The protagonists are helpless victims of psychological maladies. Their suppressed libido and Oedipus complex are areas Tamil writers generally dared not enter - at any rate in the 1960s, when they were written.The brilliant introvert Rajaraman is the quintessential good boy. The play of circumstances kindles oedipal fancies in him. The incandescent consummation with Sarada Mami is a catharsis. A rishi is born looking at the world with a disdain at once benignly distant and compellingly personal.Well-educated and well-employed Janaki lives under the protective cover of her paranoid, possessive, puritanical mother. Her healthy friendship with a collegemate of yesteryear promises liberation. Her short-lived taste of freedom is stamped out and she is sucked back into her mother's bizarre, overwhelming orbit. The success of Jayakanthan lies in evoking in the reader a profound empathy with the tragically deviant characters of the two stories.

    Ten years later, Tripp McCall is now a rich business tycoon, offering to help her organize an over-the-top class reunion. Chelsea suspects he’s just trying to show her what she lost. But Chelsea doesn’t care about his money; she misses his humor, his gray eyes and soft lips. Could he ever give her a second chance?

    How does she do it? No one knows. But here, in her newest collection, I Am the Brother of XX, she does it again. Like a magician or a master criminal, who can say how she gets away with it, but whether the stories involve famous writers (Calvino, Ingeborg Bachmann, Joseph Brodsky) or baronesses or 13th-century visionaries or tormented siblings bred up in elite Swiss boarding schools, they somehow steal your heart. And they don’t rest at that, but endlessly disturb your mind.

    In this distinct selection of stories marked by struggle and compassion, Pieces Like Pottery is a powerful examination of the sorrows of life, the strength of character, the steadfast of courage, and the resiliency of love requisite to find redemption. Filled with graceful insight into the human condition, each linked story presents a tale of loss and love mirroring themes from each of the five Sorrowful Mysteries. In Expect Dragons, James Hinri learns that his old high school teacher is dying. Wanting to tell Mr. Smith one last time how much his teaching impacted him, James drives across the country revisiting past encounters with his father's rejection and the pain of his youth. Disillusioned and losing hope, little did James know that Mr. Smith had one final lesson for him. In The Gravesite, Lisa and Mike's marriage hangs in the balance after the disappearance of their only son while backpacking in Thailand. Mike thinks the authorities are right--that Chris fell to his death in a hiking accident--but Lisa has her doubts. Her son was too strong to die this young, and no one can explain to her why new posts continue to appear on her son's blog. Twenty-Two looks in on the lives of a dock worker suffering from the guilt of a life not lived and a bartender making the best of each day, even though he can see clearly how his life should have been different. The two find their worlds collide when a past tragedy shockingly connects them. A collection of nine stories, each exquisitely written and charged with merciful insight into the trials of life, Pieces Like Pottery reminds us of the sorrows we all encounter in life and the kindness we receive, oftentimes from the unlikeliest of places.

    While reams have been written on it - in human rights documents, academic theses, non-fiction accounts of the turmoil, and government and military reports - the effects of the violence on its inhabitants have rarely been rendered in fiction. Feroz Rather's The Night of Broken Glass corrects that anomaly. Through a series of interconnected stories, within which the same characters move in and out, the author weaves a tapestry of the horror Kashmir has come to represent. His visceral imagery explores the psychological impact of the turmoil on its natives - Showkat, who is made to wipe off graffiti on the wall of his shop with his tongue; Rosy, a progressive, jeans-wearing 'upper-caste' girl who is in love with 'lower-caste' Jamshid; Jamshid's father Gulam, a cobbler by profession who never finds his son's bullet-riddled body; the ineffectual Nadim 'Pasture', who proclaims himself a full-fledged rebel; even the barbaric and tyrannical Major S, who has to contend with his own nightmares. Grappling with a society brutalized by the oppression of the state, and fissured by the tensions of caste and gender, Feroz Rather's remarkable debut is as much a paean to the beauty of Kashmir and the courage of its people as it is a dirge to a paradise lost.

