This collection includes a selection of his science fiction and fantasy stories from the last five years — sixteen of his best — plus a new novelette.In addition to these seventeen selections, The Hidden Girl and Other Stories also features an excerpt from the forthcoming book three in the Dandelion Dynasty series, "The Veiled Throne".Contents:- Ghost Days (2013)- Maxwell's Demon (2012)- The Reborn (2014)- Thoughts and Prayers (2019)- Byzantine Empathy (2018)- The Gods Will Not Be Chained (2014)- Staying Behind (2011)- Real Artists (2011)- The Gods Will Not Be Slain (2014)- Altogether Elsewhere, Vast Herds of Reindeer (2011)- The Gods Have Not Died in Vain (2015)- Memories of My Mother (2012)- Dispatches from the Cradle: The Hermit - Forty-Eight Hours in the Sea of Massachusetts (2016)- Grey Rabbit, Crimson Mare, Coal Leopard (2020)- A Chase Beyond the Storms: An excerpt from "The Veiled Throne", Book 3 of the Dandelion Dynasty- The Hidden Girl (2017)- Seven Birthdays (2016)- The Message (2012)- Cutting (2012)

    It is an epic narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous.

    When she washes up on the coast of Scotland, everyone she knows is dead, and she believes she is alone in an empty world.Monster begins the long walk south, scavenging and learning the contours of this familiar land made new. Slowly, piece by piece, she begins to rebuild a life. Until, one day, she finds a girl: feral, and ready to be taught all that Monster knows. Changing her own name to Mother, Monster names the child after herself. As young Monster learns from Mother, she also discovers her own desires, realising that she wants very different things to the woman who made, but did not create, her.Inspired by Robinson Crusoe and Frankenstein, My Name is Monster is a novel about power, about the things that society leaves imprinted on us when the rules no longer apply, and about the strength and the danger of a mother’s love.

    What starts as innocuous leching degenerates to compulsive obsession threatening to completely alter Kunal Roy's perception towards his nubile, newly married English teacher. And other women. He grows up to head one of the most advanced R&D centers in the telecom industry. But what secrets does he hide?"The English Teacher" is a short story with an evil, inconceivable twist. About The Author :Durjoy Datta is the author of six bestsellers, Of Course I Love You! (2008), Now That You’re Rich! (2009), She Broke Up, I Didn’t! (2010), Ohh Yes, I Am Single! (2011), You Were My Crush! (2011) and If It’s Not Forever (2012). He has sold of over one million copies of the six books. Durjoy Datta is one of top five highest selling authors in India (Source: AC Nielson Bookscan). He had been referred to by the Outlook India as the one of the few Indian authors who are responsible for re-shaping the Indian Publishing Industry.

    How did he allow the other person to die? How did he help the other person to hang himself to death? He was terribly upset about this. The moment his eyes saw a rope in any form he used to remember everything.........

    They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.

    Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?There can only be one…or can there?

    Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one story, suburban families perform oblations to cattlelike angels who live on their roofs, believing that their “thoughts and prayers” will protect them from the world’s violence. In another, inhabitants of an unnamed dictatorship slowly lose their own agency as pieces of their bodies go missing and, with them, the essential rights that those appendages serve. “The Great Escape” tells of an old woman who hides away in her apartment, reliving the past among beautiful objects she’s hoarded, refusing all visitors, until she disappears completely. In the title story, children begin to levitate, flying away from their parents and their home country, leading them to eat rocks in order to stay grounded. With elements of science fiction and fantasy, fabulism and magical realism, Brenda Peynado uses her stories to reflect our flawed world, and the incredible, terrifying, and marvelous nature of humanity.

    After six months, to her disappointment, they cease. But the montage she has created on the wall of her flat has cast a spell. She must see this country for herself.On the morning Ellie leaves for Athens, a notebook arrives. Its pages tell the story of a man's odyssey through Greece. Moving, surprising and sometimes dark, A's tale unfolds with the discovery not only of a culture but also of a desire to live life to the full once more.

    An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore.

    One woman will be freed from purgatory once she writes the perfect book; another abides in a world devoid of physical contact. With wry prose and skewed humor, an emerging feminist writer explores post-Soviet promises of knowledge, freedom, and power.

    Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

    Until one December dawn, when the ducks and the little duck girl, not so little any more, return to the village after several years of absence and light up Maash's life again.The year is 2019, the Indian Parliament has passed the Citizenship Amendment Act and the question of identity-- especially religious identity--is at the forefront of everything. Suddenly, everyone wants to know: who is this duck girl, where does she come from, who does she pray to? In a matter of days, Maash finds himself in the middle of a conflict he couldn't have foreseen.Set in Kaikurussi - the near idyllic village which Anita Nair introduced to readers worldwide in her first novel The Better Man, The Little Duck Girl is a state-of-the-nation story that sensitively but unflinchingly explores the idea of who we are as a people.

    Be amazed and beguiled by a nursery story with a reverse twist, a futuristic take on TV cooking shows, a playscript with tentacles - and more, much more. Plunge in and enjoy!A collection of sci-fi and fantasy writing, including six graphic stories, showcasing twenty stellar writers and artists from India and Australia: Isobelle Carmody, Penni Russon, Justine Larbalestier, Margo Lanagan, Lily Mae Martin, Kuzhali Manickavel, Prabha Mallya, Annie Zaidi, Kate Constable, Vandana Singh, Mandy Ord, Priya Kuriyan, Manjula Padmanabhan, Samhita Arni, Alyssa Brugman, Nicki Greenberg and Amruta Patil.

    A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.