Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so well that they often came to be spoken of as one - 'Li-Tu' - who covers the whole spectrum of human life, experience and feeling.

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    The Chinese poetic tradition is the largest and longest continuous tradition in world literature, and this rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton’s book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet's work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poeets. From the classic texts of Chinese philosophy to intensely personal lyrics, from love poems to startling and strange perspectives on nature, Hinton has collected an entire world of beauty and insight. And in his eye-opening translations, these ancient poems feel remarkably fresh and contemporary, presenting a literature both radically new and entirely resonant.

    It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul.

    He delves into his youth to analyze its repercussions.

    The depth and diversity of perceptual awareness-so steadfast and radiant in American Primitive-continue in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit-to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships. Whether by way of inheritance-as in her poem about the Holocaust-or through a painful glimpse into the present-as in "Acid," a poem about an injured boy begging in the streets of Indonesia-the events and tendencies of history take on a new importance also. More deeply than in her previous volumes, the sensibility behind these poems has merged with the world. Mary Oliver's willingness to be joyful continues, deepened by self-awareness, by experience, and by choice.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    One hundred years after his release from Reading Gaol, the life and work of Oscar Wilde has lost none of its fascination. In his day, his wit and writings enchanted and scandalized society in equal measure; his downfall came at the height of his powers. Devastated by his notorious trial for indecency, imprisoned for ``homosexual offenses,'' he was to spend two ruinous years in solitary confinement. As he was later to tell Andre Gide, Reading Gaol ``was not fit for dogs. I thought I would go mad.'' The Ballad was written from personal experience, and there was to be no more writing after this. As Wilde observed: ``Something is killed in me.'' Bankrupt, disgraced, and in exile, Wilde was to die not long after his release at the age of 46. His final resting place is the cemetery of Pere Lachaise in Paris. His tomb bears an inscription from The Ballad of Reading Gaol: ``And alien tears will fill for him/Pity's long broken urn/For his mourners will be outcast men/And outcasts always mourn.'' This commemorative edition of the poem is illustrated with the powerfully moving wood engravings of Garrick Palmer. 48 pp 5 x 8 8 wood engravings

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Rilke is unquestionably the most significant and compelling poet of romantic transformation, of spiritual quest, that the twentieth century has known. His poems of ecstatic identification with the world exert a seemingly endless fascination for contemporary readers.In Stephen Mitchell’s versions, many readers feel that they have discovered an English rendering that captures the lyric intensity, fluency, and reach of Rilke’s poetry more accurately and convincingly than has ever been done before.Mr. Mitchell is impeccable in his adherence to Rilke’s text, to his formal music, and to the complexity of his thoughts; at the same time, his work has authority and power as poetry in its own right. Few translators of any poet have arrived at the delicate balance of fidelity and originality that Mr. Mitchell has brought off with seeming effortlessness.Originally published: New York : Random House, 1982.

    There has been much international excitement too-to date, rights have been sold in thirteen countries. Wolf Totem is set in 1960s China-the time of the Great Leap Forward, on the eve of the Cultural Revolution. Searching for spirituality, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia to live among the nomadic Mongols-a proud, brave, and ancient race of people who coexist in perfect harmony with their unspeakably beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature is the ground stone of their religion, a kind of cult of the wolf. The fierce wolves that haunt the steppes of the unforgiving grassland searching for food are locked with the nomads in a profoundly spiritual battle for survival-a life-and-death dance that has gone on between them for thousands of years. The Mongols believe that the wolf is a great and worthy foe that they are divinely instructed to contend with, but also to worship and to learn from. Chen's own encounters with the otherworldly wolves awake a latent primitive instinct in him, and his fascination with them blossoms into obsession, then reverence. After many years, the peace is shattered with the arrival of Chen's kinfolk, Han Chinese, sent from the cities to bring modernity to the grasslands. They immediately launch a campaign to exterminate the wolves, sending the balance that has been maintained with religious dedication for thousands of years into a spiral leading to extinction-first the wolves, then the Mongol culture, finally the land. As a result of the eradication of the wolves, rats become a plague and wild sheep graze until the meadows turn to dust. Mongolian dust storms glide over Beijing, sometimes blocking out the moon. Part period epic, part fable for modern days, Wolf Totem is a stinging social commentary on the dangers of China's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture.

    Yee, a powerful political figure who works for the Japanese occupational government. As these two move deftly between Shanghai’s tea parties and secret interrogations, they become embroiled in the complicated politics of wartime — and in a mutual attraction that may be more than what they expected. Written in lush, lavish prose, and with the tension of a political thriller, Lust, Caution brings 1940s Shanghai artfully to life even as it limns the erotic pulse of a doomed love affair.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    Frost scholar Lathem, who was also a close friend of the four-time Pulitzer Prize-winner, scrupulously annotated the 350-plus poems in this collection, which has been the standard edition of Frost's work since it first appeared in 1969.

    In this intimate memoir, Shen Fu recounts the domestic and romantic joys of his marriage to Yun, the beautiful and artistic girl he fell in love with as a child. He also describes other incidents of his life, including how his beloved wife obtained a courtesan for him and reflects on his travels through China. Shen Fu's exquisite memoir shows six parallel "layers" of one man's life, loves and career, with revealing glimpses into Chinese society of the Ch'ing Dynasty.