Through a series of personal journeys, Dan Richards explores their romantic and exploratory appeal. Wildernesses, seemingly untouched by man's hand: mountains, tundra, forests, oceans and deserts. These are landscapes that speak of deep time, whose scale can knock us down to size. Their wildness is part of their beauty and such places have long drawn the adventurous, the spiritual, the artistic.For those who go in search of the isolation, silence and adventure of wild places it is - perhaps ironically - to the man-made shelters that they need to head; the outposts: bothies, bivouacs, cabins and huts. Part of their allure is their simplicity: enough architecture to shelter from the weather but not so much as to distract from the immediate environment around.Following a route from the Cairngorms of Scotland to the fire-watching huts of Washington State, from Iceland's Houses of Joy to the desert of New Mexico, and from the frozen beauty of Svalbard to a lighthouse perched in the Atlantic, Richards uncovers landscapes which have inspired writers, artists and musicians, and asks: why are we drawn to wilderness? And how do wild places become a space for inspiration and creativity?

    With Durrell for interpreter, an orange armadillo, or a horned toad, or a crab-eating raccoon, or a baby giant anteater suddenly discovers the ability not merely to set you laughing but actually to endear itself to you.ContentsExplanationSaludos1. Oven-birds and burrowing owls2. Eggbert and the Terrible TwinsInterlude3. Fields of flying flowers4. The orange armadillos5. Bevy of bichos6. Fawns, frogs, and fer-de-lance7. Terrible toads and a bushel of birds8. The four-eyed bird and the anaconda9. Sarah Huggersack10. Rattlesnakes and revolutionInterlude11. The Rhea HuntAdios!Acknowledgements

    This includes how to write compelling reviews, how to pitch yourself as a writer, how to tackle some tricky ethical quandaries, and yes, even how to get free games. Based on Dan Amrich’s own experience as a game journalist for more than 15 years, it’s advice that can serve you for your entire career, from press start to game over.

    With subjects ranging from the writer’s own “migrant childhood” to the need to protect what remains of the great western wilderness (which Stegner dubs “the geography of hope”) to poignant profiles of western writers such as John Steinbeck and Norman Maclean, this collection is a riveting testament to the power of place. At the same time it communicates vividly the sensibility and range of this most gifted of American writers, historians, and environmentalists.

    Out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran and into Kurdish Turkey, Colin Thubron covers some seven thousand miles in eight months. Making his way by local bus, truck, car, donkey cart and camel, he travels from the tomb of the Yellow Emperor, the mythic progenitor of the Chinese people, to the ancient port of Antioch—in perhaps the most difficult and ambitious journey he has undertaken in forty years of travel.The Silk Road is a huge network of arteries splitting and converging across the breadth of Asia. To travel it is to trace the passage not only of trade and armies but also of ideas, religions and inventions. But alongside this rich and astonishing past, Shadow of the Silk Road is also about Asia today: a continent of upheaval.One of the trademarks of Colin Thubron's travel writing is the beauty of his prose; another is his gift for talking to people and getting them to talk to him. Shadow of the Silk Road encounters Islamic countries in many forms. It is about changes in China, transformed since the Cultural Revolution. It is about false nationalisms and the world's discontented margins, where the true boundaries are not political borders but the frontiers of tribe, ethnicity, language and religion. It is a magnificent and important account of an ancient world in modern ferment.

    A hijacking, several nuclear explosions and a religious experience ... just some of the ingredients in the latest tour de force from the bestselling author of the Carpet Wars. In the searing summer of 2004, Christopher Kremmer returns to India, a country in the grip of enormous and sometimes violent change. As a young reporter in the 1990s, he first encountered this ancient and complex civilisation. Now, embarking on a yatra, or pilgrimage, he travels the dangerous frontier where religion and politics face off. tracking down the players in a decisive decade, he takes us inside the enigmatic Gandhi dynasty, and introduces an operatic cast of political Brahmins, 'cyber coolies', low-caste messiahs and wrestling priests. A sprawling portrait of India at the crossroads, Inhaling the Mahatma is also an intensely personal story about coming to terms with a dazzlingly different culture, as the author's fate is entwined with a cosmopolitan Hindu family of Old Delhi, and a guru who might just change his life.

    It flows through more countries than any other river on Earth—from the Black Forest in Germany to Europe's farthest fringes, where it joins the Black Sea in Romania. Andrew Eames' journey along its length brings us face to face with the continent's bloodiest history and its most pressing issues of race and identity. As he travels—by bicycle, horse, boat, and on foot—Eames finds himself seeking a bed for the night with minor royalty, hitching a ride on a Serbian barge captained by a man called Attila, and getting up close and personal with a bull in rural Romania. He meets would-be kings and walks with gypsies, and finally rows his way beyond the borders of Europe entirely.

