With crystalline intensity and precision, Otsuka uses a single family to evoke the deracination "both physical and emotional" of a generation of Japanese Americans.In five chapters, each flawlessly executed from a different point of view "the mother receiving the order to evacuate; the daughter on the long train ride to the camp; the son in the desert encampment; the family's return to their home; and the bitter release of the father after more than four years in captivity" she has created a small tour de force, a novel of unrelenting economy and suppressed emotion.Spare, intimate, arrestingly understated, When the Emperor Was Divine is a haunting evocation of a family in wartime and an unmistakably resonant lesson for our times. It heralds the arrival of a singularly gifted new novelist.From the Hardcover edition.

    Falling in love with a beautiful young woman, he ultimately finds himself forced to choose between his lives in the present and the past.A story that will remain in the listener's memory, Time and Again is a remarkable blending of the troubled present and a nostalgic past, made vivid and extraordinarily moving by the images of a time that was ... and perhaps still is.

    Now an ancient Russian immigrant, Leonka claims to be the last living witness to the Romanovs' brutal murders and sets down the dark secrets of his past with the imperial family. Does he hold the key to the many questions surrounding the family's murder? Historically vivid and compelling, The Kitchen Boy is also a touching portrait of a loving family that was in many ways similar, yet so different, from any other.

    But the key to the outcome lies not with these golfing titans but with Junah's caddie and mentor, the mysterious, sage and charismatic Bagger Vance - for he is the custodian of the secret of the Authentic Swing...____________________Written in the spirit of Bernard Malamud's The Natural and sharing the magic of the celebrated Kevin Costner film Field of Dreams, Steven Pressfield's first novel reveals the true nature of the game. Page-turning, spellbinding and affecting, it is a novel for golfers and non-golfers alike - a story in which the search for the Authentic Swing becomes a metaphor for the search for the Authentic Self.

    . . I love you too", Robert Browning wrote in January 1845, thus initiating the most celebrated literary correspondence of the 19th century. For the next 12 months, he and Elizabeth Barrett exchanged letters and confidences. In this elegant format, the delicate interplay between the poems and the lovers' letters become vividly apparent.Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."

    In July 1944, after two and a half years in the woods, more than one thousand Jewish men, women and children, emerged from the woods triumphant and alive.It is one of the most remarkable dramas of World War II -- untold until now. In 1941, three young men -- brothers, sons of a miller -- witnessed their parents and two other siblings being led away to their eventual murders. It was a grim scene that would, of course, be repeated endlessly throughout the war. What makes this particular story of interest is how the survivors responded. Instead of running or capitulating or giving in to despair, these brothers -- Tuvia, Zus, and Asael Bielski -- did something else entirely. They fought back, waging a guerrilla war of wits and cunning against both the Nazis and the pro-Nazi sympathizers. Along the way they saved well over a thousand Jewish lives. Using their intimate knowledge of the dense forests surrounding the Belorussian towns of Novogrudek and Lida, the Bielskis evaded the Nazis and established a hidden base camp, then set about convincing other Jews to join their ranks. When the Nazis began systematically eliminating the local Jewish populations -- more than ten thousand were killed in the first year of the Nazi occupation alone -- the Bielskis intensified their efforts, often sending fighting men into the ghettos to escort Jews to safety. As more and more Jews arrived each day, a robust community began to emerge, a "Jerusalem in the woods." They slept in camouflaged dugouts built into the ground. Lovers met, were married, and conceived children. The community boasted a synagogue, a bathhouse, a theater, and cobblers so skilled that Russian officers would wait in line to have their boots reshod. But as its notoriety grew, so too did the Nazi efforts to capture the rugged brothers; and on several occasions they came so near to succeeding that the Bielskis had to abandon the camp and lead their massive entourage to newer, safer locations. And while some argued in favor of a smaller, more mobile unit, focused strictly on waging battle against the Germans, Tuvia Bielski was firm in his commitment to all Jews. "I'd rather save one old Jewish woman," he said, "than kill ten Nazis." In July 1944, after two and a half years in the woods, the Bielskis learned that the Germans, overrun by the Red Army, were retreating back toward Berlin. More than one thousand Bielski Jews emerged -- alive -- on that final, triumphant exit from the woods. The Bielski Brothers is a dramatic and heartfelt retelling of a story of the truest heroism, a historic testament to courage in the face of unspeakable adversity.

    Having recently demolished another car, Daisy Werthan, a rich, sharp-tongued Jewish widow of seventy-two, is informed by her son, Boolie, that henceforth she must rely on the services of a chauffeur. The person he hires for the job is a thoughtful, unemployed black man, Hoke, whom Miss Daisy immediately regards with disdain and who, in turn, is not impressed with his employer's patronizing tone and, he believes, her latent prejudice. But, in a series of absorbing scenes spanning twenty-five years, the two, despite their mutual differences, grow ever closer to, and more dependent on, each other, until, eventually, they become almost a couple. Slowly and steadily the dignified, good-natured Hoke breaks down the stern defenses of the ornery old lady, as she teaches him to read and write and, in a gesture of good will and shared concern, invites him to join her at a banquet in honor of Martin Luther King, Jr. As the play ends Hoke has a final visit with Miss Daisy, now ninety-seven and confined to a nursing home, and while it is evident that a vestige of her fierce independence and sense of position still remain, it is also movingly clear that they have both come to realize they have more in common than they ever believed possible-and that times and circumstances would ever allow them to publicly admit.

