Emma's always been the party girl, Laura, the hardworking doctor. But now, the two have something in common. Both are newly single and trying out the dating scene after marriage.Emma's a widow and a single mother with a guilty secret she can't let go. Laura's husband just dumped her for one of four women he's been sleeping with. A dispute over the house forces Laura to move in with her sister and that's when the fun begins.Go on some dates with these 42 and 44 year-old adorable sisters who are both looking for love and your jaw will surely drop! Laura's mixed bag includes Dan, a selfish womanizer, Ari, a stalker, and Tim, a compulsive liar. For Emma there's gorgeous, sexy Preston, a self-proclaiming "fun guy," beautiful Alice, who's a lesbian, and a string of Matts who go from bad to worse. Then there's separated, charismatic, wealthy Luke Sullivan. Luke's carrying some baggage, but he makes Emma's heart stop every time he appears.Free Gift With Purchase is a book about two sisters who have always seen things from an entirely different perspective, but who as women in need of each other learn to consider that instead of judging, looking through each other's eyes might make their lives a lot richer. In other words, when you buy into opening your heart and believing in yourself, you might just end up with a Free Gift With Purchase.

    In this "terminally irreverent" ( "Richmond News-Leader" ) novel, he finds himself taking on everyone from his editor and his girlfriend to the fundamentalists and vegetarians covered on his beat - and along the way, learns some surprising (and hilarious) lessons about life, love, and the press. • Welter's "I Want to Buy a Vowel," also a Berkley Signature Edition, was named one of "Booklist's" Best Books of 1996. • Great reviews in the Berkley Signature Edition tradition. • The author has been compared to everyone from John Irving to Jonathan Swift, Frank Capra to Carl Hiaasen, John Kennedy Toole to Dave Barry.

    After three generations of Massey women with children out of wedlock, she wants the whole town of Hickory, Texas, to witness the legitimacy of her union with Logan Grady. But dream weddings aren’t cheap. So she accepts a highly lucrative stint as a home health assistant to retired realtor, and town recluse, Seth Thomas—a decision her great-grandmother Tandy is dead-set against.Seth isn’t happy about it, either. The eighty-two-year-old doesn’t want a “babysitter”—much less a Massey—something he makes clear when Emmy arrives at his house, an empty mansion built for the woman who broke his heart. But as Emmy stays and the two eventually open up to each other, she learns the reason behind a feud between Seth, Tandy, and Logan’s grandfather Jesse Grady that goes back six decades. She also uncovers a secret that forever changes how she sees her past and her future…

    Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of "Runway "magazine, Andrea finds herself in an office that shouts "Prada! Armani! Versace!" at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

    There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER

    By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.

    It’s now 1996, and Bev and Max, two strangers who met online, find their lives unexpectedly intertwined. As their words and actions propel them into unexplored territory, Bev and Max’s relationship grows more intense—and more complex—than they ever imagined.Praised as “a lively, free-flowing, spontaneous outburst of curiosity, anxiety and hope,” the story of Bev and Max unfolds entirely through their online messages. Readers once again find themselves unable to resist the temptation to “eavesdrop” on the pair’s sexually charged, humorous, and thought-provoking exchanges. In a time before Facebook, Skype, and Twitter, when there were no status updates, no photos, no tweets, no video chats, all Bev and Max have to share with one another are their words—or so it may seem.In this newest edition of her Chat, Connect, and Crash series, McCarthy offers up a snapshot of the mid-1990s Internet culture and its changing dynamic of human interaction. As Bev and Max gradually reveal themselves by what they choose to say—and leave unsaid—their seductive, addicting, and all-too-human adventures will draw you from first page to last.

