While providing a fascinating look at the course of gay consciousness over the past fifty years, it also, most enthrallingly, offers the best sexually arousing fiction centering on gay men.Featuring two original tales by Anne Rice, this elegantly written collection also includes such literary luminaries as Edmund White and Alan Hollinghurst, and such legendary cult figures as Larry Townsend and Pat Califia. The stories here range from the nonphysical but highly charged "Brian's Bedroom" by Leigh Rutledge, to the famous, boundary pushing story "Blue Light" by Aaron Travis - a fantasic, haunting piece that explores reversal, compulsion, domination, and otherness in a Texas boarding house. But whether an understated gem or an unforgettable, flamboyant display of sexuality, each of these works has a power of its own, while editor John Preston's commentary places them all in context. This collection of short fiction and nonfiction is for both gay and straight readers who enjoy masterully written erotica. It is at once a cross-section of fine erotic writing, a chronical of gay male sexuality and its growing influence on the culture at large, and an imporatnt addiction to gay literature.Contents:Correspondence with George Platt Lynes by Samuel M. StewardThe sergeant with the rose tattoo by Samuel M. Steward writing as Phil AndrosFrom 'Cruising horny corners' by "Clay Caldwell" writing as Lance LesterWorkout by Roy F. WoodPeekers by T.R. Witomski writing as Ray WaldheimThey call me "Horsemeat" by D.V. Sadero writing as Rick LaneA cowboy Christmas by Lars EighnerThe shirt by Robin MetcalfeNegative image by Michael Lassell writing as Michael LewisBrian's bedroom by Leigh RutledgeBlue light by Steven Saylor writing as Aaron TravisGetting Timchenko by Steven Saylor writing as Aaron TravisBelonging by Pat CalifiaElliott : the garden and the bar by Anne RiceElliott : below stairs by Anne RiceFrom 'Run little leather boy' by Larry Townsend"Malory's big brother" from 'The green hotel stories by Gordon HobanFrom 'A boy's own story' by Edmund WhiteFrom 'The beautiful room is empty' by Edmund White"The Brutus cinema" from 'The swimming pool-library' by Alan Hollinghurst"Mmmmpfgh" by Andrew HolleranThinking off by Scott O'Hara writing as SpunkSafe sex without condoms by John WagenhauserSoggy Biscuit by Barry LoweThe reality of a dream by W. Delon StrodeThe group by John Wagenhauser writing as WolfgangGood with words by Stephen Greco

    It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

    Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

    Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, is overwhelmed by the depth of her passion, and finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.

    Yet Cara, the free spirit, and Pen, the stoic, craft a bond so strong it seems as though nothing could sever it: not the bickering, not the secrets, not even Cara’s infidelities.But thirteen years on, a car crash kills Cara and rips the lid off Pen’s world. Pen is still in the closet, teaching at her old school, living under the roof of Cara’s gentle father, who thinks of her as his daughter’s friend. How can she survive widowhood without even daring to claim the word? Over the course of one surreal week of bereavement, she is battered by memories that range from the humiliating, to the exalted, to the erotic, to the funny. It will take Pen all her intelligence and wit to sort through her tumultuous past with Cara, and all the nerve she can muster to start remaking her life.

    Nate Schaper found his in high school. In the eight months since their cautious flirting became a real, honest, tell-the-parents relationship, Nate and Adam have been inseparable. Even when local kids take their homophobia to brutal levels, Nate is undaunted. He and Adam are rock solid. Two parts of a whole. Yin and yang.But when Adam graduates and takes an Off-Broadway job in New York—at Nate’s insistence—that certainty begins to flicker. Nate starts a blog to vent his frustrations and becomes the center of a school controversy, drawing ire and support in equal amounts. But it is the attention of a new boy who is looking for more than guidance that forces him to confront who and what he really wants.J.H. Trumble’s debut, DON’T LET ME GO, is a witty, beautifully written novel that is both a sweet story of love and long-distance relationships, and a timely discourse about bullying, bigotry, and hate in high schools.