    Reading it is like unravelling the bandages on a mummy to find the face of the past staring back in all its terrible and poignant humanity’ Financial TimesA groundbreaking account of what it was like to live in a Victorian body from one of our best historians.Why did the great philosophical novelist George Eliot feel so self-conscious that her right hand was larger than her left?Exactly what made Darwin grow that iconic beard in 1862, a good five years after his contemporaries had all retired their razors?Who knew Queen Victoria had a personal hygiene problem as a young woman and the crisis that followed led to a hurried commitment to marry Albert?What did John Sell Cotman, a handsome drawing room operator who painted some of the most exquisite watercolours the world has ever seen, feel about marrying a woman whose big nose made smart people snigger?How did a working-class child called Fanny Adams disintegrate into pieces in 1867 before being reassembled into a popular joke, one we still reference today, but would stop, appalled, if we knew its origins?Kathryn Hughes follows a thickened index finger or deep baritone voice into the realms of social history, medical discourse, aesthetic practise and religious observance – its language is one of admiring glances, cruel sniggers, an implacably turned back. The result is an eye-opening, deeply intelligent, groundbreaking account that brings the Victorians back to life and helps us understand how they lived their lives.

    Bass and his friend Elizabeth discovered the Yaak valley in northwest Montana. It was remote -- with no electricity or phone service, only erratic radio reception, and reachable by a gravel-and-dirt road that required four-wheel drive. There was one saloon, a general store and a handful of year-round residents. The nearest town, Libby, was 40 miles away. As caretakers of a defunct hunting lodge, the couple settled into their winter idyll. Bass writes exuberantly about their season in the wilderness: blizzards, woodchopping, wildlife, the occasional social gatherings at the Dirty Shame Saloon. He speaks to the wildness and freedom of valley people, the slow-motion quality of life, and the the physical and psychological hardships of wilderness living. This charming celebration will give readers a fresh perception of winter.

    In Margate and Westgate, Seabrook detects the desperate merriment of T.S. Eliot’s The Waste Land; in Rochester and Chatham, he senses the ghosts of Dickens and the drug fantasies of Thomas De Quincey; and in Broadstairs, he uncovers a weird network involving Lord Curzon, a Nazi con man, and Audrey Hepburn’s father.

    Working his way north over nearly a decade, Kpomassie finally arrived in the country of his dreams. This brilliantly observed and superbly entertaining record of his adventures among the Inuit is a testament both to the wonderful strangeness of the human species and to the surprising sympathies that bind us all.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In this acutely perceived and beautifully written book, the bestselling author of Bad Land turns that voyage–which coincided with the Falklands war of 1982-into an occasion for meditations on his country, his childhood, and the elusive notion of home. Whether he’s chatting with bored tax exiles on the Isle of Man, wrestling down a mainsail during a titanic gale, or crashing a Scottish house party where the kilted guests turn out to be Americans, Raban is alert to the slightest nuance of meaning. One can read Coasting for his precise naturalistic descriptions or his mordant comments on the new England, where the principal industry seems to be the marketing of Englishness. But one always reads it with pleasure.

    Intrigued by a subsequent encounter with an elderly former resident, and shamed to confess the phobic haste with which he demolished this facility, he finds himself inspired to travel back to the land before now, experiencing the horny-handed hardships and homespun pleasures enjoyed and endured by Moores gone by.The journey that follows takes him through the world of historical re-enactment, sitting at the bare and grubby feet of retromaniacs who have seen their future in the past, and learning their singular ways. Living on bramble leaves, Johnny cake and porridge, Moore travels from the Iron Age to the Steam Age, sharing straw beds and daft hats with period obsessives driven by socio-historical curiosity, disillusionment with the pampered fecklessness of the modern world, or a simple nostalgia for campfires, flatulence and brutality.As a Roman legionary, Moore is put to the Gaulish sword twelve times a day for the entertainment of the Danish public; as master of a Tudor manor's domestic staff, he works his young charges to heatstroked collapse, and serves up moat-drowned hare to the sneering gentry. He crosses the snake-happy Kentucky wilderness with a Vietnam veteran and his ox-drawn wagon, gets arrested as a Yankee spy in the Louisiana no man's land, and lets a party of taunting French schoolchildren have it with a medieval bazooka. Along the way he meets living historians for whom authenticity means pulling their own teeth out and dyeing outfits in urine, and those who stride back through time with a Nokia and a packet of fags stuffed down their codpiece.I Believe in Yesterday is an odyssey through 2,000 years of filth and fury, where men were men, the nights were black, the world was your outside toilet and everything tasted faintly of leeks.

    . .In You Are Here, bestselling author and celebrated astronaut Chris Hadfield creates a virtual orbit of Earth, giving us the really big picture: this is our home, from space. The millions of us who followed Hadfield's news-making Twitter feed from the ISS thought we knew what we were looking at when we first saw his photos. But we may have caught the beauty and missed the full meaning. Now, through photographs - many of which have never been shared - Hadfield unveils a fresh and insightful look at our planet. He sees astonishing detail and importance in these images, not just because he's spent months in space but because his in-depth knowledge of geology, geography and meteorology allows him to reveal the photos' mysteries.Featuring Hadfield's favourite images, You Are Here is divided by continent and represents one (idealized) orbit of the ISS. This planetary photo tour - surprising, playful, thought-provoking and visually delightful - provides a breathtakingly beautiful perspective on the wonders of the world. You Are Here opens a singular window on our planet, using remarkable photographs to illuminate the history and consequences of human settlement, the magnificence of newly uncovered landscapes, and the power of the natural forces shaping our world and the future of our species.