A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street.All these things are true. And yet they are all lies...You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong.In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

    And she flaunts her perfect life all over social media.It drove her colleague Lizzie mad, but she couldn't stop looking. They were never really friends - and yet Lizzie knew everything about her.Or did she?When chance, and a terrible mistake, pulls Lizzie back into Becca's orbit years after they lost touch, she'll realise that you can't always believe what you see online... and that finding out the truth might be the worst thing you can do.There's no such thing as a perfect life. Only a perfect lie.

    A town still held in the grip of an unsolved mystery. A breathtaking novel of psychological suspense by the bestselling author of We Were Mothers.A decade ago in upstate New York, art student Emma McCullough walked into the woods and was never seen again. It’s a mystery that still haunts her bucolic university town and her broken family, especially her sister Haley, whose need for closure has become an obsession. But now, finally, the first piece of evidence in the vanishing has been found: Emma’s bracelet, lodged in a frozen piece of earth at the bottom of a gorge. For Emma’s three best college friends, for a beloved former teacher, and for Haley, the chilling trinket is more than a clue in a resurrected cold case. It’s a trigger.Then a woman is attacked during an open house, and the connections between the two crimes, ten winters apart, begin to surface. So do the secrets that run as deep and dark as the currents in this quiet river town.

    At twenty-seven, Marissa’s moved beyond the trauma and is working under a new name as a freelance photographer. But when she accepts a job covering a string of macabre murders in Portland, it’s impossible for Marissa not to remember.Everything is eerily familiar. The same underground lairs. Sad trinkets and toys left behind, identical to those Marissa had as a child. And then there is the note meant just for her that freezes Marissa’s blood: See you soon, Missy.To determine the killer’s next move, Marissa must retrieve her long-forgotten memories and return to a past she’s hidden away. But she won’t be facing her fears alone. Someone is waiting for her in the dark.

    Everyone else calls it a nightmare. Locked doors don't stop him. He leaves no trace behind. He only takes little girls. His nickname... The Iceman. A deranged serial killer roams wintry rural Nebraska with a demented purpose no one can fathom. Special Agent EMMA KANE, a former DC cop and damaged goods now with the FBI, is assigned to babysit burnt-out profiler JACOB THORNE, once the best in the business but now said to have lost his edge, as they both fly to Nebraska to catch this maniac. Thorne is erratic, abrasive and unpredictably brilliant, but what he and Kane find in the heartland is much more than anyone bargained for, especially when the Iceman challenges them personally. The clock is ticking and a little girl's life is on the line. And maybe even more with that, once they find out what he's really up to.NOTE FROM THE AUTHOR: This book has frank and profane adult language within... this is often how many a law enforcement officer speaks, in my experience. Not all, but many, very many. The book also has violence and adult situations, but the profanity is the only thing that some folks have been noting, for some odd reason, so I'm warning you now that it has profanity. I totally understand that not everyone wants to read curse words. However, to write a book like this without a cop cursing would not, in my mind, be authentic. Therefore, if you can't handle HBO-style language, (a la THE WIRE, etc.) this book is not for you. If fictional bad language bothers you more than the fictional murder of young people, this book is definitely not for you, but I thank you for your time and consideration.

    Ryan appears to be the perfect future son-in-law. There's just one problem. There's something off about Ryan. Something hidden in the shadows behind his eyes. And it seems that only Ed can see it.Terrified that his daughter is being drawn in by a psychopath, Ed sets out to uncover her fiancé's dark past - while keeping his own concealed. But no-one believes him. And the more he digs, the more he alienates her and the rest of the family who are convinced that Ryan is 'the one'.Ed knows different. For reasons of his own, he knows a monster when he sees one...

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    Your goal is simple. Get out alive.In the lucrative world of finance, Vincent, Jules, Sylvie, and Sam are at the top of their game. They’ve mastered the art of the deal and celebrate their success in style―but a life of extreme luxury always comes at a cost.Invited to participate in an escape room challenge as a team-building exercise, the ferociously competitive co-workers crowd into the elevator of a high-rise building, eager to prove themselves. But when the lights go off and the doors stay shut, it quickly becomes clear that this is no ordinary competition: they’re caught in a dangerous game of survival.Trapped in the dark, the colleagues must put aside their bitter rivalries and work together to solve cryptic clues to break free. But as the game begins to reveal the team’s darkest secrets, they realize there’s a price to be paid for the terrible deeds they committed in their ruthless climb up the corporate ladder. As tempers fray, and the clues turn deadly, they must solve one final chilling puzzle: which one of them will kill in order to survive?

    I met a gorgeous woman. We fell in love. We had kids. We moved to the suburbs. We told each other our biggest dreams, and our darkest secrets. And then we got bored.We look like a normal couple. We're your neighbors, the parents of your kid's friend, the acquaintances you keep meaning to get dinner with.We all have secrets to keeping a marriage alive.Ours just happens to be getting away with murder.Alternate cover edition of ISBN 9780451491725

    Their closest neighbors are more than two miles in either direction along a rutted dirt road.One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what’s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world."

    They seem made for each other, but the truth is ugly. Consumed by professional and personal betrayals and financial woes, the two both love and hate each other. As tensions mount, Sutton disappears, leaving behind a note saying not to look for her.Ethan finds himself the target of vicious gossip as friends, family and the media speculate on what really happened to Sutton Montclair. As the police investigate, the lies the couple have been spinning for years quickly unravel. Is Ethan a killer? Is he being set up? Did Sutton hate him enough to kill the child she never wanted and then herself? The path to the answers is full of twists that will leave the reader breathless.

    The rest she’ll take.Marisa may have only known Jake a few months, but she has never felt this certain about anyone. When he asks her to move in with him and they start trying for a baby, she knows she has finally found the steadfast love and support she has been looking for all her life.But their relationship is tested when they take in a lodger, Kate, who has little regard for personal boundaries and seems to take an uncomfortable interest in Jake – as well as the baby they are hoping to have.Why is Kate so obsessed with the couple? And, more worryingly, why doesn’t Jake share Marisa's concern?In her determination to find the answers, Marisa risks losing everything she holds dear…Magpie is a tense, twisting, brilliantly written novel about mothers and children, envy and possession, and the dangers of getting everything you’ve ever dreamed of.

    Over one long, hot summer, Lane experiences the benefits of being one of the rich and beautiful Roanoke girls.But what she doesn't know is being a Roanoke girl carries a terrible legacy: either the girls run, or they die. For there is darkness at the heart of Roanoke, and when Lane discovers its insidious pull, she must make her choice...

    They had sold their home and business in London, and said "farewell to England" with a cheerful party where all their friends had gathered to wish them well on their great adventure: setting off to begin life anew on a remote, bucolic farm in rural Sweden.But with that phone call, everything changes. Your mother's not well, his father tells him. She's been imagining things--terrible, terrible things. She's had a psychotic breakdown, and has been committed to a mental hospital.Daniel prepares to rush to Sweden, on the first available flight the next day. Before he can board the plane, his father contacts him again with even more frightening news: his mother has been released from the hospital, and he doesn't know where she is.Then, he hears from his mother:I'm sure your father has spoken to you. Everything that man has told you is a lie. I'm not mad. I don't need a doctor. I need the police. I'm about to board a flight to London. Meet me at Heathrow.Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a horrible crime and a conspiracy that implicates his own father.