The dreamer behind this great Imperial vision was Nikolai Rezanov – diplomat, adventurer, courtier, millionaire and gambler. His quest to plant Russian colonies from Siberia to California led him to San Francisco, where he was captivated by Conchita, the fifteen-year-old daughter of the Spanish Governor, who embodied his dreams of both love and empire. From the glittering court of Catherine the Great to the wilds of the New World, Matthews conjures a brilliantly original portrait of one of Russia's most eccentric Empire-builders.

     Makoto Saigo could have been a rock star. Instead he became a yakuza. Born in Japan, but the son of an American-born Japanese woman—who moved back to Japan to avoid internment camps—Saigo  was never a typical Japanese boy. As a child, other children referred to him as “a damn American,” or simply a “non-person.” He was always an outsider, but as a teenager in 1970s Tokyo he found his tribe in Japan’s notorious motorcycle gangs—the Bōsōzuko. His life was full of speed, whether synthetically through crystal meth, mechanically from the engine of his bike, or rhythmically as he played guitar for Japan pioneering punk-rock group Gedo. But a chance encounter—and perhaps a bit too much lust for life that kept leading him to Toyko’s notorious red light district—placed him on a different path of becoming a boss in the Inagawa-kai, the country’s third largest organized-crime group.   Full of swordfights, gun battles, finger amputation, rock ‘n’ roll, financial crimes, gang wars, tattoos, and personal vendettas, Saigo’s story is one of a kind. But it is not the only story told here. The Last Yakuza also tells the history of the yakuza since World War II, and explains how the yakuza became so entrenched in Japan. Saigo’s life is the axis around which tales of yakuza life and their role in Japanese society are told. It is the story of one yakuza boss—not a good man, but a man with a code of honor—and the history of the rise and fall of Japan’s underworld as it is almost literally tattooed on his body and charted by his missing finger.(With 8 pages of black-and-white illustrations.)From the Hardcover edition.

    Blending the historical with the supernatural, the comic with the grotesque, the lyrical with the brutal, Sylvie Germain tells the story of humanity's strivings and vanity, of the profound injustices that govern our relations, and of the fundamental strength that allows us ultimately to triumph over carnage and degradation.

    George-Jacques Danton was the driving force behind it. In the first biography of Danton in over forty years, David Lawday reveals the larger-than-life figure who joined the fray at the storming of the Bastille in 1789 and was dead five years later.To hear Danton speak, his booming voice a roll of thunder, excited bourgeois reformers and the street alike; his impassioned speeches, often hours long, drove the sans culottes to action and kept the Revolution alive. But as the newly appointed Minister of Justice, Danton struggled to steer the increasingly divided Revolutionary government. Working tirelessly to halt the bloodshed of Robespierre’s Terror, he ultimately became another of its victims. True to form, Danton did not go easily to the guillotine; at his trial, he defended himself with such vehemence that the tribunal convicted him before he could rally the crowd in his favor.In vivid, almost novelistic prose, Lawday leads us from Danton’s humble roots to the streets of Revolutionary Paris, where this political legend acted on the stage of the revolution that altered Western civilization.

    His novel Where Tigers Are at Home won the Fnac, Giono, and Médicis Prizes. Island of Point Nemo is his ninth novel.Hannah Chute has an MA in translation from the University of Rochester. In 2015, she received the Banff Centre Scholarship to work on Island of Point Nemo, her first full-length translation.

    Contemporaries of the Astors and Vanderbilts, they grew up together along the shores of bucolic Staten Island, linked by privilege—her grandparents built the world’s fastest clipper ship, his family owned most of Murray Hill. Theirs was a world filled with mansions, balls, summer homes, and extended European vacations.Newton became a passionate preserver of New York history and published the finest collection of Manhattan maps and views in a six-volume series. Edith became the face of the age when Daniel Chester French sculpted her for Chicago’s Columbian Exposition, a colossus intended to match the Statue of Liberty’s grandeur. Together Edith and Newton battled on behalf of New York’s poor and powerless as reformers who never themselves wanted for anything. Through it all, they sustained a strong-rooted marriage.From the splendid cottages of the Berkshires to the salons of 1890s Paris, Love, Fiercely is the real story of a world long relegated to fiction.

