Expelled from three Jewish day-schools for acts of violence and messianic tendencies, Gurion ends up in the Cage, a special lockdown program for the most hopeless cases of Aptakisic Junior High. Separated from his scholarly followers, Gurion becomes a leader of a very different sort, with righteous aims building to a revolution of troubling intensity.The Instructions is an absolutely singular work of fiction by an important new talent. Combining the crackling voice of Philip Roth with the encyclopedic mind of David Foster Wallace, Adam Levin has shaped a world driven equally by moral fervor and slapstick comedy—a novel that is muscular and exuberant, troubling and empathetic, monumental, breakneck, romantic, and unforgettable.

    Michael Martone is its own appendix, comprising fifty “contributors notes,” each of which identifies in exorbitant biographical detail the author of the other forty-nine. Full of fanciful anecdotes and preposterous reminiscences, Martone’s self-inventions include the multiple deaths of himself and all his family members, his Kafkaesque rebirth as a giant insect, and his stints as circus performer, assembly-line worker, photographer, and movie extra. Expect no autobiographical consistency here. A note revealing Martone's mother as the ghost-writer of all his books precedes the note beginning, “Michael Martone, an orphan . . . “ We learn of Martone’s university career and sketchy formal education, his misguided caretaking of his teacher John Barth’s lawn, and his impersonation of a poor African republic in political science class, where Martone's population is allowed to starve as his more fortunate fellow republics fight over development and natural resource trading-cards. The author of Michael Martone, whose other names include Missy, Dolly, Peanut, Bug, Gigi-tone, Tony's boy, Patty's boy, Junior's, Mickey, Monk, Mr. Martone, and “the contributor named in this note," proves as Protean as fiction itself, continuously transforming the past with every new attribution but never identifying himself by name. It is this missing personage who, from first note to last, constitutes the unformed subject of Michael Martone.

      There’s nothing more troubling than having your child break down on the side of the road, leaking oil, overheating, and asking tough questions like, “What is death?” and “Why did Mom leave?” But stay calm! Because How To Keep Your Volkswagen Alive is not only a dizzyingly beautiful novel, it’s also a handy manual with useful chapters on “Tools and Spare Parts,” “Valve Adjustment,” “How To Read This Novel,” and, most important of all, “How Works a Heart.”   Welcome to Christopher Boucher’s zany literary universe, a place where metaphors shift beneath your feet, familiar words assume new meanings, objects talk, trees attack, and time actually is money. Modeled on the cult classic 1969 hippie handbook of the same name, How To Keep Your Volkswagen Alive is an astonishing tour-de-force that tackles some of life’s biggest questions: How do you cope with losing a parent? What’s the secret to raising a child? How do you keep love alive? How do you get your car to start?

    Like how sometimes the best way to catch a mouse that’s right in front of you is to back up before you pounce.So notes Prudence, the irresistible brown tabby at the center of Gwen Cooper’s tender, joyful, utterly unforgettable novel, which is mostly told through the eyes of this curious (and occasionally cranky) feline.When five-week-old Prudence meets a woman named Sarah in a deserted construction site on Manhattan’s Lower East Side, she knows she’s found the human she was meant to adopt. For three years their lives are filled with laughter, tuna, catnaps, music, and the unchanging routines Prudence craves. Then one day Sarah doesn’t come home. From Prudence’s perch on the windowsill she sees Laura, the daughter who hardly ever comes to visit Sarah, arrive with her new husband. They’re carrying boxes. Before they even get to the front door, Prudence realizes that her life has changed forever.Suddenly Prudence finds herself living in a strange apartment with humans she barely knows. It could take years to train them in the feline courtesies and customs (for example, a cat should always be fed before the humans, and at the same exact time every day) that Sarah understood so well. Prudence clings to the hope that Sarah will come back for her while Laura, a rising young corporate attorney, tries to push away memories of her mother and the tumultuous childhood spent in her mother’s dusty downtown record store. But the secret joys, past hurts, and life-changing moments that make every mother-daughter relationship special will come to the surface. With Prudence’s help Laura will learn that the past, like a mother’s love, never dies.Poignant, insightful, and laugh-out-loud funny, Love Saves the Day is a story of hope, healing, and how the love of an animal can make all of us better humans. It’s the story of a mother and daughter divided by the turmoil of bohemian New York, and the opinionated, irrepressible feline who will become the bridge between them. It’s a novel for anyone who’s ever lost a loved one, wondered what their cat was really thinking, or fallen asleep with a purring feline nestled in their arms. Prudence, a cat like no other, is sure to steal your heart.Praise for Love Saves the Day   “Prudence [is a] sassy but sensitive feline heroine.”—Time“Unforgettably moving . . . a hard one to put down.”—Modern Cat   “If you are the Most Important Person to a cat, you will hold them much tighter by the book’s end. If you don’t have a cat, Prudence will have surreptitiously lured you into the danger zone: Falling in love with a cat because they need family, too.”—The Vancouver Sun  “Cooper brings readers a fictional tale that cat lovers will treasure. . . . This book will make most readers laugh and cry, and probably lead them to wonder more often what, exactly, their pet is thinking.”—Fredericksburg Free Lance–Star  “The interspersed viewpoints . . . enrich Cooper’s sensitively told novel that unravels a story (based on actual events) about a century-old tenement building—and the inhabitants therein. That story ultimately serves as the basis to understanding the emotional subtexts of these authentic, well-drawn characters.”—Shelf Awareness

