Growing up in Finglas, Dublin, there was only one thing Christy Dignam ever wanted to do – and that was sing. By the early 1980s, he had formed the band Aslan, part of a new wave of acts coming out of Ireland. Repeatedly chewed up and spat out in the feeding frenzy to sign 'the next U2', they stuck to their principles. developed a loyal following, and their first album Feel No Shame went to No 1 in their home country, showcased by the song ‘This Is’, which Christy proudly acknowledges has become 'part of Ireland's DNA'.   But just as America seemed ready to fall for Aslan, Dignam was battling with heroin addiction, perhaps caused by having been sexually abused as a child, and so he was kicked out of the band. In 1993, after five years in the wilderness, he rejoined Aslan, leading the outfit to a triumphant second coming, despite struggling with further drug problems and serious illness. In this compelling memoir, Dignam looks back over his long career, vividly bringing to life the good times and the bad, but always remembering that at the heart of it all are his songs and his family.

    

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    

    While there, Gabriel, recently engaged and the son of a War of Independence hero, has his life thrown into turmoil when he meets a beautiful mysterious woman, Karina Harper.Karina watched as a child as her magnificent home in Ireland was burned down by rebels and her family were driven out of the country. Now a secretary at the British Foreign Office, she is using all her contacts as she desperately tries to rescue the man she loves from Nazi Germany.As war erupts and Karina is posted to Dublin, Gabriel risks everything for a scandalous affair with her. Gabriel and Karina become engaged. But is she all she seems? Is she just using Gabriel’s diplomatic status to rescue her true love trapped in wartime Germany? Or does she have some other darker motive for pursuing the relationship?As a Nazi victory in Europe looks imminent, Gabriel is sent to Berlin by De Valera to try to avert a feared invasion of Ireland. Karina uses the opportunity to accompany him, to find her old love.But as she and Gabriel board a plane for Berlin, Karina is hiding one more secret. And if discovered, this secret will ensure neither ever return.

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    My heart is broken and my failure is total.A bomb is born, lives and dies in a rural secondary school; Ireland becomes a dumping ground for corpses; one family’s genealogy begins in tragedy in 1574 and ends in something far worse in 2111; a strange tribal matriarchy on the banks of the River Boyne is threatened with extermination.Over the course of these stories, the world breaks down in an endless cycle of hunger, desperation, violence and domination, and we find a humanity left tender, collapsed, and full of a beautiful, primeval innocence.Fagan’s raw blend of verve, humour, imagination and warmth surges through these pages, revealing a world rendered both hopeful and disturbing, human and other, that is at once familiar and extraordinary.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    Its tentacles reach the shores of America when John Costa, a once-prominent attorney who has all but given up on life, is questioned by the police. They’re asking about the person he’d least expect: the enigmatic Irish woman he secretly admires. His heart tells him she’s innocent, but new evidence hints at a sinister past. Will he be able to exonerate the woman of his dreams, or is he destined to become another victim? Learn the truth in this compelling tale of love, intrigue, and murder!

    

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.