Instead of regarding Egyptian mythology and legend as unique, "classic" and inviolate, as did many Egyptologists, Spence saw Egyptian religious thought as part of world mythology, rooted in primitive conceptions common to mankind as a whole and related to those of many other cultures. In supporting this thesis, Spence offers an immensely erudite in-depth survey of the broad spectrum of Egyptian gods and goddesses, cults, and beliefs, as well as a concise review of Egyptian history, manners, customs, and archaeology.Animism, totemism, fetishism, creation myths, and other aspects of early religious beliefs are explored in an introductory chapter. The author then goes on to discuss the Egyptian priesthood, mysteries and temples, the cult of Osiris; Ra the Sun-God, Anubis, Horus, Thoth, and numerous other deities; the Book of the Dead, the birth of Hatshepsut, sacred trees, alchemy, the festival of Bast, Egyptian art, magic, and amulets, legends; and a host of other topics.Enhanced with over 50 photographs and illustrations, this book belongs in the library of any student of ancient Egypt or of early man's attempts, through mythology and legend, to give order, meaning, and purpose to his world.

    Other tellings can be found under "all editions," each credited to its respective storyteller.

    Ancient interpretation of myth is represented here in selections from the allegorists Heraclitus, Cornutus and Fulgentius, the rationalists Palaephatus and Diodorus of Sicily, and the philosophers and historians Plato, Herodotus and Thucydides. Appendices treat evidence from inscriptions, papyri and Linear B tablets and include a thematic index, a mythological dictionary, and genealogies. A thoughtful Introduction supports students working with the primary sources and the other resources offered here; an extensive note to instructors offers suggestions on how to incorporate this book into their courses.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    From the Irish merrows who come on land to search for human husbands to the fake Fiji Mermaid made popular by P.T Barnum, these sea maidens (and sometimes men) can be found in folklore and mythology from every tradition in the world.Inside this captivating collection, complete with beautiful illustrations throughout, you'll discover the myths surrounding these enigmatic beings, explore the common symbols associated with them, and learn tales of merfolk from around the world. Dive into Mermaids and get swept away!

    K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

    Lewis reworks the classical myth of Cupid and Psyche into an enduring piece of contemporary fiction. This is the story of Orual, Psyche's embittered and ugly older sister, who posessively and harmfully loves Psyche. Much to Orual's frustration, Psyche is loved by Cupid, the god of love himself, setting the troubled Orual on a path of moral development.Set against the backdrop of Glome, a barbaric, pre-Christian world, the struggles between sacred and profane love are illuminated as Orual learns that we cannot understand the intent of the gods "till we have faces" and sincerity in our souls and selves.

    Whether it's Ikaros flying too close to the sun, Prometheus stealing fire from the gods or the tragedy of Oedipus, their characters have inspired art, literature, plays and films, and constellations named after them fill the night sky. But how much do you really know about them?From the clash of the Titans to the fall of Troy, here are the greatest legends of all time, brilliantly retold by classical scholar Jenny March. All the heroes, monsters, villains, gods and goddesses of classical civilization are included; the epic journeys of Odysseus and Aeneas; the founding of Athens and Rome; the quests of Jason seeking the Golden Fleece and Theseus slaying the minotaur. Giving the origins, development and interpretation of each myth, this is the essential guide to the stories that have shaped our world.

    if it would just cut to the chase. Stripped of its arcane language and its interminable passages of poetry, genealogy, and law, every book of the Bible is condensed down to its core message, in no more than a few pages each. Written by Mark Russell with cartoons by New Yorker cartoonist Shannon Wheeler, God Is Disappointed in You is a frequently hilarious, often shocking, but always accurate retelling of the Bible, including the parts selectively left out by Sunday School teachers and church sermons. Irreverent yet faithful, this book is a must-read for anyone who wants to see past the fog of religious agendas and cultural debates to discover what the Bible really says.

