Suspicion surrounds Chris as he is tainted with police corruption, but Sophie believes the attack is much more personal – and the perpetrator far more dangerous...While Chris is in hospital and the police, led by Detective Ella Marconi, mobilise to find their colleague's child, Sophie's desperation compels her to search for Lachlan herself. She enlists her husband's partner, Angus Arendson, in the hunt for her son, but will the history they share prove harmful to Sophie's ability to complete her mission?And could one dangerous decision cause Sophie to ultimately lose everything important in her life?

    And that's before you find the body beneath the floorboards. An intriguing mystery from a stylish new voice in crime fiction, for readers of Kerry Greenwood and Holly Throsby.When your builder finds bones under the floor of your heritage home, what do you do? For TV researcher Poppy McGowan, the first step is to find out if the bones are human (which means calling in the cops and delaying her renovations) or animal (which doesn't).Unfortunately, 'help' comes in the form of Dr Julieanne Weaver, archaeologist, political hopeful, and Poppy's old enemy. She declares the bones evidence of a rare breed of fat-tailed sheep, and slaps a heritage order on the site. The resultant archaeological dig introduces Poppy to Tol Lang, the best-looking archaeologist she's ever met - and also Julieanne's boyfriend.When Julieanne is found murdered in Poppy's house, both she and the increasingly attractive Tol are considered suspects - and so Poppy uses her media contacts and news savvy to investigate other suspects. Did Julieanne have enemies in the right-wing Australian Family party, for which she was seeking preselection, or in the affiliated Radiant Joy Church? Or at the Museum of New South Wales, among her rivals and ex-boyfriends? And who was her secret lover?Can Poppy save herself, and Tol ... and finally get her house back?

    A prickling sensation crawls up her arms, her heart rate speeds up. ‘Found who?’ she asks, slowly, carefully, deliberately. ‘They found Daniel.’ Six years ago Megan waits at the school gates for her six-year-old son, Daniel. As children come and go, the playground emptying, panic bubbles inside her. Daniel is nowhere to be found. According to his teacher, Daniel’s father, Greg, has picked up his son. Except Greg and Megan are no longer together. After years of being controlled by her cruel husband, Megan has finally found the courage to divorce him. Hands trembling, she dials his number, but the line is dead. Six years later Megan is feeding baby daughter, Evie, when she gets the call she has dreamt about for years. Daniel has walked into a police station in a remote town just a few miles away. Her son is alive – and he’s coming home. But their joyful family reunion does not go to plan. His room may have been frozen in time, with his Cookie Monster poster and stack of Lego under the bed, but Daniel is no longer the sweet little boy Megan remembers. Cold and distant, Daniel is grieving the death of his father, blaming Megan for his loss and rejecting his family. And as Megan struggles to connect with the son she no longer recognises as her own, she begins to realise that Daniel has a secret. A secret that could destroy their family and put them in terrible danger. A heartbreaking, emotional drama about a family in turmoil, with a jaw-dropping twist that will blow you away. Fans of Jodi Picoult, Liane Moriarty and Lisa Wingate – this moving and poignant novel is for you.

    Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    She works, she gardens and she loves her supportive husband Archie and their three children. But the arrival of a new woman into her son Daniel's life unsettles Zoe. Suddenly she is feeling angry and hurt, and is lashing out at those closest to her.In Sussex, England, Julia is feeling nostalgic as she nurses her best friend through the last painful stages of cancer. Her enthusiastic but dithering husband Tom is trying to convince Julia to slow down. Although she knows Tom means well, Julia cannot help but feel frustrated that he is pushing her into old age before she is ready. But she knows she is lucky to have him. She so nearly didn't...These two women's lives have been shaped by the decisions they made back in 1968 – when they were young, idealistic and naive. In a world that was a whirl of politics and protest, consciousness raising and sexual liberation, Zoe and Julia were looking for love, truth and their own happy endings. They soon discover that life is rarely that simple, as their bad behaviour leads them down paths that they can never turn back from.

    This is Marian Keyes meets Allison Pearson, with a dash of Caitlin Moran.Going from one child to two is never all that easy for a family, but when Emma's husband simultaneously fathers a third child three doors up the street, things get very tricky, very fast.No longer is it enough for Emma to be the best wife and mother - now she's trying to be the best ex-wife, and the best part-time parent to her ex's love child, and that's before she even thinks about adding a new bloke to the mix.Set in an upwardly mobile, ultra-competitive suburb, this is a funny, biting, heartwarming modern comedy that looks at the roles we play, how we compete, and what happens when we dare to strive for second-best.

