All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, 'Zazie in the Metro' remains as stylish and witty today as it did back then.

    In these seven stories, the author of The Makioka Sisters explores the territory where love becomes self-annihilation, where the contemplation of beauty gives way to fetishism, and where tradition becomes an instrument of refined cruelty.

    Comprised of spine-chilling tales published by Stoker’s widow after his death, as well as The Lair of the White Worm, an intensely intriguing novel of myths, legends, and unspeakable evils, this collection demonstrates the full range of Stoker’s horror writing.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Or so he believes.Food begins to go missing. Perturbed by this threat to his orderly life, Shimura sets up a webcam to monitor his home. But though eager to identify his intruder, is Shimura really prepared for what the camera will reveal?Based on real-life events, this prize‐winning novel is a moving tale of alienation in the modern world.

    In them we find loneliness, love, and the passage of time, demonstrating the range and complexity of a true master of short fiction.

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

    This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    This selection, while stressing the variety of his work, focuses on those stories in which the real and the supernatural are brought into contact and conflict. This new translation includes The Golden Pot, The Sandman, Princess Brambilla, Master Flea, and My Cousin's Corner Window.

    Unlike the friends she makes at school, Paula strives to understand the specifics of what she's painting--replicating a wood's essence or a marble's wear requires method, technique, and talent, she finds, but also something else: craftsmanship. She resolutely chooses the painstaking demands of craft over the abstraction of high art.With the attention of a documentary filmmaker, de Kerangal follows Paula's apprenticeship, punctuated by brushstrokes, hard work, sleepless nights, sore muscles, and long, festive evenings. After completing her studies at the Institute, Paula continues to practice her art in Paris, in Moscow, then in Italy on the sets of great films, all as if rehearsing for a grand finale: at a job working on Lascaux IV, a facsimile reproduction of the world's most famous paleolithic cave art and the apotheosis of human cultural expression.An enchanted, atmospheric, and highly aesthetic coming-of-age novel, Painting Time is an intimate and unsparing exploration of craft, inspiration, and the contours of the contemporary art world. As she did in her acclaimed novels The Heart and The Cook, Maylis de Kerangal unravels a tightly wound professional world to reveal the beauty within.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    After their initial shock, the city of Edith Piaf and An American in Paris begins to work its charm on them. The four delight in getting to know the French capital during this iconic period, whilst also playing with the possibilities that time travel allows.But, ultimately, they need to work out how to get back to 2017. And the key lies in a legendary story and the vineyards of Chateau Saint-Antoine...

    Discovered by Colette, who arranged for the publication of his first novel, My Friends, Bove enjoyed a busy literary career, until the German occupation silenced him. During his lifetime, Bove’s novels and stories were admired by Rainer Maria Rilke, the surrealists, Albert Camus, and Samuel Beckett, who said of him that “more than anyone else he has an instinct for the essential detail.”Henry Duchemin and His Shadows is the perfect introduction to Bove’s world, with its cast of stubborn isolatoes who call to mind Herman Melville’s Bartleby, Robert Walser’s “little men,” and Jean Rhys’s lost women. The poet of the flophouse and the dive, the park bench and the pigeon’s crumb, Bove is also a deeply empathetic writer for whom no defeat is so great as to silence desire.[Source: http://www.nybooks.com/books/imprints...]

    Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

    In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

    First published in 1759, it was an instant bestseller and has come to be regarded as one of the key texts of the Enlightenment. What Candide does for chivalric romance, the other tales in this selection--Micromegas, Zadig, The Ingenu, and The White Bull--do for science fiction, the Oriental tale, the sentimental novel, and the Old Testament. The most extensive one-volume selection currently available, this new edition includes a new verse translation of the story Voltaire based on Chaucer's The Wife of Bath's Tale: What Pleases the Ladies and opens with a revised introduction that reflects recent critical debates, including a new section on Candide.