    Imagine a family in which four generations of strong, alluring women share a mysterious connection to an outlandish figure from Japanese folklore. Imagine them part of a novel that only Tom Robbins could create? A magically crafted work as timeless as myth yet as topical as the latest international threat. But no matter how hard you try, you'll never imagine what you'll find inside the Villa Incognito: a tilt-a-whirl of identity, masquerade, and disguise that dares to pull off "the false mustache of the world" and reveal the even greater mystery underneath. For neither the mists of Laos nor the Bangkok smog, neither the overcast of Seattle nor the fog of San Francisco, neither the murk of the intelligence community nor the mummery of the circus can obscure the pure linguistic phosphor that illuminates every page of one of America's most consistently surprising and inventive writers.

    One of its greatest strengths is its continuous ability to defy expectations. It's not what you think. It is worse. Lizzy Mitchell was raised from the age of two by her uncle, a Catholic priest. When she was nine, he was falsely accused of improprieties with her and dismissed from his church, and she was sent away to boarding school. Now thirty years old and in a failing marriage, she is nearly killed in a traffic accident. What she discovers when she sets out to find the truths surrounding the accident and about the accusations that led to her uncle's death does more than change her life. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope.

    Lucy Bloom is broke, freshly dumped by her boyfriend, and forced to sell her house to send her nineteen-year-old son to drug rehab. Although she’s lost it all, she’s determined to start over. So when she’s offered a high-paying gig helping clear the clutter from the home of reclusive and eccentric painter Marva Meier Rios, Lucy grabs it. Armed with the organizing expertise she gained while writing her book, Things Are Not People, and fueled by a burning desire to get her life back on track, Lucy rolls up her sleeves to take on the mess that fills every room of Marva’s huge home. Lucy soon learns that the real challenge may be taking on Marva, who seems to love the objects in her home too much to let go of any of them. While trying to stay on course toward a strict deadline—and with an ex-boyfriend back in the picture, a new romance on the scene, and her son’s rehab not going as planned—Lucy discovers that Marva isn’t just hoarding, she is also hiding a big secret. The two form an unlikely bond, as each learns from the other that there are those things in life we keep, those we need to let go—but it’s not always easy to know the difference.

    While our dad was upstairs broadcasting something to the world, and we were listening in, or trying to find his frequency and listen to his voice . . . we would give up and go out in the snow with a phone rigged with alligator clips so we could listen in on others’ conversations. There’s something nearly sexual about this, hearing what other people are saying to their lovers, children, cousins, psychics, pastors. . . .The cumulative effect of this stunningly original collection seems to work on the reader in the same way—we follow glimpses of dispossessed lives in the snow-buried reaches of Michigan’s Keweenaw Peninsula, where nearly everyone seems to be slipping away under the ice to disappear forever. Through an unsettling, almost crazed gestalt of sketches, short stories, lists, indices and radio schematics, Monson presents a world where weather, landscape, radio waves and electricity are characters in themselves, affecting a community held together by the memories of those they have lost.Ander Monson is the editor of DIAGRAM and the New Michigan Press. He teaches at Grand Valley State University and lives in Michigan. Tupelo Press recently published his poetry collection, Elegies for Descent and Dreams of Weather.

