Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she's drawn deeper into the overgrown grounds, half-buried memories of her mother begin to surface and Lorna soon finds herself ensnared within the manor's labyrinthine history, overcome with an insatiable need for answers about her own past and that of the once-happy family whose memory still haunts the estate. Stunning and atmospheric, this debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

    Always desperate for money, she's unscrupulous about how she gets it. Noel's mourning his godmother, Mattie, a former suffragette. Brought up to share her disdain for authority and eclectic approach to education, he has little in common with other children and even less with Vee, who hurtles impulsively from one self-made crisis to the next. The war's thrown up new opportunities for making money but what Vee needs (and what she's never had) is a cool head and the ability to make a plan. On her own, she's a disaster. With Noel, she's a team. Together they cook up an idea. Criss-crossing the bombed suburbs of London, Vee starts to make a profit and Noel begins to regain his interest in life. But there are plenty of other people making money out of the war and some of them are dangerous. Noel may have been moved to safety, but he isn't actually safe at all…

    Until the fateful day in the wood . . . One night in 1960, the twins awake to find their father pulling their screaming mother from the house. She is to be committed to an asylum. It is, so their father insists, for her own good. It's not long before they, too, are removed from their London home and sent to Nightingales - a large house deep in the New Forest countryside - to be watched over by their cold-hearted grandmother, Mrs Mitcham. Though they feel abandoned and unloved, at least here they have something they never had before - freedom. The twins are left to their own devices, to explore, find new friends and first romances. That is until the day that Duncan doesn't come back for dinner. Nor does he return the next day. Or the one after that. When the bodies of other young boys are discovered in the surrounding area the police appear to give up hope of finding Duncan alive. With Mrs Mitcham showing little interest in her grandson's disappearance, it is up to Maisy to discover the truth. And she knows just where to start. The woman who lives alone in the wood about whom so many rumours abound. A woman named Grace Deville. The Woman in the Wood is a powerful, passionate and sinister tale of a young woman's courage, friendship and determination. Santa Montefiore and Penny Vincenzi fans will swiftly fall for Lesley Pearse's mesmerising novels - you'll want to read them again and again . . . 'Heart-warming and evocative, a real delight to read' Sun'A narrative that gallops along, this is quintessential Pearse that will delight her army of readers' Daily Mail 'Glorious, heartwarming' Woman & Home 'Evocative, compelling, told from the heart' Sunday Express

    'Chivalry, treachery, conflict of loyalties... The clash of wills is as stirring as the clash of steel' Observer It is 1399. Henry Bolingbroke, unjustly banished and deprived of his inheritance by Richard II, returns to claim his rights and deposes the king to become Henry IV of England. He is aided by the powerful lords of Northumberland, especially by his friend, Harry Percy, nicknamed Hotspur.But the triumph of his accession quickly turns sour in the face of ever-growing crises in his new kingdom, and Wales is the most pressing and troublesome of these. For although Henry's son and heir, Prince Hal, is the nominal Prince of Wales, the Welsh have a prince of their own blood in Owen Glendower, and they are swift to rally to his rebellious call to arms.The three Henries all wish to see the House of Lancaster succeed, but their partnership contains the seeds of its own destruction. The memory of past crimes and growing doubts and divisions cause a dangerous rift. The king also has powerful enemies who are all too willing to take advantage of this and tension mounts as the three men are drawn inexplicably to a bloody collision some two miles from Shrewsbury...

    His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside. Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.

    Soon his plans for a magnificent terrace built above the two-hundred-foot drop of the Gorge come under threat.Diner believes that Lizzie’s independent, questioning spirit must be coerced and subdued. She belongs to him: law and custom confirm it, and she must live as he wants.In a tense drama of public and private violence, resistance and terror, Diner’s passion for Lizzie darkens until she finds herself dangerously alone.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    Drawing on a rich store of materials from the archives of Highclere Castle, including diaries, letters, and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war.    Much like her Masterpiece Classic counterpart, Lady Cora Crawley, Lady Almina was the daughter of a wealthy industrialist, Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon's ancestral home.  Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman.    This rich tale contrasts the splendor of Edwardian life in a great house against the backdrop of the First World War and offers an inspiring and revealing picture of the woman at the center of the history of Highclere Castle.

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

    Her beautiful middle sister Katherine Grey charms all the right people--until loyalties shift. And finally Lady Mary Grey, a dwarf with a twisted spine whose goal is simply to protect people she loves--but at a terrible cost.   In an age in which begetting sons was all that mattered and queens rose and fell on the sex of their child, these three girls with royal Tudor blood lived under the dangerous whims of parents with a passion for gambling. The stakes they would wager: their daughters' lives against rampant ambition.

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    At the book's heart stands the 12th century Earl of Stafford, complex warrior-knight, whose private conflicts mirror the discord of England as two rival claimants to the throne tear the country apart in civil war.

    Dan Jones brings to life the squalor, drama and complex hierarchies of life in the 14th century. He examines village life and the failings of government from the perspective of the revolt's key players.

    After the Great War took both her beloved brother and her fiancé, Violet Speedwell has become a "surplus woman," one of a generation doomed to a life of spinsterhood after the war killed so many young men. Yet Violet cannot reconcile herself to a life spent caring for her grieving, embittered mother. After countless meals of boiled eggs and dry toast, she saves enough to move out of her mother's place and into the town of Winchester, home to one of England's grandest cathedrals. There, Violet is drawn into a society of broderers--women who embroider kneelers for the Cathedral, carrying on a centuries-long tradition of bringing comfort to worshippers. Violet finds support and community in the group, fulfillment in the work they create, and even a growing friendship with the vivacious Gilda. But when forces threaten her new independence and another war appears on the horizon, Violet must fight to put down roots in a place where women aren't expected to grow. Told in Chevalier's glorious prose, A Single Thread is a timeless story of friendship, love, and a woman crafting her own life.

    His true status and achievements have been overshadowed by the events of 1066 and the bias imposed by the Norman victory. This text aims to correct the common view of Harold, presenting an argument for being one of England's greatest rulers.