Hoping to explore the “real ground of literature,” she reads her way through a somewhat randomly chosen shelf of fiction, from LEQ to LES.The shelf has everything Rose could wish for—a classic she has not read, a remarkable variety of authors, and a range of literary styles. The early nineteenth-century Russian classic A Hero of Our Time by Mikhail Lermontov is spine by spine with The Phantom of the Opera by Gaston Leroux. Stories of French Canadian farmers sit beside those about aristocratic Austrians. California detective novels abut a picaresque novel from the seventeenth century. There are several novels by a wonderful, funny, contemporary novelist who has turned to raising dogs because of the tepid response to her work.In The Shelf, Rose investigates the books on her shelf with exuberance, candor, and wit while pondering the many questions her experiment raises and measuring her discoveries against her own inner shelf—those texts that accompany us through life. “Fairly sure that no one in the history of the world has read exactly this series of novels,” she sustains a sense of excitement as she creates a refreshingly original and generous portrait of the literary enterprise.

    He is a passionate writer and preacher who can alter lives with a simple phrase.Buechner's words, both written and spoken, have the power to revolutionize and revitalize belief and faith. He reveals the presence of God in the midst of daily life. He faces and embraces difficult questions and doubt as essential components of our lives, rather than as enemies that destroy us. "Listen to your life!" is his clarion call. This theme pervades this definitive collection of sermons, delivered throughout Buechner's lifetime. Presented chronologically, they provide a clear picture of the development of his theology and thinking. Reflecting Buechner's exquisite gift for storytelling and his compassionate pastor's heart, Secrets in the Dark will inspire laughter, hope, and bring great solace. Turn the pages and rediscover what it means to be thoughtful about faith. See why this renowned writer has been quoted in countless pulpits and beloved by Americans for generations.

    It is the "inward man", it is the re-created spirit; it is the part of man with which God deals. It is really an unveiling of what we are in Christ today; of what He says we are; what He has made us to be in His great Redemptive work. The Pauline Epistles must ever stand as the work of a super-genius or a divine revelation. It lets us into the inner secret of God's mighty purpose in the Incarnation. The four Gospels give us the earth walk of the Master, but the Pauline Epistles give us a revelation of what happened on the cross, what followed during the three days and three nights until Christ was raised from the dead. We get the living picture of the entire substitutionary work of Christ. It is the legal background of our Redemption. This challenging book should be studied by every earnest student of the Word.

    It defines the grounds on which textual interpretation can claim to establish objective knowledge, defends that claim against such skeptical attitudes as historicism and psychologism, and shows that many confusions can be avoided if the distinctions between meaning and significance, interpretation and criticism are correctly understood. It provides perhaps the first genuinely comprehensive account of hermeneutic theory to appear in English and the first systematic presentation of the principles of valid interpretation in any language.Mr. Hirsch, associate professor of English at the University of Virginia, is the author of Wordsworth and Schelling and Innocence and Experience: An Introduction to Blake.“Here is a book that brings logic to the most unruly of disciplines, literary interpretation. Viewing this subject within the tradition of hermeneutics, Mr. Hirsch is able to trace its origins and development with brilliant insight.  The result is a lucidly systemic and authoritative account of the premises and procedures applicable to the interpretation of a literary text.  Mr. Hirsch has performed a monumental service thereby that of reinstating the credentials of objectivism and defining the limits of the aesthetics of truth.  This study is a necessary took for anyone who wants to talk sense about literature.”—Virginia Quarterly Review“Professor Hirsch demonstrates convincingly that objectivity is attainable in humane studies, and that it is not identified with the subject but with the evidence. A valid interpretation is not necessarily a correct one, but one which is more probably than any other on the basis of existing evidence.  He makes a subtle and important distinction between a text’s ‘meaning’ (which does not change) and its ‘significance’ (which does), and brilliantly relates meaning to understanding (the necessary preliminary to interpretation) and interpretation to explanation…” In short, this is a work which future students of literary theory cannot afford to neglect.”—Notes and Queries

