Her mixed-media art is a source of wonder to her younger brother, Irwin, but an unmitigated horror to the panoply of insufficiently grown-up grown-ups who surround her. She plans to run away to Algonquin Park, hole up in a cabin like Tom Thomson and paint trees; and so, to fund her escape, she runs errands for the seniors who inhabit the Shangrila, the decrepit apartment building that houses her fractured family.Determined, resourceful, and a little reckless, Harriet tries to navigate the clueless adults around her, dumpster dives for the flotsam and jetsam that fuels her art, and attempts to fathom her complicated feelings for Irwin, who suffers from hydrocephalus. On the other hand, Irwin’s love for Harriet is not conflicted at all. She’s his compass. But Irwin himself must untangle the web of the human heart.Masterful and mordantly funny, Strube is at the top of her considerable form in this deliciously subversive story of love and redemption.

    Surrounded by the strip clubs, bars and body rub parlors of Yonge Street, Emanuel was lured away from his friends by a man who promised some easy money. Four days later the boy's body was discovered. He had been brutally raped and murdered, and Toronto the Good would never be the same. The murder of the Shoeshine Boy had particularly tragic resonance for the city's Portuguese community. The loss of one of their own symbolized for many how far they were from realizing their immigrant dreams. Kicking the Sky is told from the perspective of one of these children, Antonio Rebelo, a character first introduced in Barnacle Love. Twelve-year-old Antonio prizes his life of freedom and adventure. He and his best friends, Manny and Ricky, spend their days on their bikes exploring the labyrinth of laneways that link their Portuguese neighborhood to the rest of the city. But as the details of Emanuel's death expose Toronto's seedier underbelly, the boys are pulled into an adult world of danger and cruelty, secrets and lies much closer to home. Kicking the Sky is a novel driven by dramatic events, taking hold of readers from its opening pages, intensifying its force towards an ending of huge emotional impact.

    When she returns home six years later, she finds a radically different world, where the traditionally rootless tribes have uneasily congregated in small communities. And Victoria has become a stranger to her family and her culture.In Rankin Inlet, a small town bordering the Arctic Ocean, the lives of the Inuit are gradually changing. The caribou and seals are no longer plentiful, and Western commerce has come to the community through a proposed diamond mine. Victoria Robertson wakes to a violent storm, her three children stirring in the dark. Her father, Emo, a legendary hunter who has come in off the land to work in a mine, checks to see if the family is all right. So does her Inuit lover, as Victoria’s British husband is away on business. Thus the reader enters into the modern contradictions of the Arctic—walrus meat and convenience food, midnight sun and 24-hour satellite TV, dog teams and diamond mines—and into the heart of Victoria's internal exile. Born on the tundra in the 1950s, Victoria knows nothing but the nomadic life of the Inuit until, at the age of ten, she is diagnosed with tuberculosis and evacuated to a southern sanitarium. When she returns home six years later, she finds a radically different world, where the traditionally rootless tribes have uneasily congregated in small communities. And Victoria has become a stranger to her family and her culture.

    Told in the beguiling voice of a narrator who is fish, snake, girl, and woman - all of whom must struggle against adversity for survival - the novel is set alternately in nineteenth-century China and in a futuristic Pacific Northwest.At turns whimsical and wry, "Salt Fish Girl" intertwines the story of Nu Wa, the shape-shifter, and that of Miranda, a troubled young girl living in the walled city of Serendipity circa 2044. Miranda is haunted by traces of her mother's glamourous cabaret career, the strange smell of durian fruit that lingers about her, and odd tokens reminiscient of Nu Wa. Could Miranda be infected by the Dreaming Disease that makes the past leak into the present?Framed by a playful sense of magical realism, "Salt Fish Girl" reveals a futuristic Pacific Northwest where corporations govern cities, factory workers are cybernetically engineered, middle-class labour is a video game, and those who haven't sold out to commerce and other ills must fight the evil powers intent on controlling everything. Rich with ancient Chinese mythology and cultural lore, this remarkable novel is about gender, love, honour, intrigue, and fighting against oppression.