    Its subject is the fate of one of the world's greatest civilizations over thirteen centuries - its rulers, wars, and society, and the events that led to its disastrous collapse. Here, in book one and two, Gibbon charts the vast extent and constitution of the Empire from the reign of Augustus to 395 AD. And in a controversial critique, he examines the early Church, with fascinating accounts of the first Christian and last pagan emperors, Constantine and Julian.This volume also includes updated further reading, a new chronology, appendices and notes.

    L. Mencken is to be confronted with the sad realization that most of what we find in newspapers and journals today is mere sludge. While an Alexander Cockburn or a Christopher Hitchens can churn out a brilliant, at times almost sublime piece of invective, the sad fact is that for all their talent, they are mere polemicists. Mencken, however, was a true contrarian, and, for that reason, he had far more scope for his talents. It would be quite fair to call him a true American genius whose range and Mark Twain-like skepticism leave the reader sometimes convulsed with laughter, sometimes completely enraged, but always transfixed with admiration.In this volume of more than 600 pages, Mencken has collected more than 100 choice passages, ranging from men, women, and southerners to religion, politics, music, literature, and the arts. This selection is a pure delight, and, while not every piece entertains, one cannot help but be awed by this true polymath and regret not having him around today.Edited and annotated by H.L.M., this is a selection from his out-of-print writings. They come mostly from books—the six of the PREJUDICES series, A BOOK OF BURLESQUES, IN DEFENSE OF WOMEN, NOTES ON DEMOCRACY, MAKING A PRESIDENT, A BOOK OF CALUMNY, TREATISE ON RIGHT AND WRONG—but there are also magazine and newspaper pieces that never got between covers (from the American Mercury, the Smart Set, and the Baltimore Evening Sun) and some notes that were never previously published at all.Readers will find edification and amusement in his estimates of a variety of Americans—Woodrow Wilson, Aimee Semple McPherson, Roosevelt I and Roosevelt II, James Gibbons Huneker, Rudolph Valentino, Calvin Coolidge, Ring Lardner, Theodore Dreiser, and Walt Whitman. Those musically inclined will enjoy his pieces on Beethoven, Schubert, and Wagner, and there is material for a hundred controversies in his selections on Joseph Conrad, Thorstein Veblen, Nietzsche, and Madame Blavatsky.The author chose selections form his out of print writings: his books, magazines and newspaper pieces.(from Barnes & Noble)

    The progress of this spiritual odyssey involves him with some of Maugham's most brillant characters - his fiancee Isabel, whose choice between love and wealth have lifelong repercussions, and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.

    Written in a fantastic dream-language, forged from polyglot puns and portmanteau words, the Wake features some of Joyce's most hilarious characters: the Irish barkeep Humphrey Chimpden Earwicker, Shem the Penman, Shaun the Postman, and Anna Livia Plurabelle. Joyce's final work, Finnegan's Wake is his masterpiece of the night as Ulysses is of the day. Supreme linguistic virtuosity conjures up the dark underground worlds of sexuality and dream. Joyce undermines traditional storytelling and all official forms of English and confronts the different kinds of betrayal - cultural, political and sexual - that he saw at the heart of Irish history. Dazzlingly inventive, with passages of great lyrical beauty and humour, Finnegans Wake remains one of the most remarkable works of the twentieth century.

    Telling the story of two sisters-Olivia, a hotshot Hollywood producer whose life is unraveling, and Maddie, an unflaggingly optimistic, seriously ill midwesterner whose idealism has always driven Olivia crazy-The True and Outstanding Adventures of the Hunt Sisters offers a startlingly poignant reminder of how hope can grow in even the darkest places.

    After a malicious youngster starts a rumour about the two women, the rumour soon turns into a scandal. As the young girl comes to understand the power she wields, she sticks by her story, which precipitates tragedy for the women. It is later discovered that the gossip was pure invention, but it is too late. Irreparable damage has been done.

    Now, in Judith Thurman's Secrets of the Flesh, Colette at last has a biography worthy of her dazzling reputation.Having spent her childhood in the shadow of an overpowering mother, Colette escaped at age twenty into a turbulent marriage with the sexy, unscrupulous Willy--a literary charlatan who took credit for her bestselling Claudine novels. Weary of Willy's sexual domination, Colette pursued an extremely public lesbian love affair with a niece of Napoleon's. At forty, she gave birth to a daughter who bored her, at forty-seven she seduced her teenage stepson, and in her seventies she flirted with the Nazi occupiers of Paris, even though her beloved third husband, a Jew, had been arrested by the Gestapo. And all the while, this incomparable woman poured forth a torrent of masterpieces, including Gigi, Sido, Cheri, and Break of Day. Judith Thurman, author of the National Book Award-winning biography of Isak Dinesen, portrays Colette as a thoroughly modern woman: frank in her desires, fierce in her passions, forever reinventing herself. Rich with delicious gossip, and intimate revelations, shimmering with grace and intelligence, Secrets of the Flesh is one of the great biographies of our time.

    Martin already loves Dovidl Rapoport, an eerily gifted Polish violin prodigy whose parents left him in the Simmonds’s care before they perished in the Holocaust. For a time the two boys are closer than brothers. But on the day he is to make his official debut, Dovidl disappears. Only 40 years later does Martin get his first clue about what happened to him. In this ravishing novel of music and suspense, Norman Lebrecht unravels the strands of love, envy and exploitation that knot geniuses to their admirers. In doing so he also evokes the fragile bubble of Jewish life in prewar London; the fearful carnival of the Blitz, and the gray new world that emerged from its ashes. Bristling with ideas, lambent with feeling, The Song of Names is a masterful work of the imagination.