- A new quarterly anthology of the best new talent in the sequential arts- In color, part-color, and black-and-white- The regular roster of artists gives the series a concrete identity- Quarterly schedule allows readers to look forward to favorite artists on a regular basis- Created for a general audience of literature fans, with a focus on contemporary fiction and narrative

    It’s a laff riot! Megg and Mogg decide to take a trip to Amsterdam for some quality couple time, although the trip gets off to a rocky start when they forget their antidepressants. They need Owl to come and help them save their relationship. But why does he have a suitcase full of glass dildos? And what will they do when they realize that the housesitting Werewolf Jones has turned their apartment into a “f#@k zone”? Megg & Mogg in Amsterdam collects all of Simon Hanselmann’s contributions to Vice.com, the Ignatz Award-nominated short story “St. Owl’s Bay,” and other surprises that will add additional color and background for fans of Megahex.

    Michael DeForge presents the mid-career crisis of a merry prankster in his singular style that blurs the banal with the absurd.

    Perfectly Clear brings back into print stories that Hornschemeier published prior to his Three Paradoxes Fantagraphics debut from a variety of sources—his own self-published Forlorn Funnies, as well as strips that originally appeared in independent magazines and papers—none of which has been available to the book trade.The book is designed as a "flip book" in the tradition of the old Ace paperbacks, with one side featuring comedic work (or as comedic as Hornschemeier's mind allows), and the other decidedly more morose. With almost every page, we see a new style, a new direction; with the resultant effect being that of an anthology by creators of vastly contrasting sensibilities.On the "funny" menu, we are treated to Dr. Rodentia (an unfortunate-looking fellow with only apathy as his weapon), a detailed artist's catalogue exploring such modern masterpieces as "Accidental Late-Night Sex With a Radiator," musings on the cancerous nature of civilization as observed by a deceased cat and a cotton-based airbus, the scatological "Feelings Check," the ever pathetic Vanderbilt Millions and his fantasies of self-worth, and the multi-narrative story that started the Forlorn Funnies comics series: "The Men and Women of the Television."Clearly, there is a fine line in the Hornschemeier lexicon between funny and morose.On our "forlorn" plate we are served the cold examination of the dyslexic narcoleptic and his bungled plans of murder, a sea creature's balancing of morality and sustenance, the Western romance "Wanted," a metal man's self-destructive search for meaning, and the story the alternative website Ain't It Cool News describes as delivering "a complicated mixture of disgust and pity."Let Us Be Perfectly Clear demonstrates Paul Hornschemeier's versatility and breadth in an elegantly produced book that will appeal to connoisseurs of contemporary, cutting-edge cartoons and graphic novels.

    Meet Marzi. She's an introvert who often finds herself in awkward situations. Marzi used to feel strange about her introverted tendencies. Not anymore! Now she knows that there are tons of introverts out there just like her--introverts who enjoy peace and quiet, need time alone to recharge their battery, and who prefer staying in with their pet and a good book to awkward social interactions. Just like Marzi, these introverts can often be found in libraries, at home watching Netflix, brainstorming excuses to miss your next party, or doodling cute cartoons. Being an introvert in an extrovert world isn't always easy, but it certainly is an adventure. In Introvert Doodles, follow Marzi through all of her most uncomfortable, charming, honest, and hilarious moments that everyone--introvert, extrovert, or somewhere in between--can relate to.

    Collecting all sixteen of the Concrete short stories originally published in Dark Horse Presents between 1986 and 1989.

    The entire run has been collected in nine trade paperback editions. The final monthly issue, number 66, was published in July 2000.Preacher follows the story of Preacher Jesse Custer, his best friend, and his girlfriend, as they explore a world that fuses Southern culture and supernatural elements, especially religious ones, in a way that is highly provocative, exploratory, and controversial.Preacher draws on movies, particularly Westerns, for many of its stylistic elements.

    Strikingly illustrated and painstakingly adapted, The Discworld Graphic Novels brings Prachett’s bizarre, outrageous—yet strangely familiar—universe of wizards, witches, vampires, bureaucrats, policemen, golems, dwarves, and living luggage to bold, visual life.

    Tank Girl!Join everybody’s favourite beer-swilling, chain-smoking, kangaroo-worrying lunatic as she blitzes her way through a dazzling array of bizarre adventures, including bounty hunting, delivering colostomy bags to Australian presidents, kangaroo boxing... and many more outrageous and mind-warping thrills! Marking the 20th anniversary of Tank Girl, with a new introduction from Alan Martin, and rarely seen material from Jamie Hewlett, this is the start of the ultimate collection. Presented for the first time, in chronological order and in glorious black and white - the way nature intended! Warning: Adults only!

    Make Bart Simpson Class Clown part of your permanent record.

    The people who roamed Early Earth were much like us: curious, emotional, funny, ambitious, and vulnerable. In this series of illustrated and linked tales, Isabel Greenberg chronicles the explorations of a young man as he paddles from his home in the North Pole to the South Pole. There, he meets his true love, but their romance is ill-fated. Early Earth's unusual and finicky polarity means the lovers can never touch.      As intricate and richly imagined as the work of Chris Ware, and leavened with a dry wit that rivals Kate Beaton's in Hark! A Vagrant, Isabel Greenberg's debut will be a welcome addition to the thriving graphic novel genre.

    But it's the most unlikely grouping of heroes you'll ever see! Batman, Blue Beetle, Martian Manhunter, Guy Gardner, Black Canary, Mister Miracle, Dr. Fate, Booster Gold, Doctor Light and the power of Shazam!Can this ragtag group of work as a functioning unit to stop terrorists at the United Nations, a brigade of Rocket Reds, the Royal Flush Gang, the mysterious Gray Man, and other threats- or will they succumb to in-fighting and bad jokes?

    It has pictures. It has a saccharine-sweet title. The main characters are a little girl and her teddy bear. But all of that is just protective coloration. The truth is, this is a book for adults with a dark sense of humor and an appreciation of old-school faerie tales.There are three separate endings to the book. Depending on where you stop, you are left with an entirely different story. One ending is sweet, another is horrible. The last one is the true ending, the one with teeth in it.The Adventures of the Princess and Mr. Whiffle is a dark twist on the classic children's picture-book. I think of it as Calvin and Hobbes meets Coraline, with some Edward Gorey mixed in.Simply said: This is not a book for children.

    Here's how it is -- in a universe filled with hearts and minds as cold and dark as the reaches of space, one small Firefly-class starship named Serenity takes its ragtag crew of mercenaries, outlaws, and fugitives in search of a job, any job, that'll earn them enough cash to afford that most elusive commodity -- peace.Joss Whedon, creator of Buffy the Vampire Slayer, unveils a previously unknown chapter in the lives of his favorite band of space brigands in the prequel to the Serenity feature film -- the blockbuster followup to Whedon's cult-hit TV show Firefly.

    Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills -- sketchy drawing, polished pen and ink line work, and meticulously designed full color painted panels-- which are always in the service of a narrative that builds to a quietly devastating climax.