    Faced with unceasing pressure, her father finally agrees to let her make the five-day journey to attend school, but he warns Margaret of the terrors of residential schools.At school Margaret soon encounters the Raven, a black-cloaked nun with a hooked nose and bony fingers that resemble claws. She immediately dislikes the strong-willed young Margaret. Intending to humiliate her, the heartless Raven gives gray stockings to all the girls -- all except Margaret, who gets red ones. In an instant Margaret is the laughingstock of the entire school.In the face of such cruelty, Margaret refuses to be intimidated and bravely gets rid of the stockings. Although a sympathetic nun stands up for Margaret, in the end it is this brave young girl who gives the Raven a lesson in the power of human dignity.Complemented by archival photos from Margaret Pokiak-Fenton's collection and striking artwork from Liz Amini-Holmes, this inspiring first-person account of a plucky girl's determination to confront her tormentor will linger with young readers.

    Emma cares for them through their perilous first days and when the government decides to remove the babies from their francophone parents, making them wards of the British king, Emma signs on as their nurse.Over 6,000 daily visitors come to ogle the identical “Quints” playing in their custom-built playground; at the height of the Great Depression, the tourism and advertising dollars pour in. While the rest of the world delights in their sameness, Emma sees each girl as unique: Yvonne, Annette, Cécile, Marie, and Émilie. With her quirky eye for detail, Emma records every strange twist of events in her private journals.As the fight over custody and revenues turns increasingly explosive, Emma is torn between the fishbowl sanctuary of Quintland and the wider world, now teetering on the brink of war. Steeped in research, Quintland™ is a novel of love, heartache, resilience, and enduring sisterhood—a fictional, coming-of-age story bound up in one of the strangest true tales of the past century.

    Before she knows it, Tilly has said goodbye to her family and is behind the wheel--ready to embark on an adventure that will transform her in ways she could not predict. Just as it will for each and every one of the elders on the trip, who soon dub themselves "the Crazy Eights." Tilly and the Crazy Eights each choose a stop to make along the way--somewhere they've always wanted to go or something they've wanted to experience. Their plan is to travel to Las Vegas, Sedona, and the Redwood Forests, with each destination the inspiration for secrets and stories to be revealed. The trip proves to be powerful medicine as they laugh, heal, argue, and reveal hopes and dreams along the way. With friendships forged, love found, hearts broken and mended, Tilly and the Crazy Eights feel ready for anything by the time their bus rolls to a stop in New Mexico. But are they?

    What happens when the man interviewing you for a job takes you on a date to see a hypnotist? How do you get rid of a psychosomatic case of bedbugs? What’s the best way to get rid of a beaver dam? How do you tell someone you just started seeing that you didn’t know you had scabies when you hooked up? In the Cuffer Prize–winning story, “Skin and Mud,” two boys have an intimate encounter as they wander through the barrens one day after school.Barrelling Forward is packed with unforgettable characters, vibrant humour, and acute insight into the overwhelming anxieties of new adults living their lives in the midst of a crumbling old economy.

    When his mother was sold away, Hiram was robbed of all memory of her—but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he’s ever known.So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the Deep South to dangerously idealistic movements in the North. Even as he’s enlisted in the underground war between slavers and the enslaved, Hiram’s resolve to rescue the family he left behind endures.This is the dramatic story of an atrocity inflicted on generations of women, men, and children—the violent and capricious separation of families—and the war they waged to simply make lives with the people they loved. Written by one of today’s most exciting thinkers and writers, The Water Dancer is a propulsive, transcendent work that restores the humanity of those from whom everything was stolen.