    But it will cost you.” Jake and Stephen grew up together. Down on his luck and needing a place to crash, Jake knows there's plenty of room in Stephen's gated mansion. Stephen gladly welcomes Jake into his home, but the young billionaire's generosity comes with strings attached—something he's wanted for a very long time. Jake is a straight man and always has been. But when Stephen hands him the blindfold, Jake has no choice but to cover his eyes and take whatever comes. No matter how forbidden, or taboo. 7,600 words. First of two books.

    The book's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality. Lyrical and poignant, with powerful evocations of shame and yearning, this is an American literary treasure.

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    AVA First Officer Paul Cronin should know—he’s a gay pilot in a profession that reeks of testosterone. The pilots are macho. The mechanics are macho. Heck, even the baggage handlers are macho. It seems like the only men on the airline who aren’t strutting around talking cars and football are the flight attendants.With his scheduled flight grounded, Paul finds himself torn between a rendezvous with a handsome flight attendant and a new assignment on Flight 511. He discovers the replacement flight is a quick trip to Bermuda that will allow his date to proceed as planned, and it seems as if his weekend is falling right into place, despite the passengers’ apprehensions over crossing the Bermuda Triangle. Skeptic that he is, Paul finds it difficult to soothe the passengers’ fears. The Bermuda Triangle is just a sensationalistic name that a journalist invented for a commonly-traveled stretch of the Atlantic. Of course, airline employees wouldn’t entertain that sort of superstition…so why is the rest of Flight 511’s crew acting so strange?

    When he turned one, he fell face-down into his birthday cake. When he turned seven, he broke his arm. At his twelfth birthday, his house caught fire. Now Sam is about to turn sixteen and he is dreading the day.The only birthday wish he has is for Jake Timbers, the Mr. Popular of Arcadia High, to acknowledge his existence, or better yet give him a happy-birthday kiss. But that's unlikely to happen. Or is it?Disclaimer: The plot of the book substantially varies from the movie and all the references are made as a tribute to its awesomeness.

    Just two years after the Stonewall riots, Miller wrote an essay for the New York Times Magazine entitled "What It Means To Be a Homosexual" in response to a homophobic article in Harper's Magazine. Miller's writing, described as "the most widely read and discussed essay of the decade," along with an afterword chronicling his inspiration and readers' responses, became On Being Different — one of the earliest memoirs to affirm the importance of coming out. This updated edition includes a foreword by Dan Savage and an afterword by Charles Kaiser to highlight the impact of Miller's classic work.

    Set in the 1980s against the backdrop of a swiftly gentrifying Manhattan, The Lost Language of Cranes tells the story of twenty-five-year-old Philip, who realizes he must come out to his parents after falling in love for the first time with a man. Philip's parents are facing their own crisis: pressure from developers and the loss of their longtime home. But the real threat to this family is Philip's father's own struggle with his latent homosexuality, realized only in his Sunday afternoon visits to gay porn theaters. Philip's admission to his parents and his father's hidden life provoke changes that forever alter the landscape of their worlds.

    Andy thinks Steven abandoned him back when he was in a terrible wreck, leaving him alone during his long recovery. When they two of them experience a chance meeting in a bar, it’s like the dead have come back to life, and like the past has come back to haunt them. While society mover and shaker Steven has never stopped loving Andy, carpenter Andy has learned to hate his ex-lover, thinking the worst. Steven tracks Andy down, both of them realizing they’ve been the victim of lies and deceit. Can Andy learn to love Steven again, or is it too late for the pair to start over?

    Here are 18 stories, all about love, and about all kinds of love. From the aching for the one you pine for, to standing up and speaking up for the one you love, to pure joy and happiness, these love stories run the gamut of that emotion that at some point has turned every one of us inside out and upside down. What is love? With this original story collection David Levithan proves that love is a many splendored thing, a varied, complicated, addictive, wonderful thing.