      Over the last twenty years, Andrew Peterson has performed thousands of concerts, published four novels, released ten albums, taught college and seminary classes on writing, founded a nonprofit ministry for Christians in the arts, and executive-produced a film—all in a belief that God calls us to proclaim the gospel and the coming kingdom using whatever gifts are at our disposal. He’s stumbled along the way, made mistake after mistake, and yet has continually encountered the grace of God through an encouraging family, a Christ-centered community of artists in the church, and the power of truth, beauty, and goodness in Scripture and the arts.   While there are many books about writing, none deal first-hand with the intersection of songwriting, storytelling, and vocation, along with nuts-and-bolts exploration of the great mystery of creativity. In Adorning the Dark, Andrew describes six principles for the writing life:  serving the workserving the audienceselectivitydiscernmentdisciplineand community  Through stories from his own journey, Andrew shows how these principles are not merely helpful for writers and artists, but for anyone interested in imitating way the Creator interacts with his creation.   This book is both a memoir of Andrew’s journey and a handbook for artists, written in the hope that his story will provide encouragement to others stumbling along in pursuit of a calling to adorn the dark with the light of Christ.

    But much of today's apologetics (engagement with the questions that people are asking about Christianity) come from suburban churches and academic studies. Urban believers--those who live and minister in America's inner cities--often face unique issues, not often addressed by the larger Christian community. These questions aren't neat or easy to answer but need to be addressed by applying biblical truth in the culture and challenges of urban life.Author Chris Brooks has ministered for years in the urban environment as well as received extensive theological training. In Urban Apologetics, he seeks to connect the riches of the Christian apologetic tradition with the issues facing cities--such as poverty, violence, and broken families. He brings an urban rhythm and sensitivity to the task of demonstrating the relevance of faith and the healing truth that Christ provides.

    After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself.

    Taking his title from the wounded cry of the once great Max Bialystock in The Producers -- “Look at me now! Look at me now! I’m wearing a cardboard belt!” -- Epstein gives us his largest and most comprehensive collection to date.Writing as a memoirist, polemicist, literary critic, and amused observer of contemporary culture, he uses to deft and devastating effect his signature gifts: wide-ranging erudition, sparkling humor, and a penetrating intelligence. In personally revealing essays about his father and about his years as a teacher, in deeply considered examinations of writers from Paul Valery to Truman Capote, and in incisive take-downs of such cultural pooh-bahs as Harold Bloom and George Steiner, this remarkable collection presents us with the best work of our country’s most singular talent, engaged with the richness and variety of life, witty in his response to the world, and always entertaining.

    The lure is liturgy and tradition, and since the Evangelical and Reformed churches so often have such poor worship, it is not hard to understand the pull exercised by those churches that have a heritage of formality, sobriety and beauty. This cure, however, is far worse than the disease. The answer to the weaknesses of Evangelicalism is not a turn toward the fallacies and errors of Rome, Orthodoxy and Anglo-Catholicism, but a return to Biblical patterns of worship. Just as there is true and false doctrine, so there are true and false worship patterns. In this book, James B. Jordan sorts out the true and the false in the area of worship practice, discussing the cult of the saints, the veneration of icons, apostolic succession, virginity and celibacy, the presence of Christ at His Supper, and the doctrine of tradition.

    S. Lewis's biographer and foremost Lewis authority Walter Hooper calls "a stunning achievement, the finest example of the genre of diabolical correspondence to appear since this genre was popularized by C. S. Lewis." Enter into this chilling and diabolical tale, one that reveals the very tricks and strategies of Hell. Through a series of letters between devils created by Platt, senior devil Slashreap trains his young protege, Scardagger, to win an individual soul away from Heaven and into their clutches. As the devils plot their way to triumph, they reveal the spiritual dangers and risks we face in today's society. Their frighteningly accurate perspective on issues such as contemporary technology and sexual mores is interwoven with timeless matters such as the power of prayer, the purpose of suffering, and the promises held out by Heaven . . . and Hell. Destined to become a modern classic, "As One Devil to Another" is a brilliantly written, deeply unsettling perspective on twenty-first-century society . . . a glimpse of ourselves through the eyes of those who have embraced their underworldly existence.

