The book details the history of the penguins and is written as a critique of human nature, and is also a satire on France's political history, including the Dreyfus affair. Morals, customs and laws are satirised within the context of the fictional land of Penguinia, where the animals were baptised erroneously by the myopic Abbot Maël. The book is ultimately concerned with the perfectibility of mankind. As soon as the Penguins are transformed into humans, they begin robbing and murdering each other. By the end of the book, a thriving civilization is destroyed by terrorist bombs.

    Scott Fitzgerald declared it "the funniest story ever written" and "one of my two favorite stories." It's the strange tale of a man who is "born" 70 years old and mysteriously ages in reverse. This stunning graphic novel adaptation illustrates Benjamin Button's many adventures: He falls in love, starts a family, and runs a successful business. In his later years, he goes to war and attends Harvard University. As an old man, he resembles a newborn baby and returns to the care of a nurse.Complete with Fitzgerald's original text, dazzling watercolor illustrations, and an afterword describing the story's origins and critical reception, this edition offers a fresh look at a literary masterpiece.

    Yet when Legrand's conviction fails to waiver, they set off on a bizarre journey, accompanied by Jupiter, Legrand's loyal and equally skeptical servant. What follows is a strange tale of coded messages, hidden treasure, and uncanny prophecy that will both enthrall and baffle even the most perceptive readers.Part horror story, part detective fiction, The Gold Bug is an ingenious tale bearing all the hallmarks of Poe's extraordinary narrative skill. It is presented here with The Sphinx, a similarly themed and equally disturbing short story. Wonderfully versatile as an author and best known for his tales of terror and the macabre, Edgar Allan Poe (1809–1849) holds a venerable place in the history of American literature.This edition contains the following short stories:- The Gold Bug- The Sphinx- William Wilson.

    In these stories, Julian Barnes takes as his universal theme the British in France - the fascination with the country, the reasons for being there, and the sometimes ambiguous reception.

    With his traveling book wagon named Parnassus, he moves through the New England countryside of 1915 on an itinerant mission of enlightenment. Mifflin's delight in books and authors is infectious--with his singular philosophy and bright eyes, he comes to represent the heart and soul of the book world. But a certain spirited spinster, disgruntled with her life, may have a hand in changing all that. This roaring good adventure yarn is spiced with fiery roadside brawls, heroic escapes from death, the most groaning boards in the history of Yankee cookery, and a rare love story--not to mention a glimpse at a feminist perspective from the early 1900s.

    Short story by Virginia Woolf.

    Widely regarded as one of the greatest poets of our time, Milosz is a master of probing inquiry and graceful expression. His poetry is infused with a tireless spirit and penetrating insight into fundamental human dilemmas and the staggering yet simple truth that “to exist on the earth is beyond any power to name.”Czeslaw Milosz worked with the Polish Resistance movement in Warsaw during World War II and defected to France in 1951. His work brings to bear the political awareness of an exile—most notably in A Treatise on Poetry, a forty-page exploration of the world wars that rocked the first half of the twentieth century. His later poems also reflect the sharp political focus through which this Nobel Laureate never fails to bear witness to the events that stir the world.Digging among the rubble of the past, Milosz forges a vision that encompasses pain as well as joy. His work, wrote Edward Hirsch in the New York Times Book Review, is “one of the monumental splendors of poetry in our age.” With more than fifty poems from the end of Milosz’s career, this is an essential collection from one of the most important voices in contemporary poetry.

    In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.'Dahl is too good a storyteller to become predictable' Daily TelegraphRoald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    Compressing an epic expanse of vision into narratives as hard and wounding as bullets, William Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of which human beings are capable. These tales are set not only in Yoknapatawpha County but in Beverly Hills and in France during World War I; they are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson (“A Justice”) as well as ordinary men and women who emerge in these pages so sharply and indelibly that they dwarf the protagonists of most novels.--back coverContains:Barn burning --Shingles for the Lord --The tall men --A bear hunt --Two soldiers --Shall not perish --A rose for Emily --Hair --Centaur in brass --Dry September --Death drag --Elly --Uncle Willy --Mule in the yard --That will be fine --That evening sun --Red leaves --A justice --A courtship --Lo! --Ad Astra --Victory --Crevasse --Turnabout --All the dead pilots --Wash --Honor --Dr. Martino --Fox hunt --Pennsylvania Station --Artist at home --The brooch --My Grandmother Millard --Golden land --There was a queen --Mountain victory --Beyond --Black music --The leg --Mistral --Divorce in Naples --Carcassonne.

