For a few hours each night, she escapes her family’s makeshift home and tragic circumstances with her childhood friend, Kyunghwan.Focused on finishing school, Kyunghwan doesn’t realize his older and wealthier cousin, Jisoo, has his sights set on the beautiful and spirited Haemi—and is determined to marry her before joining the fight. But as Haemi becomes a wife, then a mother, her decision to forsake the boy she always loved for the security of her family sets off a dramatic saga that will have profound effects for generations to come.Richly told and deeply moving, If You Leave Me is a stunning portrait of war and refugee life, a passionate and timeless romance, and a heartrending exploration of one woman’s longing for autonomy in a rapidly changing world.

    The redemptive journey of a young woman unsure of her engagement, who revisits in memory the events of one scorching childhood summer when her beautiful yet troubled mother spirits her away from her home to an Indian village untouched by time, where she discovers in the jungle behind her ancestral house a spellbinding garden that harbors a terrifying secret.

    Then one evening, as they gather to watch the Miss America Pageant, Linda admits that she aspires to write a novel herself, and the Wednesday Sisters Writing Society is born. The five women slowly, and often reluctantly, start filling journals, sliding pages into typewriters, and sharing their work. In the process, they explore the changing world around them: the Vietnam War, the race to the moon, and a women’s movement that challenges everything they believe about themselves. At the same time, the friends carry one another through more personal changes—ones brought about by infidelity, longing, illness, failure, and success. With one another’s support and encouragement, the Wednesday Sisters begin to embrace who they are and what they hope to become, welcoming readers to experience, along with them, the power of dreaming big.

    Nixon is about to be impeached, his wife is leaving him, and his worldview is rapidly becoming outdated. His daughter, Daley, has spent the first eleven years of her life carefully negotiating her parents’ conflicting worlds: the liberal, socially committed realm of her mother, and the conservative, liquor-soaked life of her father. But when they divorce, and Gardiner’s basest impulses are unleashed, the chasm quickly widens and Daley feels herself stretched thinly across it.As she grows into adulthood, Daley rejects the narrow world that nourished her father’s fears and prejudices, and embarks on her own separate life—until he hits rock bottom. Lured back home by the dream of getting her father sober and rebuilding a trust that was broken years ago, Daley risks losing everything she has found beyond him, including her new love, Jonathan, who represents so much of what Daley’s father claims to hate, and who has given her so much of what he could never provide.Intimate in its detail yet epic in range, Father of the Rain is a raw, compelling journey into the emotional complexities, mercurial contours, and magnetic pull of family. It is also the stunning portrait of a deeply complex man and his daughter’s fierce, primal attachment to him.

    I didn’t want to leave you... Luke Richardson has returned home after burying Natalie, his beloved wife of sixteen years, ready to face the hard job of raising their three children alone. But there’s something he’s not prepared for—a blue envelope with his name scrawled across the front in Natalie’s handwriting, waiting for him on the floor of their suburban Michigan home.The letter inside, written on the first day of Natalie’s cancer treatment a year ago, turns out to be the first of many. Luke is convinced they’re genuine, but who is delivering them? As his obsession with the letters grows, Luke uncovers long-buried secrets that make him question everything he knew about his wife and their family. But the revelations also point the way toward a future where love goes on—in written words, in memories, and in the promises it’s never too late to keep.

    Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter. As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth

    Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.Inspiring and affecting, LaRose is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

    She's had the same best friend, the same good relationship with her mother, the same boyfriend, for as long as anyone can remember. But when her fiance, Mike is paralyzed by a tragic accident, Carrie has to question everything she thought she knew about herself and about the meaning of home. Ann Packer has written a morally complex, deeply satisfying novel about the desire to live fully and the conflict between who we want to be to others and who we must be for ourselves. A magnificent debut from a remarkable new talent.

    And sometimes there are conversations to be had, which is what the overarching story in this collection is all about. It is a simple device: people brought together entertain one another with tales of what happened to them on trains. It takes place on a journey I frequently make myself and know well, the journey between Edinburgh and London. It is best read on a train, preferably that one."

    His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world's pulse. How to Get Filthy Rich in Rising Asia meets that reputation, and exceeds it. the astonishing and riveting tale of a man's journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over "rising Asia." It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else, on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along. How to Get Filthy Rich in Rising Asia is a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hopes it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.

    There, in his late wife's hometown, Hawley finds work as a fisherman, while Loo struggles to fit in at school and grows curious about her mother's mysterious death. Haunting them both are twelve scars Hawley carries on his body, from twelve bullets in his criminal past; a past that eventually spills over into his daughter's present, until together they must face a reckoning yet to come. This father-daughter epic weaves back and forth through time and across America, from Alaska to the Adirondacks. Both a coming-of-age novel and a literary thriller, The Twelve Lives of Samuel Hawley explores what it means to be a hero, and the cost we pay to protect the people we love most.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

    But instead of feeling hopeful, she is wracked with ambivalence. The long demanding hours at the lab have created an exquisite pressure cooker, and she doesn't know how to answer the marriage question. When it all becomes too much and her life plan veers off course, she finds herself on a new path of discoveries about everything she thought she knew.

    They have almost no idea what awaits them.In a dilapidated shared house in Sheffield, Tarlochan, a former rickshaw driver, will say nothing about his life in Bihar. Avtar and Randeep are middle-class boys whose families are slowly sinking into financial ruin, bound together by Avtar's secret. Randeep, in turn, has a visa wife across town, whose cupboards are full of her husband's clothes in case the immigration agents surprise her with a visit. She is Narinder, and her story is the most surprising of them all. The Year of the Runaways unfolds over the course of one shattering year in which the destinies of these four characters become irreversibly entwined, a year in which they are forced to rely on one another in ways they never could have foreseen, and in which their hopes of breaking free of the past are decimated by the punishing realities of immigrant life. A novel of extraordinary ambition and authority, about what it means and what it costs to make a new life—about the capaciousness of the human spirit, and the resurrection of tenderness and humanity in the face of unspeakable suffering.

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...