In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    Violet's story is of young innocent love for a local lad taking an unfortunate twist, while Claudine is a thoroughly twenty-first-century character: daughter of a loving father with a less loving stepmother, she marries in haste after her father's death, and is at a turning point in her life when she starts to find out the true story of Violet. Is happiness a possibility for these women in their separate and very different worlds?

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    He also describes his enduring friendship with the ‘kid from across Dublin’s Tolka Park’, Eamon Dunphy, and his career on RTÉ2’s football panel, where Giles’ intelligent and insightful analysis have made him an even more well-loved and respected national figure.

    Of the other four provinces, Connaught acknowledged the rule of the O'Connors, Munster that of the O'Briens, Leinster of the McMurroughs, and Ulster of the O'Neills, who were also in theory over-kings, or, as the native word was, Ard-Reaghs of the entire island.

    Lover. Bon viviant. Cad. Ross O'Carroll-Kelly is many things to many people. But 10 years after he lifted the Leinster Schools Senior Cup, Ireland's most beloved rogue remains one of its most misunderstood figures.

    From playground taunts of 'only sluts do it' but 'virgins are frigid', to ladette culture, and the arrival of 'ironic' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surrounds us today.In this subversive essay, McBride asks - are women still damned if we do, damned if we don't? How can we give our daughters (and sons) the unbounded futures we want for them? And, in this moment of global crisis, might our gift for juggling contradiction help us to find a way forward?

    Streets that are ruled by Ghost and his crew. And now Ghost- inked, vicious, unprincipled- has a job for Jig.A job that no one can afford to go wrong- not the gangs, the police, the locals, and least of all not Jig.

    The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

    Perfect for fans of Marian Keyes and Jodi Picoult.When Sarah falls for Matthew, she falls hard.So it doesn't matter that he's twenty years older. That he sees her only in secret. That, slowly but surely, she's sacrificing everything else in her life to be with him.Sarah's friends are worried. Her father can't understand how she could allow herself to be used like this. And she's on the verge of losing her job.But Sarah can't help it. She is addicted to being desired by Matthew.And love is supposed to hurt.Isn't it?

    Mostly set in the rural Irish midlands, on a small family farm not far from the river Shannon. This book tracks the final years of Maleney's grandfather's life, and looks at his experience with Alzheimer's disease, as well as the experiences of the people closest to him. Using his grandfather's memory loss as a spur, the essays ask what it means to call a place home how we establish ourselves in a place, and how we record our experiences of a place. The nature of familial and social bonds, the way a relationship is altered by observing and recording it, the influence of tradition and history, the question of belonging - these are the questions which come up again and again. Using episodes from his own life, and drawing on the works of artists like Pat Collins, Seamus Heaney, John Berger and Brian Eno, Maleney examines how certain ways of listening and looking might bring us closer to each other, or keep us apart. Minor Monuments is a thought provoking and quietly devastating meditation on family, and how even the smallest story is no minor event.

    He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.

    Written in an entertaining, educational and assessible style, this biography is an accurate and well-researched portrayal of the man.

    The eight short stories of this collection have a dual theme: Ireland - its people, its personality - and woman - woman betrayed, or sacrificed, innocence involuntarily lost, happiness stolen or mislaid..

    Brothers Hart and Cormac Black are waking up to a very different Ireland – one that widens the chasm between them and brings their beloved father to his knees. Facing a devastating choice that risks their livelihood, if not their lives, their biggest danger comes when there is nothing to lose. A sharp snapshot of a family and a nation suddenly unmoored, this epic-in-miniature explores cowardice and sacrifice, faith rewarded and abandoned, the stories we tell ourselves and the ones we resist. Hilarious, poignant and utterly fresh, The Wild Laughter cements Caoilinn Hughes' position as one of Ireland's most audacious, nuanced and insightful young writers.