Life isn’t easy, but Judi’s family means everything to her and together, they manage. Then Ben meets Amber. Everyone thinks this is a perfect match for Ben but Judi isn’t sure … there’s just something about Amber that doesn’t add up. Ben can’t see why his mother dislikes his new girlfriend. And Amber doesn’t want Judi anywhere near her new family. Amber just wants Ben and the children. The further Judi delves into Amber’s personal life, the closer she gets to shocking secrets that could change everything. And Judi must make a decision that could lead to the most disastrous consequences.

    Greenwood follows one woman's journey through heartbreak and loss to courage and resolve, as she searches for the truth about a missing child. Eight years ago, Tess and Jake were considered a power couple of the New York publishing world--happy, in love, planning a family. Failed fertility treatments and a heartbreaking attempt at adoption have fractured their marriage and left Tess edgy and adrift. A visit to friends in rural Vermont throws Tess's world into further chaos when she sees a young, half-dressed child in the middle of the road, who then runs into the woods like a frightened deer. The entire town begins searching for the little girl. But there are no sightings, no other witnesses, no reports of missing children. As local police and Jake point out, Tess's imagination has played her false before. And yet Tess is compelled to keep looking, not only to save the little girl she can't forget but to salvage her broken heart as well. Blending her trademark lyrical prose with a superbly crafted and suspenseful narrative, Where I Lost Her is a gripping, haunting novel from a remarkable storyteller.

    

    Mystery surrounds the movie, and as Sandy learns of the tragedies which haunted its production, she finds herself threatened by an ancient force protecting secrets deeper than the suppression of a 50-year-old movie.

    The live-in owners are a kind and welcoming couple. Everything is fine until she finds a suicide note hidden in her room. But when the couple insist this man didn’t exist and that Lisa is their first tenant, Lisa begins to doubt herself.Compelled to uncover the secrets of the man who lived in the room before her, Lisa is alarmed when increasingly disturbing incidents start to happen. Someone doesn’t want Lisa to find out the truth.As the four walls of this house and its secrets begin to close in on Lisa, she descends into a hellish hall of mirrors where she’s not sure what’s real and what’s not as she claws her way towards the truth… This room has already claimed one victim? Is it about to take another?

    Their guns are drawn on the bank manager. She nervously recites the alarm code, and the tumblers within the huge vault fall. The timing and execution are brilliant. It could be the perfect heist. But as the huge sum of cash is stolen, so too is one man's heart -- and that man is the Prince of Thieves...Charlestown, a blue-collar Boston neighborhood, produces more bank robbers and armored car thieves than any square mile in the world. In this gripping, intricately plotted thriller, Claire Keesey, the branch manager for a Boston bank and one of an influx of young professionals chipping away at the neighborhood's insularity, is taken hostage during a robbery. She is released, but Doug MacRay, the brains behind the tough, tight-knit crew of thieves, can't get her out of his mind. Tracking her down without his mask and gun, Doug introduces himself, and as soon as he and Claire meet, their mutual attraction is undeniable -- as are the risks of a relationship. Meanwhile, Doug's crew pulls off another audacious, meticulously planned job. Frustrated by their ingenuity and brazen ambition, FBI Agent Adam Frawley begins to zero in on Doug and his pals -- and against his own better judgment, he, too, develops more than a professional interest in Claire.Under pressure from Frawley's ever-closer investigation, Doug imagines a life for himself away from bank robberies and Charlestown. But before that can happen, the crew learns that there may be a way to rob Boston's venerable baseball stadium, Fenway Park. It's a magnificently dangerous and utterly irresistible opportunity -- yet for Doug, pursuing his former hostage may be the most dangerous act of all... Chuck Hogan's brash tale of four men -- thieves, rivals, friends -- being hunted through the streets of Boston by a tenacious FBI agent, and the woman who may destroy them all, is a spectacular, stylish, heart-pounding thriller.

    As Lizzie reveals those events, little by little, the women rekindle their friendship, with terrifying results ...'This is the third psychological thriller by Ruth Rendell writing as Barbara Vine and when I say it surpasses the first two that's really saying something ... Vine has not only produced a quietly smouldering suspense novel but also presents an accurately atmospheric portrayal of London in the heady 60's. Literally unputdownable' Time OutThe House of Stairs is a modern masterpiece of the crime genre and will leave you gripped from the first page to the last. If you enjoy the novels of P.D. James, Ian Rankin and Scott Turow, you will love this book.'The Rendell/ Vine partnership has for years been producing consistently better work than most Booker winners put together' Ian Rankin'A superb and original writer' Amanda Craig, ExpressBarbara Vine is the pen-name of Ruth Rendell. She has written fifteen novels using this pseudonym, including A Fatal Inversion and King Solomon's Carpet which both won the Crime Writers' Association Gold Dagger Award. Her other books include: A Dark Adapted Eye; The House of Stairs; Gallowglass; Asta's Book; No Night Is Too Long; In the Time of His Prosperity; The Brimstone Wedding; The Chimney Sweeper's Boy; Grasshopper; The Blood Doctor; The Minotaur; The Birthday Present and The Child's Child.

