After the burial – on a whiskey-soaked night on the town – Jack’s brother disappears. When his brother is found comatose on the edge of death, Devlin resolves to avenge the wrong – no matter what it takes, no matter where the trail leads, even if he has to descend into the lawless underworld of New York City after-hours clubs where violence reigns, sex and drugs rule the night, and corruption kills. AND JUSTICE FOR ONE tells a dark, violent story set in 1980’s New York during a time when lawlessness and corruption pulsed intently under the city’s civilized veneer. Those times and places are gone now, but today’s readers can experience them in this intense, thoroughly-researched novel. This is the second edition of the acclaimed debut novel in the Jack Devlin “One” series, re-edited by the author, John Clarkson. The New York Times said AND JUSTICE FOR ONE "Packs a savage punch". Kirkus Reviews called it, "Dark, sexy, tough, and fast." Amazon reviewers called it: “The best action novel I have ever read!”, “Well-written, hot, furious, fun.”, “A helluva a good read, loaded with action.”If you missed AND JUSTICE FOR ONE the first time around, don’t miss it this time!Author's Note This novel was first published in 1992. I don't remember exactly when I began writing it. I do remember the two events that inspired the story. The first event occurred in 1976 when I visited an after-hours club in downtown Manhattan. The second event came in 1979. A six-year-old boy named Etan Patz disappeared on a spring morning in New York's SoHo district, igniting the worst fears of parents around the country. It happened during a two-block walk to his school bus stop. Somewhere in the back of my mind those two events brewed for years. What if someone you loved vanished? What would you do to find them? And what if it turned out that the mysterious, hidden world of after-hours clubs had something to do with the disappearance? At some point in the late eighties, those two events became the inspiration for my first novel. I hardly remember writing it. My sense is that it came out in a sudden rush. And selling it to a publisher happened quite fast. I landed an agent, George Wieser, very quickly. And it seems like George sold it to Crown with in a few weeks. Thank you, George! I do remember spending a very long time editing the book under the guidance of Peter St. John Ginna. He was patient with me. He made it a much better book. I still appreciate his efforts. In the original author's note, I also thanked my wife Ellen for her patience. A good deal of the research for And Justice for One started at four in the morning. All these years later Ellen is still patient with me, but more importantly,she still loves me, and I her. The others I thanked in the first edition were "the people who made it possible for me to enter the world of after-hours clubs, particularly a friend named Tommy Burns. When I asked how I should acknowledge him in the first edition, he said use T.B., 'Bartender to the Stars.'" Tommy rarely took anything very seriously. Obviously, all the after-hours clubs described in this book no longer exist. But all of them except for one which is a composite of three clubs, existed very much as described. It was a wild time in NYC. A time before cell phones and the internet and Uber. A time long gone. So, what prompted me to re-publish And Justice for One? Since its publication in 1992, I have persisted in writing crime thrillers, despite about a ten-year break after the first five. All five of those novels are out of print, but readers often ask me how they can get them. This is an attempt to make that easier. It has also provided me with the opportunity to polish the book. Nothing substantive, but lots of nips and tucks. This new edition is still what I consider a raw, rather impetuous novel from an unformed writer just starting out. Maybe that's the best kind. Hope you enjoy it.

    

    Noire: The Collected Stories features eight short stories from renowned authors Megan Abbott, Lawrence Block, Joe Lansdale, Joyce Carol Oates, Francine Prose, Jonathan Santlofer, Duane Swierczynski and Andrew Vachss, many of which revisit the characters and cases in the game, providing a new spin to tell the tales of emotionally torn protagonists, depraved schemers and ill-fated victims.

    Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self.

