. .A domestic suspense debut about a young couple and their apparently friendly neighbors--a twisty, rollercoaster ride of lies, betrayal, and the secrets between husbands and wives. . .Anne and Marco Conti seem to have it all--a loving relationship, a wonderful home, and their beautiful baby, Cora. But one night when they are at a dinner party next door, a terrible crime is committed. Suspicion immediately focuses on the parents. But the truth is a much more complicated story.Inside the curtained house, an unsettling account of what actually happened unfolds. Detective Rasbach knows that the panicked couple is hiding something. Both Anne and Marco soon discover that the other is keeping secrets, secrets they've kept for years.What follows is the nerve-racking unraveling of a family--a chilling tale of deception, duplicity, and unfaithfulness that will keep you breathless until the final shocking twist.

    Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return. With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present. Beware a calm surface—you never know what lies beneath.

    No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    One runs for her life. One is left behind.Twenty-eight years ago, Charlotte and Samantha Quinn's happy small-town family life was torn apart by a terrifying attack on their family home. It left their mother dead. It left their father—Pikeville's notorious defense attorney—devastated. And it left the family fractured beyond repair, consumed by secrets from that terrible night.Twenty-eight years later, Charlotte has followed in her father's footsteps to become a lawyer herself—the ideal good daughter. But when violence comes to Pikeville again, and a shocking tragedy leaves the whole town traumatized, Charlotte is plunged into a nightmare. Not only is she the first witness on the scene, but it's a case that unleashes the terrible memories she's spent so long trying to suppress--because the shocking truth about the crime that destroyed her family nearly thirty years ago won't stay buried forever. Packed with twists and turns, brimming with emotion and heart, The Good Daughter is fiction at its most thrilling.

    She used to be able to tell what they were thinking, feeling, if they were lying…But it's as though every day, every minute even, she knows them a little less. Her boys aren’t boys anymore, they’re becoming men - men she’s not sure she recognises, men she’s not sure she can trust.So when one of her son’s classmates is killed in suspicious circumstances, people start asking questions.Was it really a hit and run? A car-jacking gone wrong? Or something much more sinister?Now Jackie must separate the truth from the lies.How did that boy end up on the road?And where was her son that night?

    Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories.But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace.Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself.The only problem is, the killer may still be on the loose. And he might not be finished.

    Thirteen, awkward, and without a father, she finds herself mixed up with her school's outcasts-Charlie, the local detective's son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera-an ex-model with many "boyfriends" and a thirst for gin-the most, Vera's hand is found on the steps. But after five days, there's no body and Neptune disappears.Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn't trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again.With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.

    Eva was found unconscious down the street. She can’t remember what happened but the police are highly suspicious of her.Determined to clear her name, Eva heads from Seattle to London—Kat’s former home—for answers. But as she unravels her mother’s carefully held secrets, Eva soon realizes that someone doesn’t want her to know the truth. And with violent memories beginning to emerge, Eva doesn’t know who to trust. Least of all herself.Told in alternating perspectives from Eva’s search for answers and Kat’s mysterious past, Christina McDonald has crafted another “complex, emotionally intense” (Publishers Weekly) domestic thriller. Behind Every Lie explores the complicated nature of mother-daughter relationships, family trauma, and the danger behind long-held secrets.

    The tale of a terrible event that devastates three families, after two young girls discovery of an unsupervised baby on an empty street, Every Secret Thing is a bravura demonstration of the extraordinary storytelling skill that has won Laura Lippman every major literary prize bestowed upon mystery writers, including the Edgar®, the Anthony, the Shamus, and the Agatha Awards.

    Then a terrifying reality sets in: her daughter is missing.Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a break-in, but all traces of seven-month-old Mia had disappeared. Her diapers, her clothes, her bottles—all gone. Frustrated and unable to explain her daughter’s disappearance, Estelle begins a desperate search. But when the lack of evidence casts doubt on her story, Estelle becomes the number one suspect in the eyes of the police and the media.As hope of reuniting with Mia becomes all she has left, Estelle will do anything to find answers: What has she done to her baby? And what has someone else done to her?

    One who enabled her and her husband to carry on, when more bad things began to happen...But that woman’s husband died last week. And Jean doesn’t have to be her anymore.There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…

    I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it...Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time.She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born.It’s almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret…can she outrun her past?

    A clandestine brotherhood hides a secret that could bring down the Catholic Church. Their chosen hiding place - the art of Hieronymus Bosch. London, 2014. An excommunicated priest approaches both the Church and the art world, claiming to possess an artefact that will destroy their reputations. This man, Nicholas Laverne, is poised to end over 500 years of silence and injustice. Yet, unknown to Nicholas, he has just summoned a killer intent on silencing him.

    Its seclusion suits former Boston police detective Bill Robinson, novice owner and innkeeper. As long as the dozen residents pay their rent, Robinson doesn’t ask any questions.Yet all too soon Robinson discovers that leaving the city is no escape from dangers he left behind. A new crew of deadly criminals move into the small town, bringing drugs and violence to the front door of the inn.Robinson feels the weight of responsibility on his shoulders. His sense of duty compels him to fight off the threat to his town. But he can’t do it alone. Before time runs out, the residents of the inn will face a choice.Stand together? Or die alone.

    'I am The Owl,' he would whisper to himself after he had selected his prey, 'and nighttime is my time.'" Jean Sheridan, a college dean and prominent historian, sets out to her hometown in Cornwall-on- Hudson, New York, to attend the twenty-year reunion of alumni of Stonecroft Academy, where she is to be honored along with six other members of her class. There is, however, something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, died just a few days before, drowned in her pool during an early- morning swim, the fifth woman in the class whose life has come to a sudden, mysterious end. Also adding to Jean's sense of unease is a taunting, anonymous fax she has just received, referring to her daughter, Lily, a child she had given up for adoption twenty years ago, the offspring of a romance between her and a West Point cadet killed in an accident a week before graduation. She had always kept the child's existence a secret, so who has found out? And why the implied threat now? Struggling to conceal her fears, Jean arrives at the hotel where the reunion is being held. One by one she sees the other honorees, including Laura Wilcox, the class beauty, whose dazzling exterior belies the fact that her television career is sinking, and the four men who, like Jean, had spent four bitterly unhappy years at Stonecroft: Carter (formerly Howie) Stewart, an acerbic and successful playwright, once the class nerd; renowned child psychiatrist and talk-show celebrity Mark Fleischman, who has never been able to resolve the pain of his own adolescence; Gordon Amory, a media mogul, hardly recognizable as the awkward boy who was the butt of cruel jokes; Robby Brent, a popular comedian, whose caustic humor emanates from a childhood of rejection. Omnipresent is an old classmate, Jack Emerson, the chairman of the reunion, whose reasons for spearheading the event may be motivated by something other than class spirit. At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed for years by the unsolved murder of a young woman in Cornwall, who may also hold the key to the identity of the Stonecroft killer and the source of the anonymous threat to her child. She does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean his final intended victim. In Nighttime Is My Time, Mary Higgins Clark creates a riveting novel of psychological suspense, penetrating behind the pervading façade of status and respectability to depict the mind of a killer.