Hiring a professional double, an actor spurs on his own demise as he and his double explore the depths of degradation and self-destruction.

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    He's a synthetic man! She's a mutant sorceress! Once they were outcasts, but now they have each other, and a love which can withstand every danger they face! Steve Englehart and Richard Howell present…Vision and the Scarlet Witch!

    Her father is a known criminal who once used Ashley to help him elude justice, and in his attempt to escape, a life was taken. He now sits in federal prison, but still casts a shadow over Ashley's life. In the meantime, Ashley has bounced from foster home to foster home and represents a real challenge to the social workers who try to help her--not because she's inherently bad, but because trouble always seems to find her.Ashley's latest set of presumably short-term foster parents are Kitch and Yuka Nolan. Like Ashley, Kitch happens to be an artist. Yuka, on the other hand, is a geneticist working for a very high-level tech company, one that's contracted out to work for the government and the military. And it's Yuka's latest top secret project that has her very concerned. Developed for the military, it's a set of body paints that, when applied to the wearer, grant them a wide range of special powers. Fearful that this invention will be misused, Yuka sneaks the set of paints home, substituting a dummy suitcase with an ordinary set of paints in their place.From here, signals get crossed. Ashley comes home from school one day with her new friend Luke and, thinking that the Nolans have purchased a surprise gift for her upcoming birthday, finds the set of paints. Being an artist, Ashley naturally assumes these are for her. It isn't long before she realizes that she's stumbled upon something much bigger and a lot more dangerous. Although she uses her newly discovered powers for good, it's not long before the military becomes wise to what happened to their secret weapon. And this spells big trouble not only for Ashley, but for her newfound family and friends as well.

    He knows how to take a simple phobia and turn it into a life-threatening syndrome. Since his introduction in 1941, the Scarecrow has been one of the Dark Knights most difficult foes to defeat. And soon, he will be one of the foes featured in the upcoming Batman Begins feature film! In this collection of eight stories spanning more than 60 years, some of the best known Batman writers and artists take their turn at creating chilling escapades.

    They understand the agony of social awkwardness, the power of the perfect smoky eye, and the arm-(or wing)-flapping terror of having a bee in the car. In fact, these winged characters get into the same sticky situations we all do. They are Penguins with People Problems. So meet your favorite new flightless friends. They're brutally honest (except when they're lying), comically insecure, and totally relatable.

    What if Gwen Stacy were bitten by the radioactive spider, not Peter Parker? Find out on Earth-65! There, Gwen is the spectacularly misunderstood Spider-Woman - and she's wanted for Peter's death! And that's bad news, especially since Gwen's dad is a cop! When a Lizard-like menace runs amok, it brings back painful memories for Gwen - but will Captain America's mighty shield inflict new ones? Web-slinging doesn't leave much time for Gwen to play drums with her band, the Mary Janes - but on Halloween, they'll share a night to remember, courtesy of Mysterio! Then, switch genres from horror to romance when Miles "Spider-Man" Morales swings by for an interdimensional team-up! Plus, fl ash back to an early Spider-Gwen encounter...with She-Hulk?! COLLECTING: EDGE OF SPIDER-VERSE 2; SPIDER-GWEN (2015B) 1-2, 13, 16; SPIDER-MAN (2016) 13; MATERIAL FROM SPIDER-GWEN ANNUAL 1

    Its subject is the world, all living beings in it, and their relationship with each other. . . . Its touch is incredibly light and gentle, which explains how it alights in your mind and rests there. . . . The way that McDonnell's stories oscillate between gentle comedy and understated pathos is the strip's greatest strength.""-Christopher Brayshaw, Vancouver ReviewAnimal lovers everywhere adore Patrick McDonnell's charming but pointed MUTTS. The strip strikes a delicate balance between lighthearted fun and social commentary-on the human condition as well as the animal world. The deceptively simple comic follows the adventures of Earl the dog and Mooch the cat, an unlikely best-friend team, and Shtinky Puddin', Sourpuss, Guard Dog, and Crabby. Patrick's distinctive cartooning style effectively relays the all-too-real concerns of his characters with entertaining, clever, laugh-out-loud banter.Infodad.com describes MUTTS as ""humane and funny and gentle and caring and heartfelt and-did we mention funny?"" The site goes on to say that the strip ""includes enough hijinks and outstanding art (yes, art!) to please anyone with a taste for animals and amusement.""

    So prepare yourself for such not-ready-for-prime-time heroes as Bee Man (Batman, but with bees), the Clown (circus-themed crimebuster), the Eye (a giant, floating eyeball; just accept it), and many other oddballs and oddities. Drawing on the entire history of the medium, The League of Regrettable Superheroes will appeal to die-hard comics fans, casual comics readers, and anyone who enjoys peering into the stranger corners of pop culture.