    Although Charley doesn't like the idea, he has no choice but to put up with it. Isherwood shows the squad what difference observation makes to how a potential crime scene is viewed, when asked to help by a member of the public who is worried for the safety of her sister. Is she right? Is the girl's fiance a monster who has already killed his previous wives? The problem is that he is perceived as a high profile member of society and the Chief warns the detectives to tread carefully. Will Isherwood tread on anyone's ego as he provides insight on this potential murder case? This is the first of the series of Isherwood Case Files in which our detective gets up close and personal with homicide, showing the squad the difference between the American approach and the more reserved British approach. Mystery 2:The Case of the Ghost Writer With Jon Isherwood being asked to help in the Los Angeles Police Department's homicide division, a call is received from a landlord who has found his tenant has been murdered. In this salubrious part of town, the ghost writer has found his demise. Will the clues be sufficient to pin the murder on anyone? Since the ghost writer lived a very private life, investigation takes Isherwood and his team to the home of a rich and famous author. There are many questions unanswered, though with forensics on their side, will they be able to work out the motive that anyone could have had to kill the solitary figure? Using observation, Isherwood and his team work toward finding a conclusion to a story which spells sadness, disappointment and revenge. But whose will the revenge be and will it be easy to crack the case? Readers will need to take the journey with our detectives to find the answers to their questions. Not all is always as it seems. Mystery 3:The Case of the Dead Man with No Identity When a victim is found at the bottom of the laundry chute in a hotel, where will the inquiries begin. There is no identification on the man and nothing to say who he was. Isherwood investigates the case of the dead man with no identity with his usual flare. Should he be looking in other places or are the clues there for him to find? As the story unfolds, is the killer who they think it is? Can a killer actually be charged with murder when the victim is seemingly already dead? One of Isherwood's most irritating cases, the blandness of the whole affair baffles him. Instead of being riddled with detail for him to unfold, this crime comes with no clues, no answers and no real leads. How will the detectives find out who killed Ian Bradshaw? And what stories can the dead body tell the coroner's office about how the death occurred? Readers will discover within the pages of this story. Mystery 4: A Case of Check Mate When a murderer leaves the calling card of a chess piece, Isherwood is left to find out the significance. Does this mean something particular? The preacher who was murdered seems an unlikely victim, though Isherwood is left to do what he can to make sense of the killing. Looking through past history, perhaps there are links that may have been missed, other than for that calling card.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    And she refuses to let anyone stand in the way of her pursuit of the Doll Maker, a ruthless serial killer who dresses up little kids as Barbie dolls and displays their bodies in glass cases. But Simone knows that time is running out to piece together the clues as the Doll Maker has made it clear that the killings have only just begun . . .Another serial killer, the Clipper, who enjoyed nine years of infamy as India's most notorious butcher, erupts into an all-consuming rage when he is cast aside by the media in favour of the sick new slayer-the Doll Maker. The Clipper turns his fury into blood-soaked revenge to capture the top spot. As corpses start to pile up, Simone fights to maneuver the Doll Maker into a clever trap. But the Clipper is hell-bent on striking first and regaining the crown with his most grisly murder yet.Can Simone take down the two serial killers and stop the psychotic competition before it gets out of hand?The Girl in the Glass Case is a jaw-dropping psychological crime thriller. If you like determined heroines, nail-biting twists and chilling serial murderers, then you'll love this rollercoaster ride.Read The Girl in the Glass Case today to step into the arena of deadly competition!

    man Peter Sargent is hired by a ballet company on the eve of a major upcoming performance.   Handling the press seems to be no problem, but when a rising star in the company is killed during the performance—dropped from thirty feet above the stage, crashing to her death in a perfect fifth position—Sargent has a real case on his hands.  As he ingratiates himself with the players behind the scenes (especially one lovely young ballerina), he finds that this seemingly graceful ballet company is performing their most dramatic acts behind the curtain.  There are sharp rivalries, sordid affairs, and shady characters.  Sargent, though, has no trouble staying on point and proving that the ballerina killer is no match for his keen eye and raffish charm.

    Lomas visits the Chief Constable of Burnham and describes his symptoms, Sir Wilfred Burrows believes that his visitor suffers from nothing more serious than nerves. Later that day Mr. Lomas's body is recovered from the water at Willow Lock; yet death is not by drowning.Sir Wilfred recounts the interview to Inspector Knollis, who, realizing the significance of the symptoms, is satisfied that Mr. Lomas is a victim of cocaine poisoning. With characteristic energy he sets about the task of unmasking the murderer.In this gripping story of a cunning murderer brought to justice by brilliant, logical reasoning, the solution is skilfully yet legitimately concealed to the last.The Death of Mr. Lomas was first published in 1941. This new edition features an introduction by crime fiction historian Curtis Evans.

    When the body of a radical protestor is found floating in one of Bologna's underground canals, it seems that most of the city is ready to blame the usual suspects: the police. But when private investigator Daniel Leicester, son-in-law to the former chief of police, receives a call from the dead man's lover, he follows a trail that begins in the 1970s and leads all the way to the rotten heart of the present-day political establishment. Beneath the beauty of the city, Bologna has a dark underside, and English detective Daniel must unravel a web of secrets, deceit and corruption - before he is caught in it himself. Tom Benjamin's gripping debut transports you to the ancient and mysterious Italian city less travelled: Bologna.

