In 1965, Feiffer wrote what is arguably the first critical history of the comic book superheroes of the late 1930s and early 1940s, including Plastic Man, Batman, Superman, The Spirit and others. In the book, Feiffer writes about the unique the place of comics in the space between high and low art and the power which this space offers both the creator and reader.The Great Comic Book Heroes is widely acknowledged to be the first book to analyze the juvenile medium of superhero comics in a critical manner, but without denying the iconic hold such works have over readers of all ages. Out of print for over 30 years, Feiffer's book discusses the role that the patriotic superhero played during World War II in shaping the public spirit of civilians and soldiers, as well as the escapist power these stories held over the zeitgeist of America. With wit and insight Feiffer discusses what the great comic book heroes meant to him as a child and later as an artist.

    ...read Kilgore Trout ...opened a successful optometry business ...built a loving family ...witnessed the firebombing of Dresden ...traveled to the planet Tralfamadore ...met Kurt Vonnegut ...come unstuck in time.   Billy Pilgrim’s journey is at once a farcical look at the horror and tragedy of war where children are placed on the frontlines and die (so it goes), and a moving examination of what it means to be fallibly human.

    Strange and Stranger: The World of Steve Ditko is a coffee table art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.

    The place where he first rebelled against his given destiny and imagined that he could be more -that he could be a man. There, he builds them. A wife, Virginia. Two teenage twins, Viv and Vin. They look like him. They have his powers. They share his grandest ambition (or is that obsession?) the unrelenting need to be ordinary.Behold the Visions! They’re the family next door, and they have the power to kill us all. What could possibly go wrong? Artificial hearts will be broken, bodies will not stay buried, the truth will not remain hidden, and the Vision will never be the same.Collecting: The Vision 1-6

    All over the world. And they did nothing, standing on the surface of the Earth like trees, exerting their silent pressure on the world, as if there were no-one here and nothing under foot. Ten years since we learned that there is intelligent life in the universe, but that they did not recognize us as intelligent or alive. Beginning a new science fiction graphic novel by WARREN ELLIS and JASON HOWARD.

    The Victorian Era draws to a close and the twentieth century approaches. It is a time of great change and an age of stagnation, a period of chaste order and ignoble chaos. It is an era in need of champions.In this amazingly imaginative tale, literary figures from throughout time and various bodies of work are brought together to face any and all threats to Britain. Allan Quatermain, Mina Murray, Captain Nemo, Dr. Henry Jekyll and Edward Hyde and Hawley Griffin, the Invisible Man, form a remarkable legion of intellectual aptitude and physical prowess: The League of Extraordinary Gentlemen.

    After twenty years, when the killer was finally captured with the help of DNA technology, Jensen and fellow detectives spent 188 days interviewing Gary Ridgway in an effort to learn his most closely held secrets--an epic confrontation with evil that proved as disturbing and surreal as can be imagined. Written by Jensen's own son, acclaimed entertainment journalist Jeff Jensen, Green River Killer: A True Detective Story is bound to become a well-recognized member of the crime-genre graphic novel family, including titles like Darwyn Cooke’s The Hunter and Alan Moore’s From Hell.

    "This history of the birth of superhero comics highlights three pivotal figures. The story begins early in the last century, on the Lower East Side, where Harry Donenfeld rises from the streets to become the king of the 'smooshes'-soft-core magazines with titles like French Humor and Hot Tales. Later, two high school friends in Cleveland, Joe Shuster and Jerry Siegel, become avid fans of 'scientifiction,' the new kind of literature promoted by their favorite pulp magazines. The disparate worlds of the wise guy and the geeks collide in 1938, and the result is Action Comics #1, the debut of Superman. For Donenfeld, the comics were a way to sidestep the censors. For Shuster and Siegel, they were both a calling and an eventual source of misery: the pair waged a lifelong campaign for credit and appropriate compensation." -The New Yorker

    'Don't Go Without Me' contains 3 individual stories: the titular 'Don't Go Without Me,' 'What Is Left,' and 'Con Temor, Con Ternura' (With Fear, With Tenderness). 'Don't Go Without Me': Two lovers sneak out for a night out on the town- a town where spirits and the supernatural exist as a realm within and alongside our world, with humans crossing over frequently. The lovers get separated, and must barter with stories in exchange for clues as to where the other may be. But, unknown to them, each time they gain a morsel of information, they lose something, too...'What Is Left': A ship that runs on the memories of one of its occupants malfunctions and collapses in on itself in the dead of space. Alive but trapped, an engineer who survives the wreckage finds herself inside the reservoir of memories, stranded alone in a patchwork dream of someone else's life.'Con Temor, Con Ternura': For years, the residents of a small, ocean-side town have been living in the shadow of the sleeping giant who is prophesised to one day wake up and lay their world to waste. As the foreseen date of their impending doom draws near, the town decides to put on a festival on that very same night, to celebrate their lives and face whatever fate awaits them together.

    (United Republics of the Red Star), this critically acclaimed story follows the heroes of the Red Star as they discover their country's true intentions in a war against a smaller neighbor state; a revelation that leads the soldiers on a quest to liberate their nation from its dark legacy of oppression.

    In 1991, Jeffrey Dahmer — the most notorious serial killer since Jack the Ripper — seared himself into the American consciousness. To the public, Dahmer was a monster who committed unthinkable atrocities. To Derf Backderf, “Jeff” was a much more complex figure: a high school friend with whom he had shared classrooms, hallways, and car rides. In My Friend Dahmer, a haunting and original graphic novel, writer-artist Backderf creates a surprisingly sympathetic portrait of a disturbed young man struggling against the morbid urges emanating from the deep recesses of his psyche — a shy kid, a teenage alcoholic, and a goofball who never quite fit in with his classmates. With profound insight, what emerges is a Jeffrey Dahmer that few ever really knew, and one readers will never forget.

    1 in 1938, introduced the world to something both unprecedented and timeless: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Iron Man, and the X-Men—the list of names as familiar as our own. In less than a century, they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But what are they trying to tell us?For Grant Morrison, arguably the greatest of contemporary chroniclers of the “superworld,” these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations. In this exhilarating work of a lifetime, Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero—why they matter, why they will always be with us, and what they tell us about who we are . . . and what we may yet become.

    Soon everybody is growing older—every half hour—and there doesn’t seem to be any way out of the cove. Levy’s dramatic storytelling works seamlessly with Peeters’s sinister art to create a profoundly disturbing and fantastical mystery.

    He shares the story of his master’s murder and asks them to avenge this death and kill the one responsible, the man known as ... Shredder!

    Butler’s groundbreaking dystopian novel In this graphic novel adaptation of Octavia E. Butler’s Parable of the Sower by Damian Duffy and John Jennings, the award-winning team behind Kindred: A Graphic Novel Adaptation, the author portrays a searing vision of America’s future. In the year 2024, the country is marred by unattended environmental and economic crises that lead to social chaos. Lauren Olamina, a preacher’s daughter living in Los Angeles, is protected from danger by the walls of her gated community. However, in a night of fire and death, what begins as a fight for survival soon leads to something much more: a startling vision of human destiny . . . and the birth of a new faith.