In this book Bira Almeida--or Mestre Acordeon as he is respectfully called in capoeira circles--documents his own tradition with both the panoramic eye of the historian and the passionate heart of the capoeirista. He transports the reader from the damn of New World history in Brazil to the streets of twentieth-century Bahia (the spiritual home of capoeira) to the giant urban centers of North America (wher capoeira is now spreading in new lineages from the old masters). This book is valuable for anyone interested in ethnocultural traditions, martial arts, and music, as well as for those who want to listen to the words of an actual mestre dedicated to preserving his Afro-Brazilian legacy.

    But fifteen years later, Duke, the leader and undisputed genius of their group, has been murdered, and the three remaining members of their circle reunite to piece together what became of their lives and how they fell so short of their expectations.Now in their thirties, Aurora, Antero, and Emiliano have succumbed to the pressures of adulthood, the exigencies of carving out a life in a country that is fraying at the seams. Reunited after years of long-held grudges and painful crushes, the three try to resurrect the spirit of the all-night parties and early morning trysts, the protests and pornography of their youths. Lurking over them, as they puzzle out their fates, is the question of whether or not there is a future for them to believe in, or if the end has already arrived.Twenty After Midnight is a portrait of the first generation of the digital age, a group that was promised everything but handed a fractured world. Daniel Galera has written a pre-apocalyptic tale of millennial longings.

    Instead, they found that they had exchanged old forms of political and economic dependence for a new kind of dependency on the international capitalism of multinational corporations. In the much-acclaimed original Spanish edition (Dependencia y Desarrollo en América Latina) and now in the expanded and revised English version, Cardoso and Faletto offer a sophisticated analysis of the economic development of Latin America.The economic dependency of Latin America stems not merely from the domination of the world market over internal national and “enclave” economies, but also from the much more complex interact ion of economic drives, political structures, social movements, and historically conditioned alliances. While heeding the unique histories of individual nations, the authors discern four general stages in Latin America's economic development: the early outward expansion of newly independent nations, the political emergence of the middle sector, the formation of internal markets in response to population growth, and the new dependence on international markets. In a postscript for this edition, Cardoso and Faletto examine the political, social and economic changes of the past ten years in light of their original hypotheses.

    The slave woman struggled to avoid an unwanted husband and the woman of privilege assumed a patriarch's role to endow a family of her former slaves with the means for a free life. Sandra Lauderdale Graham casts new light on larger meanings of slave and free, female and male, through these compact histories.

    If something satisfies, it fulfills. It meets expectations. Whether we consciously know it or not, we're all looking to be gratified, to feel fulfilled. You live in a generation with easy access to mind-blowing experiences, endless entertainment, and all the worldly pleasures a heart could desire. But I still want to ask the question: With everything that's available to you in this world, will you find satisfaction? Most don't. I know I couldn't.

    His long suffering widow Dona Flor devotes herself to her cooking school and her friends, who urge her to remarry. She is soon drawn to a kind pharmacist who is everything Vadinho was not, and is altogether happy to marry him. But after her wedding she finds herself dreaming about her first husband’s amorous attentions; and one evening Vadinho himself appears by her bed, as lusty as ever, to claim his marital rights.

    I read The Air You Breathe in two nights. (One might say I inhaled it.). --NPR Echoes of Elena Ferrante resound in this sumptuous saga.--O, The Oprah MagazineEnveloping...Peebles understands the shifting currents of female friendship, and she writes so vividly about samba that you close the book certain its heroine's voices must exist beyond the page. -PeopleThe story of an intense female friendship fueled by affection, envy and pride--and each woman's fear that she would be nothing without the other.Some friendships, like romance, have the feeling of fate.Skinny, nine-year-old orphaned Dores is working in the kitchen of a sugar plantation in 1930s Brazil when in walks a girl who changes everything. Gra�a, the spoiled daughter of a wealthy sugar baron, is clever, well fed, pretty, and thrillingly ill behaved. Born to wildly different worlds, Dores and Gra�a quickly bond over shared mischief, and then, on a deeper level, over music.One has a voice like a songbird; the other feels melodies in her soul and composes lyrics to match. Music will become their shared passion, the source of their partnership and their rivalry, and for each, the only way out of the life to which each was born. But only one of the two is destined to be a star. Their intimate, volatile bond will determine each of their fortunes--and haunt their memories.Traveling from Brazil's inland sugar plantations to the rowdy streets of Rio de Janeiro's famous Lapa neighborhood, from Los Angeles during the Golden Age of Hollywood back to the irresistible drumbeat of home, The Air You Breathe unfurls a moving portrait of a lifelong friendship--its unparalleled rewards and lasting losses--and considers what we owe to the relationships that shape our lives.

    Brum’s reporting takes her into Brazil’s most marginalized communities: she visits the Amazon to understand the practice of indigenous midwives, stays in São Paulo’s favelas to witness the joy of a marriage and the tragedy of young men dying due to drugs and guns, and wades through the mud to capture the boom and bust of modern-day gold rushes. Brum is an enormously sensitive and perceptive interlocutor, and as she visits these places she provides intimate glimpses into both everyday and extraordinary lives: a poor father on the way to bury his son, a street performer who eats glass, a woman living out her final 115 days, and a hoarder rescuing the “leftover souls” of the city.The Collector of Leftover Souls showcases the best of Brum’s work from two books, combining short profiles with longer reported pieces. These vibrant missives range across current issues such as the human cost of exploiting natural resources, the Belo Monté Dam’s eradication of a way of life for those on the banks of the Xingu River, and the contrast between urban centers and remote villages. Told in the vibrant and idiomatic language of the people Brum writes about, The Collector of Leftover Souls is a vital work of investigative journalism from an internationally acclaimed author.

