Vocal selections from the uproarious Broadway production that won the Tony Award for Best Musical in 2005. Songs include: All for One * Always Look on the Bright Side of Life * Brave Sir Robin * Come with Me * Find Your Grail * Fisch Schlapping Dance * He Is Not Dead Yet * His Name Is Lancelot * I'm All Alone * King Arthur's Song * Knights of the Round Table * Laker Girls Cheer * Monks Chant * Run Away! * The Song That Goes Like This * Whatever Happened to My Part? * Where Are You? * You Won't Succeed on Broadway. Includes five pages of color photos.

    It’s a universal language that can capture love, heartbreak, loss, soul searching, and wing spreading—all in the span of a few notes. In Behind the Song, fourteen acclaimed young adult authors and musicians share short stories and personal essays inspired by the songs, the albums, the musicians who move them. So cue up the playlist and crank the volume. This is an anthology you’ll want to experience on repeat.

    Collected here to commemorate the 200th anniversary of foe's birth are sixteen of his best tales accompanied by twenty essays from beloved authors, including T. Jefferson Parker, Lawrence Block. Sara Paretsky, and Joseph Wambaugh, among others, on how Poe has changed their life and work.Michael Connelly recounts the inspiration he drew from Poe's poetry while researching one of his books. Stephen King reflects on Poe's insight into humanity's dark side in "The Genius of 'The Tell-Tale Heart.'" Jan Burke recalls her childhood terror during late-night reading sessions. Tess Gerritsen, Nelson DeMille, and others remember the classic B-movie adaptations of Poe's tales. And in "The Thief," Laurie R. King complains about how Poe stole all the good ideas ... or maybe he just thought of them first.Powerful and timeless, In the Shadow of the Master is a celebration of one of the greatest literary minds of all time.--back cover

    Inherited Disorders tells this elemental story in over 100 hilarious, witty variations.Adam Ehrlich Sachs’s Inherited Disorders is a rueful, absurd, and endlessly entertaining look at a most serious subject—the eternally vexed relations between fathers and sons. In a hundred and seventeen shrewd, surreal vignettes, Sachs lays bare the petty rivalries, thwarted affection, and mutual bafflement that have characterized the filial bond since the days of Davidic kings. A philosopher’s son kills his father and explains his aphorisms to death. A father bequeaths to his son his jacket, deodorant, and political beliefs. England’s most famous medium becomes possessed by the spirit of his skeptical father—who questions, in front of the nation, his son’s choice of career. A Czech pianist amputates his fingers one by one to thwart his father, who will not stop composing concertos for him. A nineteenth-century Italian nobleman wills his ill-conceived flying contraption—incapable of actual flight—to his newborn son. In West Hollywood, an aspiring screenwriter must contend with the judgmental visage of his father, a respected public intellectual whose frozen head, clearly disappointed in him, he keeps in his freezer. Keenly inventive, but painfully familiar, these surprisingly tender stories signal the arrival of a brilliant new comic voice—and fresh hope for fathers and sons the world over.

    Within its pages, note such sights as: a study of the motives and strategies used by the participants in the game of Clue, including the seduction of Miss Scarlet by Colonel Mustard; the Barnum Museum, a fantastic, monstrous landmark so compelling that an entire town finds its citizens gradually and inexorably disappearing into it; a bored dilettante who constructs an imaginary woman - and loses her to an imaginary man! - and a legendary magician so skilled at sleight-of-hand that he is pursued by police for the crime of erasing the line between the real and the conjured.

    Newsweek’s Most Anticipated Books of 2020Forbes.com’s Most Anticipated Books of 2020Publishers Weekly’s Notable TitlesIn 1925, Barnard student Zora Neale Hurston—the sole black student at the college—was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

    Berlin Stories collects his alternately celebratory, droll, and satirical observations on every aspect of the bustling German capital, from its theaters, cabarets, painters’ galleries, and literary salons, to the metropolitan street, markets, the Tiergarten, rapid-service restaurants, and the electric tram. Originally appearing in literary magazines as well as the feuilleton sections of newspapers, the early stories are characterized by a joyous urgency and the generosity of an unconventional guide. Later pieces take the form of more personal reflections on the writing process, memories, and character studies. All are full of counter-intuitive images and vignettes of startling clarity, showcasing a unique talent for whom no detail was trivial, at grips with a city diving headlong into modernity.

    By turns sweet and comic, sentimental and serious, Joseph Bottum's "Dakota Christmas" is an instant Christmas classic. In this beautifully written account of the mad joys and wild emotions of Christmas for children, Bottum captures the universal spirit of the season even while he recounts his memories with a sharp particularity that brings them alive for readers."Her hair was the same thin shade of gray as the weather-beaten pickets of the fence around her frozen garden," he writes of one chance Christmas encounter. "She had a way with horses, and she was alone on Christmas Eve. There is little in my life I regret as much as that I would not stay for just one cookie, just one cup of tea.""Joseph Bottum is one of America’s most gifted writers, with a perfect ear and a matchless style," the essayist Andrew Ferguson notes of "Dakota Christmas." And "to watch him deck the halls with his customary humor and generosity of spirit is glad tidings indeed--guaranteed to make your Yuletide bright.""Families have always loved brief Christmas classics that could be read aloud by the fire," adds Michael Novak. "Joseph Bottum's 'Dakota Christmas' is such a classic."

