In the "I am not a Serial Killer" trilogy, the young sociopath John Cleaver killed three of them to protect his family, but he has no idea what horrors he's stirred up.Elijah Sexton was a god of the ancient world. Now he drives a hearse in a Midwest town and keeps his head down. He avoids the world as much as he can, drinking dead memories while his own mind drifts slowly toward oblivion. But when the memories he drains reveal the presence of another fallen god, Elijah is drawn back into a war between humans and monsters--a war that threatens the woman he doesn't dare to love."Next of Kin" is the introduction to an all-new John Cleaver trilogy, beginning in 2015 with "The Devil's Only Friend."

    They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death.Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town. He's willing to risk everything, including his life, to be a winner for once. But before the night is over, Pete will look into the saw-toothed face of horror - and discover the terrifying true secret of the October Boy...

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    In Pine Deep, nothing is what it seems. Takes place several weeks after the events in PATIENT ZERO.

    Wait. There it is again, at the cornfield. Some movement, some thing. Mom and I have been on the run for years. Every time he catches up with us, we move to a new place and start over.But this place is different.This place is full of secrets. And they won't leave me alone.

    . .Expectant parents Karen and Mike Houston are excited about restoring their old rambling Victorian mansion to its former glory. With its endless maze of rooms, hallways, and hiding places, it's a wonderful place for their nine-year-old daughter Leslie to play and explore. Unfortunately, they didn't listen to the stories about the house's dark history. They didn't believe the rumors about the evil that lived there. . . .The Nightmare Begins. It begins with a whisper. A child's voice beckoning from the rose garden. Crying out in the night. It lures little Leslie to a crumbling storm door. Down a flight of broken stairs. It calls to their unborn child. It wants something from each of them. Something in their very hearts and souls. Tonight, the house will reveal its secret. Tonight, the other child will come out to play. . .

    She's ugly and she eats garbage, but she has a little kingdom back there. Desiree wants something of her own, too -- something all hers. Can that foul old thing possibly help her?

    Legend has it that the spirits of those many suicides are still roaming, haunting deep in the ancient woods.When bad weather prevents a group of friends from climbing neighboring Mt. Fuji, they decide to spend the night camping in Aokigahara. But they get more than they bargained for when one of them is found hanged in the morning--and they realize there might be some truth to the legends after all.

    As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts' plight. With John, Marjorie's father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface--and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    Dr. Caldwell calls her "our little genius."Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh.Melanie loves school. She loves learning about spelling and sums and the world outside the classroom and the children's cells. She tells her favorite teacher all the things she'll do when she grows up. Melanie doesn't know why this makes Miss Justineau look sad.The Girl with All the Gifts is a sensational thriller, perfect for fans of Stephen King, Justin Cronin, and Neil Gaiman.

    One particular summer, young Beau follows his cousin Sumter into a hidden shack in the woods—and christens this new clubhouse "Neverland."Neverland has a secret history, unknown to the children...The rundown shack in the woods is the key to an age-old mystery, a place forbidden to all. But Sumter and his cousins gather in its dusty shadows to escape the tensions at their grandmother's house. Neverland becomes the place where children begin to worship a creature of shadows, which Sumter calls "Lucy."All gods demand sacrifice...It begins with small sacrifices, little games, strange imaginings. While Sumter's games spiral out of control, twisting from the mysterious to the macabre, a nightmarish presence rises among the straggly trees beyond the bluffs overlooking the sea.And when Neverland itself is threatened with destruction, the children's games take on a horrifying reality—and Gull Island becomes a place of unrelenting terror.

    Yet, she won’t be truly free until she is far away from her old master, Arobynn Hamel; Celaena must take one last daring assignment that will liberate her forever. But having it all, means you have a lot to lose . . . This fourth fantastic e-novella gives readers an inside look at the characters who appear in the full-length novel Throne of Glass. Don’t miss out!

    A boy who planned to be the next school shooter. A patient with OCD whose loved ones really did suffer every time he missed a ritual. A choir boy who claimed he was being molested -- not by a priest -- but by God Himself. A patient with PTSD who gave me nightmares. A husband and wife who accused each other of abuse, and only one of them was telling the truth.And how could I ever forget, Patient #220.The problem is, my patients have a habit of dying. Sometimes I wonder if I'm the common denominator. Or maybe that's just the cost of taking on exceptionally broken clients.Either way, I'll never stop trying to help.