Some say they are the golden generation; some say the devil's spawn. But everyone knows they are something to be revered - and feared.Four and a half centuries on, cast adrift from the rest of England by Elizabeth I and still bound by its ancient laws, Rotherweird's independence is subject to one disturbing condition: nobody, but nobody, studies the town or its history.Then an Outsider arrives, a man of unparallelled wealth and power, enough to buy the whole of Rotherweird - deeply buried secrets and all...

    Only Matthew came home safely. Ten years later, Matthew tells us, he has found a way to bring his brother back... Unafraid to look at the shadows of our hearts, Nathan Filer's rare and brilliant debut shows us the strength that is rooted in resilience and love. Editor's Note Feb 10, 2014: St Martin's Press have just announced that Where The Moon Isn't will be republished under the UK title, The Shock of the Fall this week in digital format and later this fall in paperback. They said that the title change was necessary "because otherwise there's a lot of confusion" - The Shock of the Fall recently won the Costa Book of the Year award, which is UK based but has international renown.

    The Breakfast Club meets One Day in Floored, a unique collaborative novel by seven bestselling and award-winning YA authors: Sara Barnard, Holly Bourne, Tanya Byrne, Non Pratt, Melinda Salisbury, Lisa Williamson and Eleanor Wood.When they got in the lift, they were strangers (though didn't that guy used to be on TV?): Sasha, who is desperately trying to deliver a parcel; Hugo, who knows he's the best-looking guy in the lift and is eyeing up Velvet, who knows what that look means when you hear her name and it doesn't match the way she looks, or the way she talks; Dawson, who was on TV, but isn't as good-looking as he was a few years ago and is desperately hoping no one recognizes him; Kaitlyn, who's losing her sight but won't admit it, and who used to have a poster of Dawson on her bedroom wall, and Joe, who shouldn't be here at all, but who wants to be here the most.And one more person, who will bring them together again on the same day every year.

    Sure she's been single for the last five years, and has to spend an uncomfortable amount of time around her ex-boyfriend, his perfect new girlfriend and all their mutual friends. And yes, her job as a PA to one of the most disgusting men in London is mind-numbingly tedious and her career is a constant disappointment to her mother. But it's really okay. She's happy (ish).But it's not surprising that when Sarah starts dreaming about a handsome stranger, she begins to look forward to falling asleep every night. Reality isn't nearly as exciting. That is until her dream-stranger makes an unexpected real-life appearance, leaving Sarah questioning everything she thought she wanted.Because no one ever really finds the person of their dreams... do they?

    Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?

    After weeks in the hospital, Layla recovers physically, but the emotional and mental scarring has altered the woman Leeds fell in love with. In order to put their relationship back on track, Leeds whisks Layla away to the bed-and-breakfast where they first met. Once they arrive, Layla’s behavior takes a bizarre turn. And that’s just one of many inexplicable occurrences.Feeling distant from Layla, Leeds soon finds solace in Willow—another guest of the B&B with whom he forms a connection through their shared concerns. As his curiosity for Willow grows, his decision to help her find answers puts him in direct conflict with Layla’s well-being. Leeds soon realizes he has to make a choice because he can’t help both of them. But if he makes the wrong choice, it could be detrimental for all of them.

    for the first time, a surprising and moving romance set in an old-fashioned seaside town on the verge of unwelcome change Liza McCullen will never fully escape her past. But the unspoiled beaches and tight-knit community of Silver Bay offer the freedom and safety she craves—if not for herself, then for her young daughter, Hannah. That is, until Mike Dormer arrives as a guest in her aunt’s hotel. The mild-mannered Englishman with his too-smart clothes and distracting eyes could destroy everything Liza has worked so hard to protect: not only the family business and the bay that harbors her beloved whales, but also her conviction that she will never love—never deserve to love—again. For his part, Mike Dormer is expecting just another business deal—an easy job kick-starting a resort in a small seaside town ripe for development. But he finds that he doesn’t quite know what to make of the eccentric inhabitants of the ramshackle Silver Bay Hotel, especially not enigmatic Liza McCullen, and their claim to the surrounding waters. As the development begins to take on a momentum of its own, Mike’s and Liza’s worlds collide in this hugely affecting and irresistible tale full of Jojo Moyes’s signature humor and generosity.

