky Mountain NewsFrom the Hardcover edition.