    As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.A MAJOR MOTION PICTURE COMING OUT FALL 1995-- with Maya Angelou, Winona Ryder, and Rip Torn

    I should have swooned. Instead, I walked toward him quite calmly, or I thought I was calm. Yet I do remember wondering if I had combed my hair that morning. I do remember being glad I had worn a bra and wishing it were not so plain and businesslike. And I remember thinking of one more thing to add to my 'before I die' list - not the list I'd written out of things a person can actually arrange on purpose, but the mental list of things I would most likely die without: passion. It is a measure of how dazzled I was that I completely failed to see any significance in such a thought at that particular moment." And so begins The Falconer, a stunning love story set in the Sierra Nevada mountains, about two ordinary people whose lives are transformed by love. India Blake realizes that she has let her life pass in dutiful commitments, without living fully, without achieving her dream of adventure and love. And then she meets Rhodri, a master falconer who teaches her how to fly falcons - and with whom she discovers the passion and deep connection she has been missing.

    She knows her cousin is hiding her desire for another baby from her spouse, Bill Horton's wife is mysteriously missing, and now this...After the shock of seeing Anne Porter in all her extramarital glory, Frances vows to stay in her own lane. But that's a notion easier said than done when Anne's husband throws her out a couple of days later. The repercussions of the affair reverberate through the four carpool families--and Frances finds herself navigating a moral minefield that could make or break a marriage.

    She’s made a mistake so huge, it’ll wreck any chance of a partnership. Going into utter meltdown, she walks out of her London office, gets on a train, and ends up in the middle of nowhere. Asking for directions at a big, beautiful house, she’s mistaken for an interviewee and finds herself being offered a job as housekeeper. Her employers have no idea they’ve hired a lawyer–and Samantha has no idea how to work the oven. She can’t sew on a button, bake a potato, or get the #@%# ironing board to open. How she takes a deep breath and begins to cope–and finds love–is a story as delicious as the bread she learns to bake. But will her old life ever catch up with her? And if it does…will she want it back?

    In the tradition of Jonathan Tropper and Tom Perrotta comes Matthew Norman's Domestic Violets—a darkly comic family drama about one man’s improbable trials of love, loss, and ambition; of attraction, impotence, and infidelity; and of mid-life malaise, poorly-planned revenge, and the Pulitzer Prize for Fiction.

    He keeps a list, in fact. But Laura isn't on it - even though she's just become his latest ex. He's got his life back, you see. He can just do what he wants when he wants: like listen to whatever music he likes, look up the girls that are on his list, and generally behaves as if Laura never mattered. But Rob finds he can't move on. He's stuck in a really deep groove - and it's called Laura. Soon, Rob's asking himself some big questions: about love, about life - and about why we choose to share ours with the people we do.

    But that’s before she sees the perfect child. There he sits in his stroller, angelic and beautiful, magnetic and serene– and he makes Jane question everything she has and everything she thought she wanted. Suddenly all she can see are babies and pregnant woman everywhere. Were there always so many of them? And while there was once a man in her life–her one true love, Sam, gone from this world too soon–there is no man now. Jane must make a choice: possibly become a bitter and childless old lady, letting her biological clock tick on ’till menopause, or tend the ache in her heart now, by becoming a single mother. As Jane struggles to make the most important decision of her life, friends and family offer no shortage of opinions. There’s Ray, her “hubstitute” and gay best friend who would be jealous of any kid who got Jane as a mom; Sheila, her sister, who went from zero to sixty when she eloped with Raoul–who had two young twin sons– and has mixed feelings about being a new mommy; her strict, Catholic father who can’ t imagine what level of hell Jane would banish herself to if she becomes a single mother; and the women of Families with Children from China who are preparing to adopt orphan daughters–without a man in sight. Just as she thinks she’s made up her mind, Jane discovers one small wrench in her plans: handsome, charming, funny Peter, who just happens to be (unhappily) married. . . . And Baby Makes Two is a heartbreakingly honest, wonderfully addictive, and funny novel about love and loss, family and friendship. Judy Sheehan, co-creator of the smash hit Tony n’ Tina’s Wedding, has perfectly captured the delights and dilemmas of the scariest job in the world: motherhood.From the Hardcover edition.

    When she becomes embroiled in the affairs of the runaway heiress Lucilla, Annis's life becomes more complicated, as she soon encounters her fugitive's uncivil and high-handed guardian, Mr. Oliver Carleton. Befriending the wayward girl brings excitement and unexpected consequences, among them greater interaction with Lucilla's guardian, who is quite the rudest man Annis has ever met..