    At 51 years old, they still live with their mother, Dot, in rural isolation and poverty. Their rented cottage is simultaneously their armour against the world and their sanctuary. Inside its walls they make music, in its garden they grow (and sometimes kill) everything they need for sustenance.But when Dot dies suddenly, threats to their livelihood start raining down. At risk of losing everything, Jeanie and her brother must fight to survive in an increasingly dangerous world as their mother's secrets unfold, putting everything they thought they knew about their lives at stake.This is a thrilling novel of resilience and hope, of love and survival, that explores with dazzling emotional power how the truths closest to us are often hardest to see._

    When she’s assigned to write about the closing of the local lido (an outdoor pool and recreation center), she meets Rosemary, an eighty-six-year-old widow who has swum at the lido daily since it opened its doors when she was a child. It was here Rosemary fell in love with her husband, George; here that she’s found communion during her marriage and since George’s death. The lido has been a cornerstone in nearly every part of Rosemary’s life.But when a local developer attempts to buy the lido for a posh new apartment complex, Rosemary’s fond memories and sense of community are under threat.As Kate dives deeper into the lido’s history—with the help of a charming photographer—she pieces together a portrait of the pool, and a portrait of a singular woman, Rosemary. What begins as a simple local interest story for Kate soon blossoms into a beautiful friendship that provides sustenance to both women as they galvanize the community to fight the lido’s closure. Meanwhile, Rosemary slowly, finally, begins to open up to Kate, transforming them both in ways they never knew possible.In the tradition of Fredrik Backman, The Lido is a charming, feel-good novel that captures the heart and spirit of a community across generations—an irresistible tale of love, loss, aging, and friendship.

    He leaves no clues and the police are helpless.When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of.Reluctantly partnered with the brilliant but socially awkward civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only he is meant to see. The elusive killer has a plan and for some reason Poe is part of it.As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he's ever believed about himself, Poe will learn that there are things far worse than being burned alive...

    But his estate on Ireland’s rugged south-west coast is left to his three daughters. The two eldest, Ottie and Pip, inherit in line with expectations, but to everyone’s surprise – and dismay – it is the errant baby of the family, Willow, who gets the castle.Why her? Something unknown – something terrible - made her turn her back on her family three years earlier, escaping to Dublin and vowing never to return. So when Willow quickly announces she is selling up, her revenge seems sweet and the once-close sisters are pushed to breaking point: in desperation, Pip risks everything to secure her own future, and Ottie makes a decision that will ruin lives. It’s each woman for herself.Before moving in, Connor Shaye, the prospective new owner, negotiates throwing a lavish party at the castle just days before Christmas – his hello, their goodbye. But as their secrets begin to catch up with them, Ottie, Willow and Pip are forced to ask themselves which is harder: stepping into the future, or letting go of the past?

    It used to be a busy, crowded family home but now Edwina lives alone and it has grown too big for her. She has decided to sell it.The young estate agent who comes to value the house sees potential. Knock down a few walls, add a wet room. 'People like a project.' But as Edwina takes him from room to room, she is transported back to her old life as a young mother. Back to her first husband Ollie and their twins, James and Rowena. Back to lies and dark secrets and to a stepson whose name Edwina cannot even bear to speak aloud. As Edwina's story unravels she is revealed as a complex and intriguing person. Not just the 'frail old lady' trapped in her dated house, but a woman who has lived an extraordinary life, full of love and tragedy. Why is she now so alone? What happened to Edwina's family all those years ago?Moving - Jenny Eclair's fourth novel - reveals a writer at the height of her powers. Gripping, heart-breaking and laced with black humour, it is a novel of family secrets, shocking betrayals and most of all, of home.

    But what if ‘what could have been’ is still to come?Daniel was the first boy to make Alison a mix tape.But that was years ago and Ali hasn’t thought about him in a very long time. Even if she had, she might not have called him ‘the one that got away’; she’d been the one to run away, after all.Then Dan’s name pops up on her phone, with a link to a song from their shared past.For two blissful minutes, Alison is no longer an adult in Adelaide with temperamental daughters; she is sixteen in Sheffield, dancing in her too-tight jeans. She cannot help but respond in kind.And so begins a new mix tape.Ali and Dan exchange songs – some new, some old – across oceans and time zones, across a lifetime of different experiences, until one of them breaks the rules and sends a message that will change everything…Because what if ‘what could have been’ is still to come?

    Sealed with a distinctive family crest, it contains just five words: SHE KNOWS THAT YOU LIVE. But before Minou can decipher the mysterious message, a chance encounter with a young Huguenot convert, Piet Reydon, changes her destiny forever. For Piet has a dangerous mission of his own, and he will need Minou’s help if he is to get out of La Cité alive. Toulouse: As the religious divide deepens in the Midi, and old friends become enemies, Minou and Piet both find themselves trapped in Toulouse, facing new dangers as sectarian tensions ignite across the city, the battle-lines are drawn in blood and the conspiracy darkens further. Meanwhile, as a long-hidden document threatens to resurface, the mistress of Puivert is obsessed with uncovering its secret and strengthening her power.

    The police are looking to charge me with murder.2. No one knows who I am. Or how I did it.3. If you think you've found me. I'm coming for you next.After you've read this book, you'll know: the truth is far more twisted...