And it's put her in some bizarre situations -- like in a helicopter en route to the wilds of Alaska, sharing too-close quarters with the last man she wants to be with: Jack Townsend! Once a sexy nobody whom Lou helped make a somebody, Jack's just been dumped by a high-profile Hollywood airhead -- who's eloped with Lou's longtime love! So what else could go wrong?Well...Their pilot could try to shoot the most adored man in America. They could crash land in the icy, mountainous middle of nowhere. And at the worst possible moment, when survival should be their only consideration, Jack could start wondering if maybe he wasn't a wee bit too hasty for not giving this sexy screenwriter a second look -- while Lou could start noticing how superstar Jack is kind of hot after all ...

    Before long, it becomes apparent that hers is a prodigious talent, and as she progresses to the top of the US chess rankings she is able to forge a new life for herself. But she can never quite overcome her urge to self-destruct. For Beth, there’s more at stake than merely winning and losing.

    It’s not a lot to ask. But that’s before he’s given some bad news: he’s sick and he’s going to die. Which totally sucks. Hope arrives in the winged form of Dulcie, a loopy punk angel/possible hallucination with a bad sugar habit. She tells Cam there is a cure—if he’s willing to go in search of it. With the help of a death-obsessed, video-gaming dwarf and a yard gnome, Cam sets off on the mother of all road trips through a twisted America into the heart of what matters most.

    But even though this gutsy 14-year-old is seeking vengeance, she is smart enough to figure out she can't go alone after a desperado who's holed up in Indian territory. With some fast-talking, she convinces mean, one-eyed US Marshal "Rooster" Cogburn into going after the despicable outlaw with her.

    The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, “Stephen King with a whoopee cushion and a double-espresso imagination” has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death…even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacré Bleu, the immortal Moore takes on the Great French Masters. A magnificent “Comedy d’Art” from the author of Lamb, Fool, and Bite Me, Moore’s Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed “suicide” of Vincent van Gogh.

    The plot centers on a 30-year-old actress named Suzanne Vale, and follows her challenges as she overcomes her drug addiction, gets back into the swing of things, and falls in love, sort of.

    That’s right, he is a Beefeater (they really do live there). It’s no easy job living and working in the tourist attraction in present-day London. Among the eccentric characters who call the Tower’s maze of ancient buildings and spiral staircases home are the Tower’s Rack & Ruin barmaid, Ruby Dore, who just found out she’s pregnant; portly Valerie Jennings, who is falling for ticket inspector Arthur Catnip; the lifelong bachelor Reverend Septimus Drew, who secretly pens a series of principled erot­ica; and the philandering Ravenmaster, aiming to avenge the death of one of his insufferable ravens. When Balthazar is tasked with setting up an elaborate menagerie within the Tower walls to house the many exotic animals gifted to the Queen, life at the Tower gets all the more interest­ing. Penguins escape, giraffes are stolen, and the Komodo dragon sends innocent people running for their lives. Balthazar is in charge and things are not exactly running smoothly. Then Hebe decides to leave him and his beloved tortoise “runs” away. Filled with the humor and heart that calls to mind the delight­ful novels of Alexander McCall Smith, and the charm and beauty of The Guernsey Literary and Potato Peel Pie Society, The Tower, the Zoo, and the Tortoise is a magical, wholly origi­nal novel whose irresistible characters will stay with you long after you turn the stunning last page. Published in the UK in August 2010 as Balthazar Jones and the Tower of London Zoo.

    The detailed mass e-mail to Mike’s family, friends, and clients blows up in her face, and before one can say "instant urban legend," Lacey has become the pariah of her small Kentucky town, a media punch line, and the defendant in Mike’s defamation lawsuit. Her seemingly perfect life up in flames, Lacey retreats to her family’s lakeside cabin, only to encounter an aggravating neighbor named Monroe. A hunky crime novelist with a low tolerance for drama, Monroe is not thrilled about a newly divorced woman moving in next door. But with time, beer, and a screen door to the nose, a cautious friendship develops into something infinitely more satisfying. Lacey has to make a decision about her long-term living arrangements, though. Should she take a job writing caustic divorce newsletters for paying clients, or move on with her own life, pursuing more literary aspirations? Can she find happiness with a man who tells her what he thinks and not what she wants to hear? And will she ever be able to resist saying one . . . last . . . thing?

