Comedy in Three Men and a Baby, Hannah and Her Sisters, Ghostbusters, and Back to the Future; all a teenager needs to know in Pretty in Pink, Ferris Bueller’s Day Off, Say Anything, The Breakfast Club, and Mystic Pizza; the ultimate in action from Top Gun, Die Hard, Beverly Hills Cop, and Indiana Jones and the Temple of Doom; love and sex in 9 1/2 Weeks, Splash, About Last Night, The Big Chill, and Bull Durham; and family fun in The Little Mermaid, ET, Big, Parenthood, and Lean On Me.In Life Moves Pretty Fast, Hadley puts her obsessive movie geekery to good use, detailing the decade’s key players, genres, and tropes. She looks back on a cinematic world in which bankers are invariably evil, where children are always wiser than adults, where science is embraced with an intense enthusiasm, and the future viewed with giddy excitement. And, she considers how the changes between movies then and movies today say so much about society’s changing expectations of women, young people, and art—and explains why Pretty in Pink should be put on school syllabuses immediately.From how John Hughes discovered Molly Ringwald, to how the friendship between Dan Aykroyd and John Belushi influenced the evolution of comedy, and how Eddie Murphy made America believe that race can be transcended, this is a “highly personal, witty love letter to eighties movies, but also an intellectually vigorous, well-researched take on the changing times of the film industry” (The Guardian).

    Having risen through Hammer Horror films to international stardom as Bill Sykes in Oliver!, Reed became, in his own works, 'the biggest star this country has got'. With his legendary off-screen exploits and blunt opinions - especially of his co-stars - he was also one of the most infamous.Bestselling author Cliff Goodwin uses material from first-hand interviews with Reed's family, friends and colleagues and never before seen photographs to explore Reed's eventful career. But he also reveals another side to this unique and complex man.

    On the anniversary of the most tragic event of his life, Randall “The Rocket” Reese must face down paparazzi outside his house, a big sister who won’t stay out of his personal life, and a coffee date with an “old classmate” from high school whom he barely remembers. His plan is to wallow in solitude, but Fate has plans of its own. 'Just Lunch' Randall “The Rocket” Reese is beginning to reclaim his life both professionally and personally, with a new outlook, and a new woman, Dani Erlinger, by his side. Rand and Dani are in a comfortable groove that suits them both, but an unexpected invitation ‘just for lunch’ and a calamitous weekend excursion have them questioning whether they’ve become much too comfortable, much too soon. 'Table for Two' After taking a high-profile position, Rand Reese’s visibility is once again on the rise; but returning to the public eye also means revisiting some of the uglier parts of his past. That past has Dani questioning whether anyone can make a relationship work under the glare of fame and notoriety. Even two people committed to making it work. 'À la Carte' A ‘Coffee Date’ BONUS Drop-In An unexpected visitor up-ends the rhythm of the new life Rand and Dani are building together, reminding them of the consequences of Rand’s difficult past, and raising even tougher questions about their future.

    Fatty tells his own story of success, addiction, and a precipitous fall from grace after being framed for a brutal crime-a national media scandal that set the precedent for those so familiar today.

    Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, film-maker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to recreate the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bete noire and his raison d'etre.A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

    That name rang bells through just about every part of South Florida. Rodney is a senior in high school, and just about every university wants him to pick their school for college due to his phenomenal skills on the football field. The thing about Rodney is that football is his first true love. Growing up in a foster home and being transferred to group homes his entire life, Rodney never really knew what love was. He had his baby mama, Troy Washington, who he loved and he thought she felt the same until he finds out that Troy’s intentions with him weren’t genuine. Something happens to Rodney that put his football career in jeopardy. The people who he thought cared about him exited his life as soon as it was clear that his future may not be as bright as they'd hoped. Years later, things have changed, and Rodney is stuck raising a child on his own. Feeling hopeless and defeated, he meats Eva Vasquez. Eva is the woman that men salivate over and hope to one day have a woman even half as beautiful. She works as a chief executive for a very successful magazine company and could pretty much have any man she wants, but what is it about Rodney that has her willing to look past his flaws and see the man she knows he has the potential to be?

    It’s a long novel with episodes and each episode will have a separate title.Its the most different and unique thing I have ever written, or has ever been written in Khawateen Digest."Nemrah Ahmed

    

    In this wide-ranging and elegiac essay, Nick Pinkerton reflects upon Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn, a modern classic haunted by the ghosts and portents of a culture in flux.

    A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend. When they are interviewed and then befriended by Melissa, a well-known journalist who is married to Nick, an actor, they enter a world of beautiful houses, raucous dinner parties and holidays in Provence, beginning a complex ménage-à-quatre. Normal People: Connell and Marianne grow up in the same small town in the west of Ireland, but the similarities end there. In school, Connell is popular and well-liked, while Marianne is a loner. But when the two strike up a conversation - awkward but electrifying - something life-changing begins.Normal People is a story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find they can't.

    Len Deighton, author of the classic espionage novel 'The Ipcress File', knew both sides intimately. An acquaintance of Ian Fleming’s (who had praised Deighton’s debut novel in the 'Sunday Times') Deighton was also close to the man who was to become Fleming’s nemesis – Kevin McClory, a veteran of the British film industry. The history of Bond’s development under the arc lights becomes, in Deighton’s expert hands, a saga-like story of inflated egos and poisonous vendettas, exotic locations and claustrophobic courtooms, all involving household names. As an eye witness to the protracted disputes that complicated Bond’s depiction both on screen and on the page, Deighton is in a unique position to tell what he saw. Candid, comical, always steely-eyed, this hefty slice of cinematic memoir reads with all the high-powered pace of a Len Deighton thriller.

    Her parents are exasperated at the way in which she flits from one thing to another. A chance encounter helping Dulcie, an elderly lady who has had a fall in the street, leads to Gemma becoming housekeeper to Dulcie and her friend, Rupert.Following a lottery win, Dulcie and Rupert rent a Spanish villa for six months and Gemma goes with them for a working holiday. It’s all one long adventure for the three of them, filled with fun days out, nights in the best restaurants and plenty of laughter.Dario, the local taxi driver becomes fond of Gemma. Likewise, she thinks a lot of him too, but he harbours a secret.Jamie, Dulcie’s grandson, pops over to Spain to check on his grandmother. but she’s not his only reason for visiting.Craig, an old friend of Gemma’s, is also an acquaintance of Dulcie and Rupert. When he visits from England, Gemma’s life becomes a little uncomfortable.How can ONE SUMMER IN SPAIN change everyone’s life? Will it be for the good, and how do their lives pan out after the six month holiday is over?

    He’s a man of the African bush, and coping with ‘girlie feelings’ was always Helene’s department, not his. When an orphaned baby elephant is found, Rodger sees an opportunity that might help him reconnect with his children. But interfering with the orphan goes against his usual conservation methods. It will require a new approach to save both the baby and his family.

    Her overwhelming grief often leaves her aching to escape her lonely existence and join her husband and son in the grave. When Brian, a reserved bachelor in his early thirties, moves next door, Mazie takes a special interest in him--even attempting to set him up with her young friend, Claire. Then, there’s the odd little girl across the street who is determined to be his friend. Brian doesn’t know what to make of the spunky old woman or the persistent young girl who both nudge their way into his life when he just wants to be left alone.When a sudden tragedy leaves Mazie battling for her life, Brian steps in to help the old widow, and both discover that life’s purpose is often revealed in the unexpected.