As usual, Maupin’s tone is both bittersweet and achingly funny in this tale of a post-catastrophic San Francisco and a young man’s resilient love for his mother. Cover Design by Darryl Vance

    

    The Crocodile by the Door by Selina Guinness is a remarkable, compelling and moving memoir of a farm, a family and a home.When Selina Guinness and her partner Colin, both young academics, moved in with Selina's uncle Charles, an elderly bachelor, they had no idea what the coming years held for them: a crash course in farming, tense discussions with helicopter-borne property developers, human tragedy, and the challenge of dragging a quasi-feudal estate at the edge of Dublin into the twenty-first century.The Crocodile by the Door - a dazzling debut memoir that will appeal to fans of Edmund de Waal, William Fiennes and Richard Benson's The Farm - tells this remarkable story.

    F**k Nolan Griffin.That’s what Yasmin’s mantra has always been regarding him.It doesn’t matter how attractive she finds him, she has valid reasons to hate him, one of which being he stole her job.But when Yasmin runs into him on Valentine’s night, she quickly learns that when it comes to Nolan there’s more than meets the eye.

    Nine-year-old Megan lives in a redbrick house in Dublin with her mother, a beautiful and lonely artist, and her grandmother; her father's whereabouts are a mystery that she often thinks about.When an American family moves in downstairs and Megan's mother begins a tentative affair with the father, everything that Megan is sure of starts to unravel.  From her friendship with the boy next door to the strange food that the new family cooks, from her relationship with the impossibly sophisticated Beth to the possibilities opened up by the temptation of swimming at night, it is a summer that will impact Megan in ways she could never predict.

    Yeats, Lady Gregory, J.M. Synge, Bernard Shaw, Sean O'Casey, Brendan Behan, Samuel Beckett, and Brian Friel. The texts are fully annotated with explanatory notes on Anglo-Irish usage, place names, historical figures, and literary allusions. "Backgrounds and Criticism" contains almost fifty texts relevant to the twelve plays represented. Included are prefaces by the authors, reports by spectators on original productions, memoirs concerning playwrights and performances, and recent critical assessments by American, British, and Irish scholars. From its collection of documents relevant to the origin of the Irish Literary Revival in the midst of Ireland's republican revolution to the recent formation of the Field Day Company in Northern Ireland, Modern Irish Drama charts the rise and development of one of the most powerful national dramas of the twentieth century. A Chronology and Selected Bibliography are also included.

    Desperate to win back his father’s approval, the boy hatches a plan involving his father’s love of slasher films. If the boy can become a real-life slasher right out of the movies, it just might be an opportunity to make his father proud again, no matter what the cost.In Iain Rob Wright’s “The Reckoning,” the year is 2035 and people live inside their individual worlds. Amelie’s ‘pod’ is a marvel of tech-centric existence, taking care of her every need. But when a serial killer that the press have named ’The Reckoning’ comes calling for Amelie, her futuristic living space turns deadly.In William Malmborg's "Billy's Blade," a budding serial killer bites off more than he can chew when he tries to stab Stacy Collins to death on the Prairie Path. A ruthless investigative journalist, Stacy goes on the offensive, goading the killer with unflattering articles, all in hopes of sparking a second encounter. Will Billy and Stacy meet again?Jeff Strand’s “Twentieth Anniversary Screening” recounts the grisly events surrounding the terrible slasher flick THE ROOFER, remembered only because an obsessed fan tried to reenact the murders as they played out on the screen. When the same theater shows the film twenty years later, will the warnings that this is a really, really bad idea be justified?

    She then promises to stop making terrible food analogies about everything.From terrifying hen nights, malevolent dolphins and angry bakers, to runaway cats, a stalker who won't commit and the curse of over-politeness, Maeve writes with warmth and wit about what it's like to be a regular human girl. And, crucially, she finally reveals the truth about her relationship with Michael Fassbender.We Have a Good Time...Don't We? introduces a strikingly original voice that celebrates the truth of what we really feel about ourselves through these hilarious and perceptive snapshots of a life considered.

    Gregory retells the myths and legends of the ancient Celts and reveals the roots of Ireland's literary tradition. Contains an index of characters and a pronunciation key to Gaelic names and locations.

    A pretty young newcomer is accusing one woman after another of witchcraft. But Ellen, the serving girl in the house where the visitor is staying, is loyal to the family - and over-fond of her master. Yet she knows that Knowehead is a house like no other.