    Cassie Barrett, a renowned anthropologist, and Alex Rivers, one of Hollywood's hottest actors, met on the set of a motion picture in Africa. They shared childhood tales, toasted the future, and declared their love in a fairy-tale wedding. But when they return to California, something alters the picture of their perfect marriage. A frightening pattern is taking shape—a cycle of hurt, denial, and promises, thinly veiled by glamour. Torn between fear and something that resembles love, Cassie wrestles with questions she never dreamed she would face: How can she leave? Then again, how can she stay?

    Now, with her sparkling new novel of parenthood and sibling rivalry, Close turns her gimlet eye to the only thing messier than friendship: family. Weezy Coffey’s parents had always told her she was the smart one, while her sister was the pretty one. “Maureen will marry well,” their mother said, but instead it was Weezy who married well, to a kind man and good father. Weezy often wonders if she did this on purpose—thwarting expectations just to prove her parents wrong. But now that Weezy’s own children are adults, they haven’t exactly been meeting her expectations either. Her oldest child, Martha, is thirty and living in her childhood bedroom after a spectacular career flameout. Martha now works at J.Crew, folding pants with whales embroidered on them and complaining bitterly about it. Weezy’s middle child, Claire, has broken up with her fiancé, canceled her wedding, and locked herself in her New York apartment—leaving Weezy to deal with the caterer and florist. And her youngest, Max, is dating a college classmate named Cleo, a girl so beautiful and confident she wears her swimsuit to family dinner, leaving other members of the Coffey household blushing and stammering into their plates. As the Coffey children’s various missteps drive them back to their childhood home, Weezy suddenly finds her empty nest crowded and her children in full-scale regression. Martha is moping like a teenager, Claire is stumbling home drunk in the wee hours, and Max and Cleo are skulking around the basement, guarding a secret of their own. With radiant style and a generous spirit, The Smart One is a story about the ways in which we never really grow up, and the place where we return when things go drastically awry: home.

    A young PR man working at General Electric sold his first magazine piece. By the time he'd sold his third, he decided to quit his job and join the likes of Salinger, Hemingway, Fitzgerald and Faulkner, and make a living as a full-time writer. That young man was Kurt Vonnegut.Bagombo Snuff Box collects Vonnegut’s favourite stories from the postwar years that sharpened his dark, vaudevillian and quietly subversive voice. Here we see the mind-bending wit and central themes of his masterpiece, Slaughterhouse-Five. A must-read for Vonnegut aficionados new and old.

    A preacher bathes his ill and elderly mother, not knowing that she has mistaken him for the long-lost cousin she watched murder his brother in her father’s tobacco field. In six stories that read like novels in miniature, Kyle Minor plumbs the depths of human mystery, where they meet our kindnesses and our cruelties, our generosities and our pettiness.Kyle Minor’s work has appeared widely in magazines and anthologies, among them Best American Mystery Stories 2008, The Southern Review, The Gettysburg Review, Surreal South, and Twentysomething Essays by Twentysomething Writers: The Best New Voices of 2006. His work has been twice nominated for the Pushcart Prize. Kyle received his MFA from Ohio State University and is currently a visiting professor at the University of Toledo.

    Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

    Set in a summer villa, the story is tautly structured, taking place over a week in which a group of beautiful, flawed tourists in the French Riviera comes loose at the seams. Shortlisted for the 2012 Man Booker Prize.

    But a shattering revelation intrudes: Julia's son Jack has spiraled into heroin addiction.In an attempt to save him, Julia marshals help from her looseknit clan: elderly parents; remarried ex-husband; removed sister; and combative eldest son. Ultimately, heroin courses through the characters' lives with an impersonal and devastating energy, sweeping the family into a world in which deceit, crime, and fear are part of daily life.