    On her own. The hard way. She built her part-time business up from nothing and made it successful through her imagination, creativity, and hard work. She has two great children and Dennis, a husband she loves completely.Then, one evening, when Claire returns from a difficult business trip, Dennis hands her divorce papers along with a court order to vacate their house. Claire is devastated. She had no idea her marriage was on the brink of disaster, that Dennis had been planning this ambush for weeks, if not months, or that her hectic but happy life was about to come crashing down around her.Claire doesn't know where to turn or whom to trust. But in a few short weeks she learns what so many women have had to discover—that when the going gets tough, a woman's as tough as she needs to be.

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    On the surface Drago appeared to be like most small rural towns.But it was not.The village had a most unsavory history. Unexplained disappearances, sudden deaths.People just vanished, never to be found.

    But in dreams that become too real to ignore, she's haunted by her mother's cries for help.Finally, she must act on her instinct that something violent and evil has occurred - a realization that brings Kat to a chilling discovery.

    Jennifer White's best friend, Amanda, is found dead with four of her fingers surgically removed, Dr. White is the prime suspect. But she herself doesn't know whether she did it. Told in White's own voice, fractured and eloquent, a picture emerges of the surprisingly intimate, complex alliance between these life-long friends—two proud, forceful women who were at times each other's most formidable adversary. As the investigation into the murder deepens and White's relationships with her live-in caretaker and two grown children intensify, a chilling question lingers: is White's shattered memory preventing her from revealing the truth or helping her to hide it? A startling portrait of a disintegrating mind clinging to bits of reality through anger, frustration, shame, and unspeakable loss, Turn of Mind is a remarkable debut that examines the deception and frailty of memory and how it defines our very existence.

    Three families. One killer.It was supposed to be the perfect holiday - a group of families enjoying a week together in the sun. Four women who have been best friends for as long as they can remember making the most of a luxurious villa in the south of France.But Kate has a secret: her husband is having an affair. And a week away might just be the perfect opportunity to get the proof she needs - to catch him in the act once and for all. Because she suspects the other woman is one of her two best friends.One of them is working against her, willing to sacrifice years of friendship to destroy her family. But which one? As Kate closes in on the truth in the stifling Mediterranean heat, she realises too late that the stakes are far higher than she ever imagined . . . Because someone in the villa may be prepared to kill to keep their secret hidden.

    It is a June unlike any other before, with temperatures soaring to asphyxiating heights. All across the world, freak weather patterns—and the life-shattering catastrophes they entail—have become the norm. The twenty-first century has entered a new phase. But Gabrielle Fox’s main concern is a personal one: to rebuild her life after a devastating car accident that has left her disconnected from the world, a prisoner of her own guilt and grief. Determined to make a fresh start, and shake off memories of her wrecked past, she leaves London for a temporary posting as an art therapist at Oxsmith Adolescent Secure Psychiatric Hospital, home to one hundred of the most dangerous children in the country. Among them: the teenage killer Bethany Krall.Despite two years of therapy, Bethany is in no way rehabilitated and remains militantly nonchalant about the bloody, brutal death she inflicted on her mother. Raised in evangelistic hellfire, the teenager is violent, caustic, unruly, and cruelly intuitive. She is also insistent that her electroshock treatments enable her to foresee natural disasters—a claim which Gabrielle interprets as a symptom of doomsday delusion.But as Gabrielle delves further into Bethany’s psyche, she begins to note alarming parallels between her patient’s paranoid disaster fantasies and actual incidents of geological and meteorological upheaval—coincidences her professionalism tells her to ignore but that her heart cannot. When a brilliant physicist enters the equation, the disruptive tension mounts—and the stakes multiply. Is the self-proclaimed Nostradamus of the psych ward the ultimate manipulator or a harbinger of global disaster on a scale never seen before? Where does science end and faith begin? And what can love mean in “interesting times”?With gothic intensity, Liz Jensen conjures the increasingly unnerving relationship between the traumatized therapist and her fascinating, deeply calculating patient. As Bethany’s warnings continue to prove accurate beyond fluke and she begins to offer scientifically precise hints of a final, world-altering cataclysm, Gabrielle is confronted with a series of devastating choices in a world in which belief has become as precious - and as murderous—as life itself.

    While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.