    For the Appleton sisters, life had unravelled many times before. This time it explodes.Eight-year-old Hariet, known to all as Ari, is dispatched to Cape Breton and her Aunt Mary, who is purported to eat little girls . . . With Ari on the journey is her steadfast companion, Jasper, an imaginary seahorse. But when they arrive in Pleasant Cove, they instead find refuge with Mary and her partner Nia.As the tumultuous ’60s ramp up in Toronto, Ari is torn from her aunts and forced back to her twisted mother and fractured sisters. Her new stepfather Len and his family offer hope, but as Ari grows to adore them, she’s severed violently from them too, when her mother moves in with the brutal Dick Irwin.Through the sexual revolution and drug culture of the 1960s, Ari struggles with her father’s legacy and her mother’s addictions — testing limits with substances that numb and men who show her kindness. She spins through a chaotic decade of loss and love, the devilish and divine, with wit, tenacity, and the astonishing balance unique to seahorses.The Clay Girl is a beautiful tour de force that traces the story of a child, sculpted by kindness, cruelty and the extraordinary power of imagination, and her families — the one she’s born in to and the one she creates.

    As funny as it is sad, Good as Gold is a story of children grown up, parents grown old, and friends and lovers grown apart -- a story that is inimitably Heller.

    His grandmother taught him everything he needs to know to survive: She taught him to write things down so he won't forget them. She taught him to play the lottery every week. And, most important, she taught him whom to trust. When Gram dies, Perry is left orphaned and bereft at the age of thirty-one. Then his weekly Washington State Lottery ticket wins him 12 million dollars, and he finds he has more family than he knows what to do with. Peopled with characters both wicked and heroic who leap off the pages, Lottery is a deeply satisfying, gorgeously rendered novel about trust, loyalty, and what distinguishes us as capable.

    Only Matthew came home safely. Ten years later, Matthew tells us, he has found a way to bring his brother back... Unafraid to look at the shadows of our hearts, Nathan Filer's rare and brilliant debut shows us the strength that is rooted in resilience and love. Editor's Note Feb 10, 2014: St Martin's Press have just announced that Where The Moon Isn't will be republished under the UK title, The Shock of the Fall this week in digital format and later this fall in paperback. They said that the title change was necessary "because otherwise there's a lot of confusion" - The Shock of the Fall recently won the Costa Book of the Year award, which is UK based but has international renown.

    The Cheese Monkeys is a college novel that takes place over a tightly written two semesters. The book is set in the late 1950s at State U, where the young narrator, has decided to major in art, much to his parents’ dismay. It is an autobiographical, coming-of-age novel which tells universally appealing stories of maturity, finding a calling in life, and being inspired by a loving, demanding, and highly eccentric teacher.

    He's having a hard time getting started because his career is floundering, his girlfriend Roz has recently left him, and he is thinking about the great poets throughout history who have suffered far worse and deserve to feel sorry for themselves. He has also promised to reveal many wonderful secrets and tips and tricks about poetry, and it looks like the introduction will be a little longer than he'd thought. What unfolds is a wholly entertaining and beguiling love story about poetry: from Tennyson, Swinburne, and Yeats to the moderns (Roethke, Bogan, Merwin) to the staff of The New Yorker, what Paul reveals is astonishing and makes one realize how incredibly important poetry is to our lives. At the same time, Paul barely manages to realize all of this himself, and the result is a tenderly romantic, hilarious, and inspired novel.

    In essays drawn from her witty and sometimes brutally candid column in the New York Observer, Candace Bushnell introduces us to the young and beautiful who travel in packs from parties to bars to clubs. Meet "Carrie," the quintessential young writer looking for love in all the wrong places..."Mr. Big," the business tycoon who drifts from one relationship to another..."Samantha Jones," the fortyish, successful, "testosterone woman" who uses sex like a man...not to mention "Psycho Moms," "Bicycle Boys," "International Crazy Girls," and the rest of the New Yorkers who have inspired one of the most watched TV series of our time. You've seen them on HBO, now read the book that started it all...