    For the next ten hours, twelve hundred German guns showered shells on a salient in French lines. The massive weight of explosives collapsed dugouts, obliterated trenches, severed communication wires, and drove men mad. As the barrage lifted, German troops moved forward, darting from shell crater to shell crater. The battle of Verdun had begun. In Verdun, historian Paul Jankowski provides the definitive account of the iconic battle of World War I. A leading expert on the French past, Jankowski combines the best of traditional military history-its emphasis on leaders, plans, technology, and the contingency of combat-with the newer social and cultural approach, stressing the soldier's experience, the institutional structures of the military, and the impact of war on national memory. Unusually, this book draws on deep research in French and German archives; this mastery of sources in both languages gives Verdun unprecedented authority and scope. In many ways, Jankowski writes, the battle represents a conundrum. It has an almost unique status among the battles of the Great War; and yet, he argues, it was not decisive, sparked no political changes, and was not even the bloodiest episode of the conflict. It is said that Verdun made France, he writes; but the question should be, What did France make of Verdun? Over time, it proved to be the last great victory of French arms, standing on their own. And, for France and Germany, the battle would symbolize the terror of industrialized warfare, "a technocratic Moloch devouring its children," where no advance or retreat was possible, yet national resources poured in ceaselessly, perpetuating slaughter indefinitely.

    These letters, written to the great fashion designer after his death, relieve the carefree days when they were discovering fame and building their renewed art collection, as well as the bitter ones that followed, filled with drugs and depression. This homage to their passionate, sometimes tempestuous life together is a last and intimate farewell to a towering figure of 20th century fashion.

    Sean, the Irish hard-drinking poet is their host, but hasn't told them he's dying of cancer. In fact none of them would be there if they didn't have the kind of dysfunctional lives and problems which prevent them being with their own families.With the exception of the enigmatic outsider, a new young trophy wife, they all know too much about each other, their weak points and failures. Relationships and histories criss-cross; they have little in common except a mutual past and a search for meaning in the present. And meanwhile they're all at the mercy of fate - both inevitable and surprising, funny and tragic.

    He was large in his passions, a fierce loner with a childlike appetite for danger. She was frail and voluble, exotic and capricious. Within hours of their first encounter, he knew he would have her as his wife.Their love affair and marriage would take them from Buenos Aires to Paris to Casablanca to New York. It would take them through periods of betrayal and infidelity, pain and intense passion, devastating abandonment and tender, poetic love. The Tale of the Rose is the story of a man of extravagant dreams and of the woman who was his muse, the inspiration for the Little Prince’s beloved rose—unique in all the world—whom he could not live with and could not live without.

    In doing so he reveals the essential bones of philosophical thought and shows why philosophy is relevant in our day-to-day lives. In his brilliant and concise writing on morality, politics, love, death, knowledge, freedom, God, atheism, art, time, Man, and wisdom, he inspires the central question of philosophy - how should we live? - and provides the reader with signposts towards a happier, wiser life.

    'Tableaux parisiens' portrays the brutal life of Paris's thieves, drunkards and prostitutes amid the debris of factories and poorhouses. In love poems such as 'Le Beau Navire', flights of lyricism entwine with languorous eroticism, while prose poems such as 'La Chambre Double' deal with the agonies of artistic creation and mortality. With their startling combination of harsh reality and sublime beauty, formal ingenuity and revolutionary poetic language, these poems, including a generous selection from Les Fleurs du Mal, show Baudelaire as one of the most influential poets of the nineteenth century.

    Taking up an impulsive challenge from the editor of Paris-Soir, Cocteau sets off with his very own ‘Passepartout’ as companion on a picaresque voyage some sixty-three years after his fictional predecessor. He finds that the journey has lost none of its hazards and adventures as he races around the globe in tramp-ship, railway and ocean liner. Observing and recording the frenetic change of scenes from Athens and Alexandria to Bombay, Rangoon, and Yokohama and finally across the United States, Cocteau’s witty, subjective and sometimes outrageous narrative gives this unique travel-memoir a camp and stylish spin.

    A self-described "middle-aged wreck," Miles set out with his wife, Guislaine, to walk across France, from the Mediterranean to the Atlantic.Setting for themselves the goal of twenty miles a day, Miles and Guislaine made their way past farmyards and riverbanks, through dusty village squares and ripening vineyards, into ancient walled cities and over sand dunes. And as the hot, dry countryside unfolded slowly before them, the couple looked back with relief -- and wonder -- at the tense, frenzied corporate life they had left behind.The story of a walk, a marriage, an adventure, and a dream made real, A WALK ACROSS FRANCE marks the debut of an enormously entertaining writer.

    He observes his customers as they come and go – the young man who drinks beer as he reads Primo Levi, the fellow who from time to time strips down and plunges into the nearby Seine, the few regulars who eat and drink there on credit – sizing them up with great accuracy and empathy. Pierre doesn’t look outside more than necessary; he prefers to let the world come to him. Soon, however, the café must close its doors, and Pierre finds himself at a loss. As we follow his stream of thoughts over three days, Pierre’s humanity and profound solitude both emerge. The Waitress Was New is a moving portrait of human anguish and weakness, of understated nobility and strength. Lire est un plaisir describes Dominique Fabre as a "magician of the everyday."