    I don't know if this is true or false because all that's real for me is remembrance." In her old age, Dora reflects on the major influences in her life: her mother, her career in the theater, and her one true love. Set in Brazil in the early part of the century, Dora, Doralina is a story about power. Through her fierce resistance to her mother and her later life as a working woman and widow, Doralina attempts to define herself in a time and culture which places formidable obstacles before women. Married off by her mother to a man she does not love, told what to wear and eat, Dora's reclaiming of herself is full of both discovery and rage. For her, independence is the right to protect herself and make her own choices. From a life confined by religion and "respectability," even her passionate attachment to a hard-drinking smuggler contains an act of free will previously unavailable to her. Dora, Doralina is an intimate, realistic, and vivid glimpse of one woman's struggle for independence, for a life in which she owns her actions, her pleasure, and her pain.

    Going beyond the popular stereotypes of samba, supermodels, and soccer, he shows us a stunning and varied landscape--from breathtaking tropical beaches to the lush and dangerous Amazon rainforest--and how a complex and vibrant people defy definition. He charts Brazil's amazing jump from a debtor nation to one of the world's fastest growing economies, unravels the myth of Brazil's sexually charged culture, and portrays in vivid color the underbelly of impoverished favelas. With Brazil leading the charge of the Latin American decade, this critically acclaimed history is the authoritative guide to understanding its meteoric rise.

    The new edition of this highly acclaimed text has been revised and updated to reflect the latest scholarship, with particular emphasis on social and cultural history. It also features a new section on pre-Colonial Africa, to parallel coverage of pre-Colonial Spain and the Americas, as well as new maps and illustrations. Colonial Latin America, Sixth Edition, is indispensable for students who wish to gain a deeper understanding of the fascinating and often colorful history of the cultures, the people, and the struggles that have played a part in shaping Latin America.

    Jose unashamedly plagiarises his plots from the classics. Then Melissa makes it clear she would like to adapt one of his plots to kill her husband.

    For over a century, Brazil's people, politicians, and poets have found in soccer the finest expression of the nation's collective potential. Since the team's dazzling performance in 1938 at the World Cup in France, Brazilian soccer has been revered as an otherworldly blend of the effective and the aesthetic.Futebol Nation is an extraordinary chronicle of a nation that has won the World Cup five times and produced players of miraculous skill, such as Pel', Garrincha, Rivaldo, Zico, Ronaldo, and Ronaldinho. It shows why the phrase O Jogo Bonito -- the Beautiful Game -- has justly entered the global lexicon. Yet there is another side to Brazil and its game, one that reflects the harsh sociological realities of the "futebol nation." David Goldblatt explores the grinding poverty that creates a vast pool of hungry players, Brazil's corrupt institutions exemplified by its soccer authorities, and the pervasive violence that has seeped onto the field and into the stands.Futebol Nation illuminates both Brazilian soccer and Brazil itself; its brilliance, its magic, its style, and the fabulous myths that have been constructed around it; as well as its tragedies, its miseries, and its economic and political injustices. It is the story of Brazil told through its chosen national game.

    By delving into lives that would otherwise go unremarked, Kelly documents the modernization of the sex industry during the neoliberal era in the city of Tuxtla Gutiérrez and illustrates how state-regulated sex became part of a broader effort by government officials to bring modernity to Chiapas, one of Mexico's poorest and most conflicted states. Kelly's innovative approach locates prostitution in a political-economic context by treating it as work. Most valuably, she conveys her analysis through vivid portraits of the lives of the sex workers themselves and shows how the women involved are neither victims nor heroines.

    A book that makes you care about its large cast of characters, even when you know that they are going to die—frequently horribly. This is a novel as rich and complex as Brazil itself, with villains who make you want to spit, and heroes whose goodness is heartbreaking.”—Rebecca Pawel, Edgar Award-winning author of Death of a Nationalist In the remote Brazilian town of Cascatas do Pontal, where landless peasants are confronting the owners of vast estates, the bishop arrives by helicopter to consecrate a new church and is assassinated. Mario Silva, chief inspector for criminal matters of the federal police of Brazil, is dispatched to the interior to find the killer. The pope himself has called Brazil’s president; the pressure is on Silva to perform. Assisted by his nephew, Hector Costa, also a federal policeman, Silva must battle the state police and a corrupt judiciary as well as criminals who prey on street kids, the warring factions of the Landless League, the big landowners, and the church itself, in order to solve the initial murder and several brutal killings that follow. Justice is hard to come by. An old priest, a secret liberation theologist, finally metes it out. Here is a Brazil that tourists never encounter. Leighton Gage is married to a Brazilian woman and spends part of each year in Santana do Parnaiba, Brazil, and the rest of the year in Florida and Belgium. This is his first novel.