    He edited the manuscript just before his death, and these four stories are some of his best known and most powerful work, marking his maturity as a writer. In addition to "First Sorrow," "A Little Woman," and "Josephine the Singer, or the Mouse People" is the title story, "A Hunger Artist," which has been called by the critic Heinz Politzer "a perfection, a fatal fulfillment that expresses Kafka's desire for permanence." The three volumes Twisted Spoon Press has published: Contemplation, A Country Doctor, and A Hunger Artist are the collections of stories that Kafka had published during his lifetime. Though each volume has its own distinctive character, they have most often appeared in English in collected editions. They are presented here as separate editions, in new translations by Kevin Blahut, each with its own illustrator from the Prague community.

    In turns witty, accessible, fascinating and deeply moving, Goldschmidt demonstrates her mastery of the short form as well as her ability to draw out scientific themes with humane and compelling insight. Goldschmidt allows us to spy on Bertolt Brecht, as he rewrites his play Life of Galileo with Charles Laughton after the bombings of Hiroshima and Nagasaki. She introduces us to Albert Einstein as he deals with the loss of his first child, Liesel. We meet Robert Oppenheimer scheming against his tutor, Professor Patrick Blackett, at Cambridge University, having fallen in love with Blackett's wife. She tells the story of a female university student starting a love affair with her lecturer paralleled alongside the 'relationship' between Alice and Bob, two imaginary figures that symbolise the theory of relativity. Goldschmidt's scope can be epic, at other times intimate, providing a forensic examination of relationships and the forces that influence them.

    Harper Brothers was so enamored of her work that the firm agreed to publish whatever she could write. In this gathering, Rioux has chosen fiction over the course of Woolson’s life, including “In Sloane Street,” never published since it first appeared in Harper’s Bazaar. Woolson’s stories travel from the rural Midwest to the deep South and then across the Atlantic to Italy and England. Her strong characters and indelible settings provide continuity throughout this collection as do her concerns with passion, creativity, imagination, and the demands of society. Whether portraying the keeper of a Union soldiers’ cemetery in the defeated South, a woman writer whose genius goes unrecognized, or the ex-pat denizens of Florence, Woolson’s deft characterization and subtlety create a broad landscape of Americans and their ways no matter where they lived.

    From “Guests of the Nation” to “The Mad Lomasneys” to “First Confession” to “My Oedipus Complex,” these tales of Ireland have touched generations of readers the world over and placed O'Connor alongside W. B. Yeats and James Joyce as the greatest of Irish authors.Analyzing a Robert Browning poem, O'Connor once wrote: “Since a whole lifetime must be crowded into a few minutes, those minutes must be carefully chosen indeed and lit by an unearthly glow.” Each of the sixty-seven stories gathered here achieves the same incredible feat of the imagination, laying bare entire lives and histories within the space of a few pages. Dublin schoolteacher Ned Keating waves good-bye to a charming girl and to any thoughts of returning to his village home in the lyrical and melancholy “Uprooted.” A boy on an important mission is waylaid by a green-eyed temptress and seeks forgiveness in his mother’s loving arms in “The Man of the House,” a tale that draws on O'Connor’s own difficult childhood. A series of awkward encounters and humorous misunderstandings perfectly encapsulates the complicated legacy of Irish immigration in “Ghosts,” the bittersweet account of an American family’s pilgrimage to the land of their forefathers.As a writer, critic, and teacher, O'Connor elevated the short story to astonishing new heights. This career-spanning anthology, epic in scope yet brimming with the small moments and intimate details that earned him a reputation as Ireland’s Chekhov, is a testament to Frank O’Connor's magnificent storytelling and a true pleasure to read from first page to last.

    The twenty stories in this collection are a fresh, exuberant celebration of the new American South — a land of high school band contests, where good old boys from Vicksurg are reunited in Vietnam and petty nostalgia and the constant pain of disappointed love prevail. Airships is a striking demonstration of Barry Hannah's mature and original talent.

    Born in Montgomery, Alabama, this southern belle turned flapper was talented in dance, painting, and writing but lived in the shadow of her husband's success. Her writing can be experienced on its own terms in Matthew Bruccoli's meticulously edited The Collected Writings of Zelda Fitzgerald.The collection includes Zelda's only published novel, Save Me the Waltz, an autobiographical account of the Fitzgeralds' adventures in Paris and on the Riviera; her celebrated farce, Scandalabra; eleven short stories; twelve articles; and a selection of letters to her husband, written over the span of their marriage, that reveals the couple's loving and turbulent relationship.Zelda Sayre Fitzgerald has long been an American cultural icon. The Collected Writings affirms her place as a writer and as a symbol not only of the Lost Generation but of all generations as she struggled to define herself through her art.

    Suddenly with no place to hide from the reality we realize life is all cracked up. Through the lens of our pain everything seems broken, bruised, and battered. But, as best-selling author Patsy Clairmont points out, there's a redeemer of our pain--Jesus. The Redeemer of the broken and discarded who mends our hearts, and even gives us a reason to laugh again.Telling inspirational stories of women's brokenness and healing, with tenderness and her trademark humor, Patsy Clairmont helps us realize that we're not alone in our struggles. Jesus buoys our spirits and refreshes our tired minds. As Patsy says, "life is so much easier to bear when its shared.'