    When she sees a job posting for a new international school in Bali, she convinces her schoolteacher husband Victor to apply. Six weeks after his interview, Lisa, Victor, and their six-year-old daughter, Loy, move halfway around the world to paradise. But instead of luxuriating in ocean breezes, renewed passion, and first-rate schooling, what Lisa and her family find are burning corpses, biting ants, and a millionaire founder who cares more about selling bamboo furniture than educating young minds. Not to mention Lisa’s fear that one morning she might see the Dengue Fever rash on her young daughter. RASH is an unfiltered, sharply-written memoir about a woman who goes looking for happiness on the Island of the Gods, and nearly destroys her marriage in the process. For anyone who has ever dreamed of starting over in an exotic locale, this is a poignant reminder that no matter where you go, there you are. "In this stingingly satisfying memoir, Kusel uses her wicked wit to explore the flip side of starting over in a new country. RASH got under my skin starting on page one and felt like Calamine lotion for my own restless soul." ~Nancy Stearns Bercaw, author of Dryland: One Woman's Swim to Sobriety "Raw, honest and funny: in RASH, Lisa Kusel captures perfectly the reality of living in a tropical Indonesian jungle, trying to hold on to a semblance of normal family life while dealing with the physical and emotional challenges that adapting to such a different lifestyle and culture brings. RASH will make you feel the heat and smell the smoke - and have you scratching at imaginary insect bites as you turn the pages. A healthy dose of reality for daydreamers and those who believe the grass is always greener on the other side." ~Emma Bamford, author of Casting Off and Untie the Lines. "A richly narrated, decidedly wistful, soul-searching travel memoir. Open and honest, Lisa ruminates on quiet insights of the reality behind the ever-present mosquito net. After finishing RASH, I wanted her to be my new best friend." ~Elizabeth Fournier, author of The Green Reaper: Memoirs of an Eco-Mortician "While it might sound good on paper, running away from home doesn’t always lead to salvation. In this bitingly frank and funny tale, Kusel takes us on a journey from her safe and semi-satisfied life in California to her unexpectedly pandemonic time in Bali. I was delighted to go along for the ride with this smart, charming woman who writes with such verve and intimacy. RASH is a must read for all those who are in search of their own patch of greener grass." ~Sarah Alderson, author of Can We Live Here?: Finding a Home in Paradise

    The novel follows Peony, a Chinese bondmaid of the prominent Jewish family of Ezra ben Israel's, and shows through her eyes how the Jewish community was regarded in Kaifeng at a time when most of the Jews had come to think of themselves as Chinese.

    Ćamil, a wealthy young man of Smyrna living in the last years of the Ottoman Empire, is fascinated by the story of Džem, ill-fated brother of the Sultan Bajazet, who ruled Turkey in the fifteenth century. Ćamil, in his isolation, comes to believe that he is Džem, and that he shares his evil destiny: he is born to be a victim of the State. Because of his stories about Džem’s ambitions to overthrow his brother, Ćamil is arrested under suspicion of plotting against the Sultan. He is taken to a prison in Istanbul, where he tells his story, to Petar, a monk.Out of these exotic materials, Andrić has constructed a book of great clarity, brevity and interest. No doubt it will be read by some as a political parable about the tyranny of the State, but also as a quite simply story about ill-fortune and human misunderstanding, fear and ignorance. Džem and Ćamil are doomed – and the certainty of their persecution is sometimes relieved, sometimes intensified by the stupidity and fright of the people who cross their ill-starred lives.Construction takes up most of the book’s space: the central story of Džem as related by Ćamil lasts only a chapter or two. For the rest of the time the reader strips layer off layer, as one narrator passes him on the next. There is an interesting passage that helps to explain this method, at the moment when Ćamil starts narrating Džem’s story in the first person. “I” is a word, we are told, which fixes the position of the speaker in such a way that the exercise of will is no longer possible, and the speaker strength is exceeded – strength, presumably, to break out of the identification that all his past actions and thoughts force upon him when he uses the word. “I” is both a confession and an imprisonment. The fact that the novel passes the reader on from one narrator to the next rather suggests that the author is taking constant evasive action, lest he betray himself or his reader into the kind of “personal confession” which seals the fate of Ćamil. What exactly this game of form flirting with meaning signifies, must be left to the individual reader.The movement is centripetal, towards Džem’s story, and then disperses. Details within the story are made to mimic this form. Thus when Peter receives the message telling him of his impending release:“Two younger prisoners...were chasing around using him as the centerpoint of ever narrowing circles. Annoyed, he tried to break away from these exuberant youths when one of them brushed against him and he felt a folded scrap of paper thrust into his hand. The youths continued their chase but now in widening circles...”The reader is led on just such a chase in the course of the novel. The effect of this is to make the plot seem more like a poetic image than an ordinary plot: capable, therefore, of as many meanings as are the images of an allusive poem. Yet the language is simple and direct, not at all “poetic”. The characters are remarkable alive, even in conversation. Karađoz, the governor of the goal, is a spidery authoritarian, who loves to torment the charges he loves. The prisoners “complained about the way one complains about one’s life and curses one’s destiny...it would have been hard for them to imagine life without him”.“The Devil’s Yard” is justified, as all symbolic and figurative novels must be, by the extent to which it touches the emotions. It is extremely moving. Fear, horror, despair, amusement at times – all these indicate that the threat of the meaning has been recognized.

    Written when he was only 22 years old, the tale also features some of Rudyard Kipling’s most crystalline prose, and one of the most beautifully rendered, spectacularly exotic settings he ever used. Best of all, it features two of his most unforgettable characters, the ultra-vivid Cockneys Peachy Carnahan and Daniel Dravot, who impart to the story its ultimate, astonishing twist: it is both a tragedy and a triumph.

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.