A worldwide bestseller first published in 1980, this novel tells the story of Jennifer Parker, a successful lawyer who is loved by two men, one a politician, the other, a mafia don.

    The Armageddon Conspiracy reveals the identity of this shadow organisation, an organisation stranger than anyone can imagine, so mysterious in its nature that its origins precede the very existence of the human race. All of history's well-known conspiracy theories are aspects of their single conspiracy - a superconspiracy - that has as its goal the most stupefying outcome imaginable. The superconspiracy links the Old and New Testaments, the Cathars, the Knights Templar, the Alchemists, the Freemasons and the Nazis. It incorporates the three holiest religious relics of the Western World: the Ark of the Covenant, the Holy Grail and the Spear of Destiny. And it's inextricably linked to the most sacred site of antiquity - King Solomon's Temple, standing above the rock where Creation began. The Armageddon Conspiracy is a fast-paced thriller with a truly terrifying climax. Can Creation be unmade?

    When at last, the wizard Mor joined the fight, Det and his infamous Rondoval castle were destroyed. But the victory was not complete, for the conquerors found a baby amidst the rubble: Det's son, Pol. Unwilling to kill the child, Mor took him to a world where the ways of magic were considered mere legends--a world called Earth.

    wrote on the royal family of the erstwhile state of Travancore. The other two are Dharmaraja (1913) and Ramaraja Bahadur in two parts (1918-1920). Marthanda Varma on the surface, is a historical romance, but its subtext is a political one of contemporary significance. In the novel there is a subplot with Subhadra at the centre. Through what she does or what happens to her, C.V. is projecting a futuristic vision of the New Woman in the Indian context. The conventional image of the woman is replaced by an imagined figure that was to emerge on the Indian scene. Another unique feature of this novel is the introduction, for the first time, of untouchables, the channans of south Travancore, Hence is fiction asserting humanistic values over and above the taboos and superstitions of yester-years.

    She is considered one of the outstanding Indian poets writing in English, although her popularity in Kerala is based chiefly on her short stories and autobiography. Much of her writing in Malayalam came under the pen name Madhavikkutty. She was born on March 31, 1934 in Malabar in Kerala, India. She is the daughter of V.M. Nair, a former managing editor of the widely-circulated Malayalam daily Mathrubhumi, and Nalappatt Balamani Amma, a renowned Malayali poetess. In 1984, she was short-listed for the Nobel Prize for Literature along with Marguerite Yourcenar, Doris Lessing, and Nadine Gordimer. Kamala Das is probably the first Hindu woman to openly and honestly talk about sexual desires of Indian woman, which made her an iconoclast of her generation. The fact that the book has run into thirty editions is proof enough to appreciate the popularity of the book

    Over the course of a year, each of these women’s lives becomes intertwined, both through the books they read and the real-life stories they tell.Inspired by a shared desire for conversation, a good book and a glass of wine, Clare, Harriet, Nicole, Polly and Susan undergo startling revelations and transformations despite their difference in background, age and respective dilemmas.In The Reading Group, Noble reveals the many complicated paths in life we all face as well as the power and importance of friendship.

    Clair have spent their lives trying to escape the legacy of their wealthy, aloof, social-climbing mother, Virginia—each losing a certain part of herself in the process. Now, on the eve of her seventieth birthday, Virginia has asked them all to help her get settled into her magnificent new estate on the rocky coast of Maine, a request each sister reluctantly agrees to, thinking it may be her mother's last.But it is Virginia who has something to give to the daughters she neglected in childhood. For amid the glories of a New England summer, three sisters will finally learn the answers to the questions that have troubled them for years . . . and new truths that will stay with them forever.

    Gidh is the Urdu word for a vulture and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated. The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by the society or by the religion.Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal. Many readers tend to interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. Naturally the plot is woven to support the thesis. In the opinion of many readers and critics she manages to convince them that the pursuance of Haraam, be it financial, moral or emotional, results in the deterioration of a person's normality in some sense. She seems to suggest that the abnormality is transferred genetically to the next generation.Apart from the above implication the novel has many social, emotional and psychological aspects. The nostalgic narration of the historical Government College Lahore and of the Lawrence Garden Lahore lights upon the days of seventies and eighties.Bano Qudsia is among those Urdu writers who would think ten times before writing a sentence. But she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white ones as some of the critics would like to suggest. Every sensitive reader who has attended a college or a university in a Pakistani setting is bound to find some similarities between themselves and one of the characters.Plot: Seemin Shah, hailing from an upper middle class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl and attracts most of her male class fellows, including the narrator (abdul)Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he also loves her, he can not rise above his family values and succumbs to his parent's pressure to marry someone against his wishes and leave for London to look after his family business. Now the long story of separation begins.

    A novel that tells of the dark world of Rafael, a rich ophthalmologist and a womanizer—a world largely peopled by the women oppressed by his decayed character.

    You don't choose your story, it chooses you.But would you believe it if someone told you, ‘This is Not Your Story’? Would you have the courage to rewrite it?Shaurya, a CA student. This is his story of following his dreams.Miraya, an interior designer. This is her story of believing in love.Anubhav, an aspiring entrepreneur. This is his story of giving life another chance.After her record-breaking debut novel Everyone Has A Story, Savi Sharma tells a transforming tale of courage, hope and self-discovery.

    And now you're turning away from me. You are saying something but I can't hear you. It's too windy. You're crying now. Now you're smiling. I'm done. I love you...' It's been two years since Raghu left his first love Brahmi on the edge of the roof one fateful night--he couldn't save her. Having lost everything, Raghu now wants to stay hidden from the world. However, the annoyingly persistent Advaita finds his elusiveness very attractive. And thee more he ignores her, the more she's drawn to him till she bulldozes her way into an unlikely friendship.What attracts at first, begins to grate. Advaita can't help but want to knwo what Raghu's left behind, what he's hiding, and who broke his heart. She wants to love him back to life, but for that she needs to discover what wrecked him in the first place .After all, the antidote to heartache is love.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    By morning she had vanished--without apparent cause, and without a trace. Shocked, anxious, and uncomprehending, the two families face a long day of revelations, as a complex, fragile web of sexual, marital, and financial secrets is ripped apart by Cressida's disappearance.

    Men wanted her; women hated her; while some men wanted to keep their liaisons hidden.But who had the motive, the means and opportunity to kill her?Padmavati charged by the hour - her laughs, her understanding, her empathy, her advice - everything was available only in return for payment, which made her,in the Sarpanch's eyes, a little more than a trader. 'Look,' the priest Krishna Shastri said, pointing to the letters around him . 'Satyam, Shekhar, Seetaramaiah - how many men did she have in her grasp? How many? 'The onus of solving the case puts head constable Venkat reddy in a quandary. He has never even solved petty crimes and here he is faced with murder!If this were a novel, the constable thought vacantly, would the reader think of him as a worthy detective? Would anyone bother reading about a bungling, confused constable pretending to be a detective? The equation before him is simple; seven suspects,seven motives, one murder.

    The exciting prequel to the Witches of East End series from Blue Bloods author, Melissa de la Cruz.