    You take the Princes Highway past Geelong, and keep going west in the direction of Colac. Late in August 2006, soon after I had watched a magistrate commit Robert Farquharson to stand trial before a jury on three charges of murder, I headed out that way on a Sunday morning, across the great volcanic plain. On the evening of 4 September 2005, Father's Day, Robert Farquharson, a separated husband, was driving his three sons home to their mother, Cindy, when his car left the road and plunged into a dam. The boys, aged ten, seven and two, drowned. Was this an act of revenge or a tragic accident? The court case became Helen Garner's obsession. She followed it on its protracted course until the final verdict. In this utterly compelling book, Helen Garner tells the story of a man and his broken life. She presents the theatre of the courtroom with its actors and audience, all gathered for the purpose of bearing witness to the truth, players in the extraordinary and unpredictable drama of the quest for justice. This House of Grief is a heartbreaking and unputdownable book by one of Australia's most admired writers. Helen Garner's first novel, Monkey Grip won the 1978 National Book Council Award, and was adapted for film in 1981. Since then she has published novels, short stories, essays, and feature journalism. In 1995 she published The First Stone, a controversial account of a Melbourne University sexual harassment case. Joe Cinque's Consolation (2004) was a non-fiction study of two murder trials in Canberra. In 2006 Helen Garner received the inaugural Melbourne Prize for Literature. Her most recent novel, The Spare Room (2008), won the Victorian Premier's Literary Award for Fiction, the Queensland Premier's Award for Fiction and the Barbara Jefferis Award, and has been translated into many languages. Helen Garner lives in Melbourne.

    Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    . . No power, no lights, no people . . . It's a parallel New York of some kind. ' THE COMING ENDWhen Skye Rogers and her twin brother Red move to Manhattan, rumours of a coming global apocalypse are building. But this does not stop the young elite of New York from partying without a care.CAN YOU KEEP A SECRET?And then suddenly Skye is invited to join an exclusive gang known as the Secret Runners of New York.But this is no ordinary clique - they have access to an underground portal that can transport them into the future. And what Skye discovers in the future is horrifying: the rumours about the coming apocalypse are true . . .RUN! AS FAST AS YOU CAN!As society crumbles and Skye and Red race to figure out how to use their knowledge to survive the impending annihilation, they soon discover that the chaotic end of the world is a fine time for revenge . . .

    Bojan's wife abandons him to care for their three-year-old daughter Sonja alone. Sonja returns to Tasmania 35 years later, and to a father haunted by memories of the war and other recent horrors.

    Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wanted it to be. But every few nights something—or someone—picks off one of the sheep and sets off a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, rumors of an obscure, formidable beast. But there is also Jake's past—hidden thousands of miles away and years ago, held in the silences about her family and the scars that stripe her back—a past that threatens to break into the present. With exceptional artistry and empathy, All the Birds, Singing reveals an isolated life in all its struggles and stubborn hopes, unexpected beauty, and hard-won redemption.

    Gripping, a standalone romantic thriller from an author at the top of her game.A tragic accident, a terrible crime, an unknown threat ...Scarred by a recent tragedy on Federation Peak, Tess Atherton is reluctant to guide a group of young hikers in the wild Tasmanian winter, but it seems safer than remaining amid the violence that threatens them in Hobart. Little does she know that she has brought the danger with her ...Detective Senior Sergeant Jared Denham is closing in on a serial killer, but someone doesn't want him getting to the truth and the case is becoming personal. He already owes Tess his life, and wants to return the favour - but when it comes to enemies, Jared may be looking in the wrong direction.Time is running out, and death is stalking them both ...Deadman's Track is a dark, compelling thriller, filled with vivid imagery and heart-stopping suspense. Sarah Barrie has made me desperate to visit Tasmania and simultaneously terrified of ever stepping foot there. I loved every moment. -Nicola Moriarty, author of The Ex

    She plans to keep to herself - but when she uncovers a hidden box of wartime love letters, she realises she's not thefirst person living in this cottage to hide secrets and pain.FOUNDIvy's quiet life in Rosella Cove is tainted by the events of World War II, with ramifications felt for many years to come. But one night a drifter appears and changes everything. Perhaps his is the soul she's meant to save.FORGOTTENCharlie is too afraid of his past to form any lasting ties in the cove. He knows he must make amends for his tragic deeds long ago, but he can't do it alone. Maybe the new tenant in the cottage will help him fulfil a promise and find the redemption he isn't sure he deserves.Welcome to the cottage at Rosella Cove, where three damaged souls meet and have the chance to rewrite their futures.

    In Australia's 1930s the Sinclair name is respectable and influential, yet Rowland has a talent for scandal.Even with thousands of unemployed lining the streets, Rowland's sheltered world is one of exorbitant wealth, culture and impeccable tailoring. He relies on the Sinclair fortune to indulge his artistic passions and friends ... a poet, a painter and a brazen sculptress.Mounting tensions fuelled by the Great Depression take Australia to the brink of revolution.

    Even back then, she was a mystery that I wanted to solve.The lead homicide investigator in a rural town, Detective Sergeant Gemma Woodstock is deeply unnerved when a high school classmate is found strangled, her body floating in a lake. And not just any classmate, but Rosalind Ryan, whose beauty and inscrutability exerted a magnetic pull on Smithson High School, first during Rosalind's student years and then again when she returned to teach drama. As much as Rosalind's life was a mystery to Gemma when they were students together, her death presents even more of a puzzle. What made Rosalind quit her teaching job in Sydney and return to her hometown? Why did she live in a small, run-down apartment when her father was one of the town's richest men? And despite her many admirers, did anyone in the town truly know her? Rosalind's enigmas frustrate and obsess Gemma, who has her own dangerous secrets—an affair with her colleague and past tragedies that may not stay in the past.