Life is always fresh, topical, and irreverent in this wacky house.* Amend's FoxTrot won the National Cartoonists Society's prestigious Reuben Award in 2007.

    Now, the feline Internet phenomenon makes his way onto the page in this first-ever book based on the popular animated series. Simon's Cat depicts and exaggerates the hilarious relationship between a man and his cat. The daily escapades of this adorable pet, which always involve demanding more food, and his exasperated but doting owner come to life through Tofield's charming and hilarious illustrations.

    Embrace it.A bear flies through space. A hamster suffers a breakdown. Elsewhere, a garden snake is arrested by animal control and jailed for home invasion, while a child marvels at the wonder of nature as worms emerge from the ground and begin looking for vodka (as they always have). These are common occurrences in the world of Reza Farazmand’s wildly popular webcomic, Poorly Drawn Lines. Traveling from deep space to alternate realities to the bottom of the ocean, this eponymous collection brings together fan favorites with new comics and original essays to share Farazmand’s inimitable take on love, nature, social acceptance, and robots.

    

    They’ re coming. They’re hungry.Don’t wait for them to come to you! This is the graphic novel the fans demanded: major zombie attacks from the dawn of humanity. On the African savannas, against the legions of ancient Rome, on the high seas with Francis Drake . . . every civilization has faced them. Here are the grisly and heroic stories–complete with eye-popping artwork that pulsates with the hideous faces of the undead. Organize before they rise!Scripted by the world’s leading zombie authority, Max Brooks, Recorded Attacks reveals how other eras and cultures have dealt with–and survived– the ancient viral plague. By immersing ourselves in past horror we may yet prevail over the coming outbreak in our time.

    I have done stand-up, sketches, movies, monologues, awards show introductions, sound bites, blurbs, talk show appearances, and tweets, but the idea of a one-panel image with or without a caption mystified me. I felt like, yeah, sometimes I'm funny, but there are these other weird freaks who are actually funny. You can understand that I was deeply suspicious of these people who are actually funny." So writes the multitalented comedian Steve Martin in his introduction to A Wealth of Pigeons: A Cartoon Collection. In order to venture into this lauded territory of cartooning, he partnered with the heralded New Yorker cartoonist Harry Bliss. Steve shared caption and cartoon ideas, Harry provided impeccable artwork, and together they created this collection of humorous cartoons and comic strips, with amusing commentary about their collaboration throughout. The result: this gorgeous, funny, singular book, perfect to give as a gift or to buy for yourself.

    When the barbarian with the lowest IQ in the world starts passing out words of wisdom and advice, all of his old cohorts and enemies come out of the woodwork to find out what's wrong, and no one's more confused than Rufferto, the most loyal little dog in Plentia.

    It has pictures. It has a saccharine-sweet title. The main characters are a little girl and her teddy bear. But all of that is just protective coloration. The truth is, this is a book for adults with a dark sense of humor and an appreciation of old-school faerie tales.There are three separate endings to the book. Depending on where you stop, you are left with an entirely different story. One ending is sweet, another is horrible. The last one is the true ending, the one with teeth in it.The Adventures of the Princess and Mr. Whiffle is a dark twist on the classic children's picture-book. I think of it as Calvin and Hobbes meets Coraline, with some Edward Gorey mixed in.Simply said: This is not a book for children.

    Foreman on a deconstruction ship that specializes in demolishing belief outbreaks, Nul is prodded out of his complacency by a false murder charge, and sets off on a journey that takes him to the very brink of hope. A 232-page concoction of fiction and intrigue that delves into the bleak and bitter philosophical brew of Nihilist chic.

    Text by H. Kevin Miserocchi, director of the Tee and Charles Addams Foundation, offers a revealing chronology of each character's evolution, while Addams's own incisive character descriptions, originally penned for the benefit of the television show producers, introduce each chapter. As the presence of the Family continues to permeate generation after generation, and in celebration of the Broadway musical debuting in 2010, this book reminds us where these oddly lovable characters came from and, in doing so, offers a lasting tribute to one of America's greatest humorists. Includes more than 200 cartoons (approximately 50 are published here for the first time), many in color.