    Belkin must begin each day with the task he calls The Service: visiting Christian chat-rooms to reply to users innocent questions with mocking answers. “Why do they call the taking of the communion ‘Mass?’”? Belkin124 responds: “They call it the Mass because after Jesus was crucified, a mass of people rushed forward to the cross and ate him. Now they eat the wafer to remember it.” At forty-seven, balding, and mildly agoraphobic, Belkin is a man without direction. He rarely leaves his apartment (he refers to the outside world as The Pounding), and when he must leave, he meticulously recounts the day in his Thunder Book; a journal where he lists all that repulsed him that day.But everything changes the day Belkin returns to his apartment to find the building ablaze along with the suspected murder of the apartment building’s maintenance man. As police question him, Belkin meets the mysterious Pernice Balfour, the alluring, religiously obsessed neighbor accused of the crime. Soon, Belkin has no choice but to come out of his shell (and his apartment) to try to clear her name. But the more Belkin investigates, the muddier things become. Wandering through San Francisco’s seedy Tenderloin district, Belkin begins to unravel the truth behind the murder, and encounters a bizarre series of characters and situations: "pansexual" crime-scene photographer, an idiot detective, and an all-knowing government operative.Whispering Bodies is comical offbeat exploration of the wisdom found in madness and the madness found in conventional life, all brought together in a classic tale of who-done-it.

    This collection, the first of a two-volume omnibus, presents four classics of the 1940s overdue for fresh attention. Anticipating the “domestic suspense” novels of recent years, these four gripping tales explore the terrors of the mind and of family life, of split personality and conflicted sexual identity.Vera Caspary’s Laura (1943) begins with the investigation into a young woman’s murder and blossoms into a complex study, told from multiple viewpoints, of the pressures confronted by a career woman seeking to lead an independent life. Source of the celebrated film by Otto Preminger, Caspary’s novel has depths and surprises of its own. As much a novel of manners as of mystery, it remains a superb evocation of a vanished Manhattan.Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school (modeled on Eustis’s alma mater, Smith College) is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hothouse atmosphere of an English department rife with talk of Freud and Kafka.With In a Lonely Place (1947), Dorothy B. Hughes created one of the first full-scale literary portraits of a serial murderer. The streets of Los Angeles become a setting for random killings, and Hughes ventures, with unblinking exactness, into the mind of the killer. In the process she conjures up a potent mood of postwar dread and lingering trauma.Raymond Chandler called Elisabeth Sanxay Holding “the top suspense writer of them all.” In The Blank Wall (1947) she constructs a ferociously taut drama around the plight of a wartime housewife forced beyond the limits of her sheltered domestic world in order to protect her family. The barely perceptible constraints of an ordinary suburban life become a course of obstacles that she must dodge with the determination of a spy or criminal.Psychologically subtle, socially observant, and breathlessly suspenseful, these four spellbinding novels recapture a crucial strain of American crime writing.

    He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

    Kate Moore is looking for a way out of the poverty and violence of her childhood. When a chance encounter on a transatlantic ocean liner brings her face-to-face with the handsome heir to a Chicago fortune, she thinks she may have found her escape—as long as she can keep her past concealed.After exchanging wedding vows, Kate quickly discovers that something isn’t quite right with her husband—or her new family. As Mrs. Matthew Lemont, she must contend with her husband’s disturbing past, his domineering mother, and his overly close sister. Isolated at Lakecrest, the sprawling, secluded Lemont estate, she searches desperately for clues to Matthew’s terrors, which she suspects stem from the mysterious disappearance of his aunt years before. As Kate stumbles deeper into a maze of family secrets, she begins to question everyone’s sanity—especially her own. But just how far will she go to break free of this family’s twisted past?

    But the following morning he had seemingly vanished into thin air. Now Scotland Yard are struggling to find evidence of foul play in the absence of tangible clues. A national newspaper is offering a reward for information about the Minister’s disappearance - whether Bygrave be dead or alive. Anthony “Algernon” Vereker, Lord Bygrave’s friend and executor, joins Scotland Yard in their investigation of the mystery. So begins the first of five ingenious and effervescent detective novels featuring Vereker, an amiable and eccentric artist with a razor-sharp mind. Missing or Murdered (1929), is republished here for the first time in over 70 years. It includes a new introduction by crime fiction historian Curtis Evans.‘This is not only a detective story of considerable ingenuity, but it is also a well-written tale with good characterisation."Times Literary Supplement