An ordinary Saturday in the Blue Bar of the International Hotel in Belfast. While 18-year-old Danny pulls pints, he contemplates his future and the bar's varied clientele. But ordinary Saturdays like this are almost over. On the next day the hotel will host the inaugural meeting of the Northern Ireland Civil Rights Association, and the slide towards the troubles will begin.

    When Marian Taylor takes a post as governess at Gaze Castle, a remote house on a desolate coast, she finds herself confronted with a number of weird mysteries and involved in a drama she only partly understands.

    Reapy, Charlotte Riddell, Eimear Ryan, Anakana Schofield, Somerville & Ross, Susan Stairs.Taken together, the collected works of these writers reveal an enrapturing, unnerving, and piercingly beautiful mosaic of a lively literary landscape. Spanning four centuries, The Long Gaze Back features 8 rare stories from deceased luminaries and forerunners, and 22 new unpublished stories by some of the most talented Irish women writers working today. The anthology presents an inclusive and celebratory portrait of the high calibre of contemporary literature in Ireland.These stories run the gamut from heartbreaking to humorous, but each leaves a lasting impression. They chart the passions, obligations, trials and tribulations of a variety of vividly-drawn characters with unflinching honesty and relentless compassion. These are stories to savour.

    There are thousands who have yet to discover this extraordinary memoir of an Irish woman who has stepped away from the traditional roles to define herself and find contentment. They will make this paperback a long-selling classic.

    In 1958, a mute Jewish boy locked away in a mental institution outside of Dublin forms an unlikely friendship with a man consumed by the story of the love he lost nearly two decades earlier. And in present-day London, an Irish journalist is forced to confront her conflicting notions of identity and family when her Jewish boyfriend asks her to make a true leap of faith. These three arcs, which span generations and intertwine in revelatory ways, come together to tell the haunting story of Ireland’s all-but-forgotten Jewish community. Ruth Gilligan’s beautiful and heartbreaking Nine Folds Make a Paper Swan explores the question of just how far we will go to understand who we really are, and to feel at home in the world.

    A novel of family, love, and learning to be kind to yourself by award-winning, bestselling Irish author, Aimee Alexander. Grace Sullivan flees Dublin with her two teenage children, Jack and Holly, returning to the sleepy West Cork village where she grew up. No one in Killrowan knows what Grace is running from - or that she's even running. She'd like to keep it that way. Taking over from her father, Des, as the village doctor offers a real chance for Grace to begin again. But will she and the family adapt to life in a small rural community? Will the villagers accept an outsider as their GP? Will Grace live up to the doctor that her father was? And will she find the inner strength to face the past when it comes calling? Season of Second Chances is a heart-warming story of friendship, love and finding the inner strength to face a future that may bring back the past. Perfect for fans of Call The Midwives, The Durrells, Doc Martin and All Creatures Great and Small. The villagers of Killrowan will steal into your heart and make you want to stay with them forever.

    Justice Harbottle, The Room in the Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience. This new annotated edition includes an introduction, notes on the text, and explanatory notes.NB: The Familiar is a revision of The Watcher; Mr. Justice Harbottle is a revision of An Account of Some Strange Disturbances in Aungier Street.

    Tales of blood and intrigue, betrayal and enchantment from a leading Irish YA author.With 13 stunning black and white illustrations by new Irish illustrator Karen Vaughan.

    Brave vixens, prophetic owls and stalwart horses live alongside the human characters as guides, protectors, friends and foes while spirits, giants and fairies blur the lines between this world and the otherworld. Collected by Oein DeBhairduin throughout his childhood, retold in his lyrical style, and beautifully illustrated by Leanne McDonagh.

    In Dublin, her best friend, Eileen, is getting over a break-up and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

    Jerry’s Stahl’s perverse, yet often touching tales, many of which first appeared in publications ranging from Playboy to the Pushcart Prize to Best Erotic Fiction, plumb the depths of eccentric romance, sex-starved adolescence, mid-life crisis, and family dysfunction. From a teenager’s tryst with a recently widowed middle-aged woman on an airplane, to a dissatisfied dentist’s attempt to find freedom on the road with a much younger woman, all the way to an intensely erotic love affair between an ex-junkie and an ex-circus midget with a sexual obsession with vegetables, this collection never fails to arouse and surprise. With a disarmingly immediate prose style, Stahl finds great eroticism, humor, and humanity in the wildest of encounters.

    Now, in this new series of Enid Blyton for Grown-Ups, George, Dick, Anne, Julian and Timmy are keen to show Uncle Quentin what a jolly good chap he is. Join Julian, George, Dick, Anne and Timmy the dog as they celebrate Father's Day by taking Uncle Quentin to the local garden centre to chose a new garden shed in which to conduct his experiments. But what promised to be a relaxed outing turns into a nightmare when Quentin disappears into thin air. He surely cannot have gone far . . .

    In this creepy tale, the twist comes with the very last word…

    He never went to school but received most of his education in the streets of Dublin, and taught himself to read at the age of fourteen. He was successively a newspaper-seller, docker, stone-breaker, railway-worker and builders' labourer. In 1913 he helped to organise the Irish Citizen Army which fought in the streets of Dublin, and at the same time he was learning his dramatic technique by reading Shakespeare and watching the plays of Dion Boucicault. His early works were performed at the Abbey Theatre, Dublin, and Lady Gregory made him welcome at Coole, but disagreement followed and after visiting America in the late thirties O'Casey settled in Devonshire. He lived there until his death in 1964, though still drawing the themes of many of his plays from the life he knew so well on the banks of the Liffey. Out of the ceaseless dramatic experimenting in his plays O'Casey created a flamboyance and versatility that sustain the impression of bigness of mind that is inseparable from his tragi-comic vision of life.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.