The events Gipe chronicles are frantic. They are told through a voice by turns taciturn and angry, yet also balanced with humor and stoic grace. Weedeater  is a story about how we put our lives back together when we lose the things we thought we couldn’t bear losing, how we find new purpose in what we thought were scraps and trash caught in the weeds.

    He has been a basement- dweller, gallery troll, and a purveyor of forbidden notions. Originally distributed into the world as Xeroxed pamphlets, these “underground comix” reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespassamong the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea Eustachia. Recoil at the doings of a dwarfish malefactor in Hail Jeffrey, or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed.The author instructs you not misuse this tome. Poke it gently with a long stick, if you must. Careful, it might ruin the carpet. Placate it with a belly-rub or sweet pastry before it attacks the children. Don’t worry, your tongue won’t stick. If it fits, don’t shove it in too quickly. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.FOLLY: The Consequences Of Indiscretion. By one of the most inscrutable and discomforting cartoonists alive.

    Henry Award winner John Biguenet is as notable for the rigor of its intellect as for the sweep of its imagination. Whether recounting the predicament of an atheistic stigmatic in "The Vulgar Soul" or a medieval torturer who must employ his terrible skills upon his own apprentice in the title tale, these stories decline to settle for ready sentiments or easy assurances.Rather than add to the massive canon of the victimized, for example, "My Slave" takes the perspective of the victimizer. In "The Open Curtain," a man achieves intimacy with his family only when he recognizes -- watching them dine as he sits in his car at the curb -- that he lives in a household of strangers. Menaced by a gang of skinheads in a Jewish cemetery, an American tourist in Germany placates the Neo-Nazis with a formula he continues to repeat even after he is safely back home in "I Am Not a Jew." And as for love, it makes demands in such stories as "Do Me" that shake our very notions of what it means to love.If these stories engage the world in sometimes shocking ways, they are virtuoso engagements, eloquent in their prose, surprising in their plotting, sly in their humor. Biguenet shifts among voices and narrative strategies and imposes neither a single style nor a repeated structure as he depicts the ecological catastrophe of "A Plague of Toads," the problem posed by a ghost in the nursery in "Fatherhood," and the ghastly discovery a grieving widower defends as "another kind of memory" in "Rose."Such mastery of craft may come as a surprise in a first-time author, but even more impressive is the object of his art. For whether it seeks to prick or to tickle, each story in The Torturer's Apprentice addresses its subject with an authority unusual in contemporary literature as it entices the reader beyond the boundaries of the expected and the accepted.

    One friend is missing, one is in a mental ward—and one knows that Eve is responsible.After a stint as a Boston cop that ends in a bullet wound and unintended celebrity, Eve returns to Coffin Hill, only to discover the darkness that she unleashed ten years ago in the woods was never contained. It continues to seep through the town, cursing the soul of this sleepy Massachusetts hollow, spilling secrets and enacting its revenge. Set against the haunted backdrop of New England, COFFIN HILL explores what people will do for power and retribution. Noted novelist Caitlin Kittredge, author of the Black London series, brings a smart, mesmerizing style to comics. Artist Inaki Miranda (FABLES) brings his dynamic storytelling to COFFIN HILL, following an acclaimed run on FAIREST.- See more at: http://www.vertigocomics.com/comics/c...

    The sudden death of her father has left her alone with her irresponsible, grief-stricken mother-who becomes easy prey for a group of occultists promising to contact her dead husband. While fighting to disentangle her mother from these charlatans, Daphne begins to sense a strange, insidious presence in her own body...an entity with unspeakable appetites. What does “Brother” want? And could she even stop him if she tried?

    Nobody dies.In the town of Stillwater, that’s not just a promise.It’s a threat.Join superstar writer CHIP ZDARSKY (THE WHITE TREES, Daredevil) and Eisner Award-winning artist RAMÓN K PÉREZ (Jim Henson’s Tale of Sand, Jane) as they dive into a world of horror and intrigue in this new ongoing Skybound series.

    Witnessing savage killings at the hands of the prison's sadistic and psychotic Warden, Sullivan decides that in order to survive he must match the brutality occurring in the prison.But as he fights to escape his fate, Sullivan is forced to question his sanity and confront his own horrific past. This Special Edition has a limited print run of 750 copies and includes the upcoming film's screenplay, a pencils to inks gallery, and a behind the scenes featurette on the making of the death row film set.

    A Hellraiser Companion, first in a 4 volume set.

    Part of the Nobrow 17x23 series.

    The Familiar (Volume 1) ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L.A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too—or at least the world we think we know and the future we take for granted.(With full-color illustrations throughout.)

    The story begins with the journey of an adventurer, Robert Walton, who saves the life of a man at the North Pole. That man, Victor Frankenstein, tells Walton about his experiments with the creation of life and how he ended up at the North Pole. Through this simple plot device, Shelley was able to deal with serious real-world issues like acceptance, tolerance, and understanding, as well as the universal human need for companionship and love. The novel, of course, inspired a host of films, from the 1931 classic starring Boris Karloff to Andy Warhol’s Frankenstein, and more recently, a series of novels by Dean Koontz. This version, though slightly abridged, retains much of the original dialogue and remains true to Shelley’s brilliant vision.

    Join princess Aurora and her friends as they journey to civilization's heart of darkness in a bleak allegory about surviving the human experience.  The sweet faces and bright leaves of Kerascoët’s delicate watercolors serve to highlight the evil that dwells beneath Vehlmann's story as pettiness, greed, and jealousy take over. Beautiful Darkness is a harrowing look behind the routine politeness and meaningless kindness of civilized society.

    Accepting their demented challenge, Batman is forced to live and endure the personal hells of the Joker, Scarecrow, Poison Ivy, Two-Face, and many other sworn enemies in order to save the innocents and retake the prison. During his run through this absurd gauntlet, the Dark Knight's own sanity is placed in jeopardy. This special anniversary edition trade paperback also reproduces the original script with annotations by Morrison and editor Karen Berger.

    Chased by a crazed mob and mysterious characters neither friend nor foe, the Human takes an unexpected journey that will lead to his salvation… or damnation. Collects the four-issue miniseries.* Inspired by the Stone Sour album House of Gold & Bones Parts 1 and 2.* Includes variant covers by Frank Quitely, Kylz Hotz, Steve Morris, and Richard Clark." House of Gold and Bones #1 explores the fear of the unknown in interesting ways. Though the issue leaves a lot of unanswered questions, I look forward to reading how Taylor will develop the mystery." - Bloody Disgusting

    Magic meets the mob in THE MAGIC ORDER, as five families of magicians—sworn to protect our world for generations—must battle an enemy who's picking them off one by one. By day, they live among us as our neighbors, friends, and co-workers, but by night, they are the sorcerers, magicians, and wizards that protect us from the forces of darkness…unless the darkness gets them first. MARK MILLAR's first NETFLIX comic book, drawn by the incredible OLIVIER COIPEL (Amazing Spider-Man, Thor).