    Zach Galifianakis, start of The Hangover, will provide the foreword.Everyone knows the only thing more painful than relationships is not having them--or is it the other way around? Whatever, says author and cartoonist Nick Galifianakis. In his first book, If You Loved Me, You'd Think This Was Cute: Uncomfortably True Cartoons About You, he makes the case that either way, the only recourse is to embrace our frailties and laugh. Taken from Carolyn Hax's nationally syndicated advice column, this compilation spins the pain of dating, mothers-in-law, "beneficial" friends and more into ... the pain of self-recognition. The intricately drawn pen-and-ink panels and pointed captions explore some of life's most uncomfortable truths, exposing the humanity in our mistakes, the underbelly of our triumphs and the sheer heroism of trying and trying again.Throughout this character study of men and women (and the dogs who love them), Galifianakis mines our hopes and insecurities for a unifying truth: If we can't laugh at ourselves, he'll do it for us."Nick snuck me into my first comedy club when I was only a back-acned teenager. The back acne went away but the comedy stuck. I know that last sentence sounds like a lyric from a Joan Baez song, but trust me, it's original." --Zach Galifianakis, from the foreword"Nick's cartoons are funny, witty, and smart. But what makes them so special are how universal and true they are, making the laughs they bring all the more poignant. Relationships, in all their glory, have never been captured quite so succinctly and with such charm." --Amy B. Harris, writer/producer for Sex and the City"Nick Galifianakis understands relationships unbelievably well, for a guy. My guess is he actually menstruates." --Gene Weingarten, two-time Pulitzer Prize winner, Washington Post humor columnist

    It was originally titled Sick Sick Sick, but Feiffer changed the name to, simply, Feiffer, because he got tired of explaining that the title referred to the society he was commenting on, not the nature of his humor, which, he insisted, was not sick.Politically, the '50s was dominated by the insipid Presidency of Dwight D. Eisenhower; the backwash of Joe McCarthy; and the Cold War, which was in full swing. Culturally, the Beats were revolutionizing literature, Marlon Brando was changing the face of acting, and Elvis Presley was altering the public's perception of pop music. The post-war suburban bliss of the country was being challenged by sociologists and economists in books like The Lonely Crowd, The Other America, and The Afflulent Society. The civil rights movement was gaining momentum. Camelot was just around the corner, and would be shattered by the assassinations of JFK, RFK, and MLK. The Vietnam War would polarize the country. It was into this scrambled political-cultural climate that Jules Feiffer flung himself full throttle for the next ten years.His strip tackled just about every issue, private and public, that affected the sentient American: relationships, sexuality, love, family, parents, children, psychoanalysis, neuroses, presidents, politicians, media, race, class, labor, religion, foreign policy, war, and one or two other existential questions. It was the first time that the American public had been subjected to a weekly dose of comics that so uncompromisingly and wittily confronted individuals' private fears and society's public transgressions. Explainers is the first of four volumes collecting Feiffer's entire run of weekly strips from The Village Voice. This edition contains approximately 500 strips originally published between 1956 and 1966 in a brick-like landscape hardcover format.

     A people infested with demons. a time of revolution. a liberator rises. One of the oldest and most powerful stories in human history comes uniquely alive in this telling of the Gospel of Mark. Join a carpenter as he changes the world. And join Steve Ross as he re-imagines the ancient story, with all of its power and mystery intact. Told with unexpected and startling imagery, Marked will forever change the way you think about this both familiar and strange tale. This is a human story of passion and murder. Of a compassionate man brutally killed and yet compellingly alive.

    Fear, corruption and treachery abound in this political satire set in the aftermath of Stalin's death in the Soviet Union in 1953. When the leader of the Soviet Union, Joseph Stalin, has a stroke—the political gears begin to turn, plunging the super-state into darkness, uncertainty and near civil war. The struggle for supreme power will determine the fate of the nation and of the world. And it all really happened.

    Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.