Through a parable in which a young man is brought into a mystical garden by a beautiful embodiment of Wisdom, Roach presents the pantheon of great Tibetan teachers. The nameless seeker lured to the garden meets the dominant historical figures who have contributed fundamental teachings to Tibetan Buddhism, such as Tsong Khapa, the first Dalai Lama, and Master Kamalashila. Unique among works of Buddhism now available, The Garden is destined to become a classic for its lucid revelation of the secrets of the Tibetan tradition and for the wisdom Geshe Michael Roach evokes.

    Along the way he encounters some of the most remarkable characters in contemporary fiction: Henry Martin Vennholme, leader of the conservative lay movement called Evangelium Christi, and Mulrennan's bitterest enemy within the church . . . Rachel Seredi, a beautiful artist from Hungary who falls in love with Bishop Mulrennan and gives him the greatest gift a woman ever could . . . Cardinal Leandro Biagi, a wily and urbane politician who would be at home in the time of the Medicis and Borgias . . . and Jaime de Guzman, the Archbishop of Manila and longtime friend of Tim Mulrennan's, the one man who speaks in the American's defense during the divided conclave and who pays the ultimate price for his honesty and faith in God.

    As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    Carter the Great—is a young master performer whose skill as an illusionist exceeds even that of the great Houdini. But nothing in his career has prepared Carter for the greatest stunt of all, which stars none other than President Warren G. Harding and which could end up costing Carter the reputation he has worked so hard to create. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties, pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical—and sometimes dangerous—world, where illusion is everything.

    A successful statesman and diplomat, Mason had buried his awkward and lonely childhood, sealed himself off from the thrills and torments of adolescence to become a figure who commanded international respect.But the realities of the present recede in the face of the ghosts of his past. As he makes the perfunctory arrangements for the funeral, we enter with him on an intensely personal and painful inner pilgrimage: we meet the father who darkened his childhood, the mother whose support was both redeeming and embarrassing, the friend who drew him into the respectable world of which he so craved to be a part, and the woman he nearly married. In this profoundly moving book Stegner has drawn an intimate portrait of a man understanding how his life has been shaped by experiences seemingly remote and inconsequential.

    Yes, the twelve gods of Olympus are alive and well in the twenty-first century, but they are crammed together in a London townhouse--and none too happy about it. And they've had to get day jobs: Artemis as a dog-walker, Apollo as a TV psychic, Aphrodite as a phone sex operator, Dionysus as a DJ.Even more disturbingly, their powers are waning, and even turning mortals into trees--a favorite pastime of Apollo's--is sapping their vital reserves of strength.Soon, what begins as a minor squabble between Aphrodite and Apollo escalates into an epic battle of wills. Two perplexed humans, Alice and Neil, who are caught in the crossfire, must fear not only for their own lives, but for the survival of humankind. Nothing less than a true act of heroism is needed-but can these two decidedly ordinary people replicate the feats of the mythical heroes and save the world?

    At the outset, the young men seem louche but harmless, their activities limited to drinking, snacking, peering at a naked neighbor through a window, and performing karaoke. The six "aunties" are fiercely independent career women. When one of the boys executes a lethal ambush of one of the women, chaos ensues. The women band together to find the killer and exact revenge. In turn, the boys buckle down, study physics, and plot to take out their nemeses in a single blast. Who knew that a deadly "gang war" could be such fun? Murakami builds the conflict into a hilarious, spot-on satire of modern culture and the tensions between the sexes and generations.

    Here are Mary and Joseph--a teenage girl and a young carpenter--alone, frightened, in love, faced with family conflict, a hostile world and an awesome responsibility. It is a story for young and old alike; for everyone who finds the Christmas tale a source of timeless beauty and wonder, a compassionate, emotional novel of divine love.

    For the first time, she meets someone in this life whom she recognises from a previous existence. But this man is a murderer, convicted of killing his wife. As Julia seeks to find out more, past and present entwine, culminating in a dramatic conclusion.101K words (approx).For a more detailed description of the story, I recommend the review by D Figueroa in the US store.Other books by this author:Cave. A gripping tale of friendships and relationships, set in Wales at the turn of the millennium.The Cat and the Cathedral. The first of a YA/adult trilogy with a slightly supernatural premise. Set in modern day Exeter.Bloody Scared. A humorous vampire spoof.Editing a Better Book. A comprehensive guide to all aspects of editing.

    The talented singer’s image, voice, and even hairdo have been relentlessly packaged—by his L.A. label and his hard-partying manager-mother, Jane—into bite-size pabulum. But within the marketing machine, somewhere, Jonny is still a vulnerable little boy, perplexed by his budding sexuality and his heartthrob status, dependent on Jane, and endlessly searching for his absent father in Internet fan sites, lonely emails, and the crowds of faceless fans.Poignant, brilliant, and viciously funny, told through the eyes of one of the most unforgettable child narrators, this literary masterpiece explores with devastating insight and empathy the underbelly of success in 21st-century America. The Love Song of Jonny Valentine is a tour de force by a standout voice of his generation.

    Six days on the road with an enigmatic holy man who answers every question with a riddle is not what he'd planned. But in an effort to westernize his passenger--and amuse himself--he decides to show the monk some "American fun" along the way. From a chocolate factory in Hershey to a bowling alley in South Bend, from a Cubs game at Wrigley field to his family farm near Bismarck, Otto is given the remarkable opportunity to see his world--and more important, his life--through someone else's eyes. Gradually, skepticism yields to amazement as he realizes that his companion might just be the real thing. In Roland Merullo's masterful hands, Otto tells his story with all the wonder, bemusement, and wry humor of a man who unwittingly finds what he's missing in the most unexpected place.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    Trapped in a remote Alaskan forest, pinned under his own SUV, gnawed upon by nature's finest predators, Marv Pushkin -- Corporate Warrior, Positive Thinker, Esquire subscriber -- waits impatiently for an ambulance and explains in detail the many reasons why this unfolding tragedy is everyone's fault but his own.

    Terrified and powerless at the foot of Molech's altar, Hezekiah encounters for the first time the one true God of his royal ancestry, Yahweh. But his journey to the Holy One is riddled by influence from an assortment of men: Zechariah, a grandfather of noble standing who has fallen into drunkenness; Uriah, the High Priest whose lust for power forces him to gamble the faith he proclaims; and Shebna, the Egyptian intellectual who guides Hezekiah's instruction. For the two women who love Hezekiah, the meaning of love--and its sacrificial essence--will direct the course of their lives and help shape the young prince's future.

    Malik has been secretly in love with Rose Mbikwa, a woman who leads the weekly bird walks sponsored by the East African Ornithological Society. Just as Malik is getting up the nerve to invite Rose to the Nairobi Hunt Club Ball (the premier social occasion of the Kenyan calendar), Harry Khan, a nemesis from his school days, arrives in town.Khan has also become enraptured with Rose and announces his intent to invite her to the Ball. Rather than force Rose to choose between the two men, a clever solution is proposed. Whoever can identify the most species of birds in one week’s time gets the privilege of asking Ms. Mbikwa to the ball.