    The characters are familiar to readers of Bienvenido N. Santos: the hurt, homesick men of YOU LOVELY PEOPLE; the people back home of Tondo, of Bicol, and thus of BROTHER, MY BROTHER and THE VOLCANO; and the confused characters of VILLA MAGDALENA who bear burdens of guilt, and come and go on unscheduled flights to lonely places. And yet the range is different, the insights are new, and humanity here wears other familiar faces.

    His teenage friend Claire is an ace with numbers, and is always eager to help him with his homework. Max adores her, and loves when she visits him in the old house on Hollow Street. Claire can also weave a ghost story like no one else. But her favorite tale always sends chills down his spine, and hits a little too close to home...

    These fifteen compact stories are meticulously observed glimpses of everyday life that expose the ominous lurking under the ordinary. While his wife sleeps, a husband prowls the Internet, obsessed with female serial killers; a bureaucrat tries to reinvent himself, exposing goodness as artifice when he converts to Buddhism in search of power; a woman sits on the edge of the bed where her lover lies, attempting to locate a motive for his violence within her own self-doubt. Shifting between moments of violence (real and imagined) and mundane contemporary life, these stories encompass the complexity of human emotions, our capacity for cruelty as well as compassion. Not so much minimalist as stealthy, Karate Chop delivers its blows with an understatement that shows a master at work.

    Pazhani, her father, is ordered to kill her. But how can a father murder his own daughter? Imayam's powerful tale about caste bitterness—sickness that continues to plague Indian society—eerily preceded an actual event that occurred two months later. The narrative, constructed on short, crisp dialogues, is an unflinching account of the ugliness and trauma that await those who dare to transcend caste borders.

    But it will cost you.” Jake and Stephen grew up together. Down on his luck and needing a place to crash, Jake knows there's plenty of room in Stephen's gated mansion. Stephen gladly welcomes Jake into his home, but the young billionaire's generosity comes with strings attached—something he's wanted for a very long time. Jake is a straight man and always has been. But when Stephen hands him the blindfold, Jake has no choice but to cover his eyes and take whatever comes. No matter how forbidden, or taboo. 7,600 words. First of two books.

    

    Things are never what they seem and people are seldom what you THINK them to be if all you base it on is what your eyes see and not what your soul knows. There’s a fine line between destiny and duty, but when both are blended with love, who knows what miracles can occur at Christmas.

    We attach no manacles to the word truth to bind it to our visions. Instead we free it to find its own way through the minds of the two dozen writers who have shared their vision of the future in either sensitively written allegorical tales such as Relics by Louise Marley, a woman who grew up bucking hay in Montana and moved on to a talented musical performer and successful novelist; or the raw humor of Adam Troy-Castro in his Q & A, which takes on the verbal veracity of Donald J. Trump. Jim Wright (of Stonekettle Station) imagines Trump giving the Gettysburg Address. Blaze Ward, Daniel Kimmel, Janka Hobbs and I explore dystopias. Marleen Barr and Adam Troy-Castro envision humorous, kinky, and scatological endings. What can I say? It rocks.

    NINE NUANCED STORIES THAT EXPLORE THE THEMES OF DESIRE, INTIMACY AND LOVE...A contractor at a dam site develops so obsessive a desire for a tribal woman that he brings home and holds captive another man's wife; a kathak dancer trapped in a marriage of convenience redefines notions of fidelity; an accidental step into an occupied bathroom changes a Delhi servant boy's life forever; a young married couple beleaguered by infertility desperately tries to reignite the romance and passion of their honeymoon on a houseboat in Kashmir...Set across India, each of the stories in this collection unerringly locates the defiant undercurrent of individual expression in people shackled by societal norms.

    Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there’s no going back.Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages – one from her mother and one from the Mexican underworld.