    I never really understood what that meant, but Sister said it often enough that I knew it must be true. We came from villages, farms, even the city itself; we were brought with favourite toys or blankets or in harsh, cheap, unraveling baskets or by some relative who hid us from the light of day.Those who brought us in were fed the lies. Of course he can keep his favourite blanket. Naturellement, she will have her stuffed rabbit with her in bed at night. Bien sur, there will be a good education. We love them all as though they were our own.Well, we were theirs, all right; but love didn’t have anything to do with it.”When four women are found over several months brutally murdered and shockingly posed on park benches throughout Montreal, Martine LeDuc—public relations director for the mayor’s office—fears a PR disaster. The women seem to have nothing in common: They’re of varying ages, backgrounds, and body types, and yet the macabre presentation of their bodies hints at a connection.Martine’s boss appoints her as liaison between the mayor and the police department, and she is paired with a young detective, Julian Fletcher. Together they dig deeply into the city’s past, uncovering dark secrets hidden during the 1950s, when orphanages in Montreal and elsewhere were converted to hospitals for the insane. It isn’t until Martine finds herself imprisoned beneath the old asylum that she can put the pieces together—and then it’s almost too late....

    Lovecraft and his circle. Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears. The police say it's suicide. Marina is a psychiatrist, and she doesn't believe them.A tour-de-force of storytelling, The Night Ocean follows the lives of some extraordinary people: Lovecraft, the most influential American horror writer of the 20th century, whose stories continue to win new acolytes, even as his racist views provoke new critics; Barlow, a seminal scholar of Mexican culture who killed himself after being blackmailed for his homosexuality (and who collaborated with Lovecraft on the beautiful story The Night Ocean); his student, future Beat writer William S. Burroughs; and L.C. Spinks, a kindly Canadian appliance salesman and science-fiction fan -- the only person who knows the origins of The Erotonomicon, purported to be the intimate diary of Lovecraft himself.As a heartbroken Marina follows her missing husband's trail in an attempt to learn the truth, the novel moves across the decades and along the length of the continent, from a remote Ontario town, through New York and Florida to Mexico City.The Night Ocean is about love and deception -- about the way that stories earn our trust, and betray it.

    But when Sharon is diagnosed with cancer, she and Al are brought together once again. Will they find a way to repair their relationship under the most trying and unlikely circumstance?     Meanwhile, in an interwoven thread, we meet Nelly, a young, beautiful 19th century woman with ties to the theatre. Magnetized toward the incomparable Charles Dickens, Nelly becomes his secret mistress. But soon, she will learn the cost of her captivity and the limits she has placed on her own life.      This complex, wending and surprising dual narrative circles around the mysteries of fidelity and marriage, love and passion, creativity and the secrets at the heart of domestic life. It asks deep questions about biography and infamy, and what really makes up the story of a life.

    Even more peculiar is Elsbeth, the truculent schoolmarm who sends Annie letters through the mysterious brass mailbox perched on the picket fence that now divides their two worlds.Annie and Elsbeth’s search for an explanation to the hiccup in the universe linking their homes leads to an unsettling discovery—and potential disaster for both of them. Together they must solve the mystery of what connects them before one of them is convicted of a murder that has yet to happen…and yet somehow already did.

    It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.

    Mouse’s world is constrained by a number of factors: her mother is dead, her father – the admired country doctor – is emotionally distant, her housekeeper Sal is prejudiced and narrow, and her grandmother and aunt, Big Louie and Little Louie, the only life-affirming presences in her life, live in another city. Enter Gentleman John Pilkie, the former NHL star who’s transferred to the mental hospital in Madoc's Landing, where he is to serve out his life-sentence for the murder of his wife and daughter. John becomes a point of fascination for young Mary, who looks to him for the attention she does not receive from her father. He, in turn, is kind to her – but the kindness is misunderstood. When Mary figures out that the attention she receives from the Hockey Killer is different in kind and intent from the attention her Aunt Little Louie receives, her world collapses. Set against the beautiful and dramatic shore of Georgian Bay, the climax will have readers turning pages with concern for characters they can’t help but love.Praise"Mouse Bradford is a unique and luminous creation... Gentleman John Pilkie, the hockey killer with a heart of gold, is dressed and ready to become a legend." — Paul Gross