    The tales of the Norse Gods, of the giants, demons, trolls and dwarves still have the power to fascinate more than a thousand years after they were first told.

    Gudrid lives at the remote edge of the known world, in a starkly beautiful landscape where the sea is the only connection to the shores beyond. It is a world where the old Norse gods are still invoked even as Christianity gains favor, where the spirits of the dead roam the vast northern ice-fields, tormenting the living, and Viking explorers plunder foreign shores. Taking the accidental discovery of North America as its focal point, Gudrid's narrative describes a multilayered voyage into the unknown, all recounted with astonishing immediacy and rich atmospheric detail.

    Nordic Tales is a collection of 16 traditional tales from the enchanting world of Nordic folklore.Translated and transcribed by folklorists in the 19th century, these stories are at once magical, hilarious, cozy, and chilling.Welcome to a world of mystical adventure—where trolls haunt the snowy forests, terrifying monsters roam the open sea, a young woman journeys to the end of the world, and a boy proves he knows no fear.• Offers a fascinating view into Nordic culture• The tales come alive alongside bold, contemporary art• Part of the popular Tales series, featuring Tales of Japan, Celtic Tales, Tales of India, and Tales of East AfricaNordic Tales will enthrall fans of fairytales and captivate those interested in the rich history of Nordic culture.Ulla Thynell's glowing contemporary illustrations accompany each tale, conjuring dragons, princesses, and the northern lights.• A visually gorgeous book that will be at home on the shelf or on the coffee table• A perfect gift for fairy tale and folklore lovers, fans of Nordic culture, people of Nordic ancestry, collectors of illustrated classics, and bibliophiles looking for a comforting wintertime read• Add it to the collection of books like D'Aulaires' Book of Norse Myths by Ingri d'Aulaire and Edgar Parin d'Aulaire, Norse Mythology by Neil Gaiman, and Mythology: Timeless Tales of Gods and Heroes by Edith Hamilton.People who love Greek mythology, roman mythology, Chinese mythology, Celtic mythology, and folklore and cultural studies from around the globe will love Nordic Tales.

    It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.

    Part One considers the distinguishing features of the various Cycle of tales and the personages who figure most prominently in them. Part Two reveals the cosmological framework within which the action of the tales takes place. Part Three consists of a discussion of the themes of certain classes of stories which tell of Conceptions and Births, Supernatural Adventures, Courtships and Marriages, Violent Deaths and Voyages to the Other World, and an attempt is made to understand their religious function and glimpse their transcendent meaning.

    But what do those elf stories really tell us about the Iceland of old and the people who lived there? In this book, author Alda Sigmundsdóttir presents twenty translated elf stories from Icelandic folklore, along with fascinating notes on the context from which they sprung. The international media has had a particular infatuation with the Icelanders’ elf belief, generally using it to propagate some kind of “kooky Icelanders” myth. Yet Iceland’s elf folklore, at its core, reflects the plight of a nation living in abject poverty on the edge of the inhabitable world, and its people’s heroic efforts to survive, physically, emotionally and spiritually. That is what the stories of the elves, or hidden people, are really about. In a country that was, at times, virtually uninhabitable, where poverty was endemic and death and grief a part of daily life, the Icelanders nurtured a belief in a world that existed parallel to their own. This was the world of the hidden people, which more often than not was a projection of the most fervent dreams and desires of the human population. The hidden people lived inside hillocks, cliffs or boulders, very close to the abodes of the humans. Their homes were furnished with fine, sumptuous objects. Their clothes were luxurious, their adornments beautiful. Their livestock was better and fatter, their sheep yielded more wool than regular sheep, their crops were more bounteous. They even had supernatural powers: they could make themselves visible or invisible at will, and they could see the future. To the Icelanders, stories of elves and hidden people are an integral part of the cultural and psychological fabric of their nation. They are a part of their identity, a reflection of the struggles, hopes, resilience and endurance of their people. All this and more is the subject of this book.