    The basic theme is that we need provocative churches which raise the question asked by the onlookers in Acts 2:12: What does it all mean?

    “Babel in California” told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel’s last living relatives at the San Francisco airport, uncover Babel’s secret influence on the making of King Kong, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature. Batuman’s subsequent pieces—for The New Yorker, Harper’s Magazine, and the London Review of Books— have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. In The Possessed we watch her investigate a possible murder at Tolstoy’s ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin’s wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their place in The Possessed. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence—including her own.

    Zacharias unpacks story after story of families and individuals using the name of God as a means to living their own "good life." You'll hear shocking tales of those who exploit the gospel for their own gain, and mega-evangelists who live in million-dollar mansions with children groomed from the cradle to sell the message of Christ while their parents rake in the cash. Discover churches that have modeled themselves on Wall Street and unbridled materialism, and see what is happening to them now. Is this the good life? You'll also meet some unlikely folks who live with genuine biblical integrity. People who know that God is more than some cosmic genie who gives them an easy life, a fat bank account, and a second home in an exotic location. Come discover stories about authentic Christianity and the true "good life" in Will Jesus Buy Me a Double-Wide?

    It is an invitation to the reader to put aside their traditional understanding of the Gospel of John and to replace it with another one more faithful to the original text perspective. The Jesus that will emerge will provoke to rethink most of what you knew about this gospel. The book is a well-rounded verse-by-verse illustrated rethinking of the fourth gospel. Here is the catch: instead of reading it, as if it was written for 21 century Gentile Christians, the book interprets it as if it was written for the first-century peoples of ancient Israel. The book proves what Krister Stendahl stated long time ago: “Our vision is often more abstracted by what we think we know than by our lack of knowledge.” Other than challenging the long-held interpretations of well-known stories, the author with the skill of an experienced tour guide, takes us to a seat within those who most probably heard this gospel read in the late first century. Such exploration of variety of important contexts allows us to recover for our generation the true riches of this marvelous Judean gospel. “A genuine apologetic is one that is true to the texts and the history, akin to the speeches of a defense attorney with integrity. Using the best of contemporary scholarship in first-century Judaic history and contributing much of his own, Dr. Eli Lizorkin-Eyzenberg has demonstrated that the Gospel of John is not an anti-Jewish, but a thoroughly Jewish book.” Daniel Boyarin, Hermann P. and Sophia Taubman Professor of Talmudic Culture, University of California, Berkeley “Dr. Lizorkin-Eyzenberg places the text of John’s Gospel in its authentic context by examining the Dead Sea Scrolls, Philo, rabbinic literature, and suggesting innovative explanations for the nomenclature, ‘the Jews.’ His fresh analysis is sure to stir meaningful debate. His creative approach will make an enduring contribution to the discipline of New Testament studies.” Brad Young, Professor of Biblical Literature in Judeao-Christian Studies, Oral Roberts University “For some time, research on the Gospels has suffered from stagnation, and there is a feeling that there is not much new that one can say. In light of this, Dr. Eli Lizorkin-Eyzenberg’s new commentary on the Gospel of John, with its original outlook on the identity of the original audience and the issues at stake, is extremely refreshing.” Ishay Rosen-Zvi, Head of the Talmud and Late Antiquity Department, Tel-Aviv University.

    Christians are now often seen as the bad guys, losing both respect and influence.In our post-Christian culture, how do we offer the gospel to those around us who view it as not only wrong but possibly dangerous? And how do we ensure that the secular worldview does not entice us away with its constant barrage, online and elsewhere, of messages about self-determinism?Author Stephen McAlpine offers an analysis of how our culture ended up this way and explains key points of tension between biblical Christianity and secular culture. He encourages Christians not to be ashamed of the gospel as it is more liberating, fulfilling and joyful than anything the world has to offer. He also offers strategies for coping in this world, with its opposing values, and for reaching out to others wisely with the truth.