Sold by her Thai parents along with her little sister, Nason; marooned in America; abused by the men who trafficked them…the only thing that kept Livia alive as a teenager was her determination to find Nason.Livia has never stopped looking. And she copes with her failure to protect her sister by doing everything she can to put predators in prison.Or, when that fails, by putting them in the ground.But when a fresh lead offers new hope of finding Nason and the men who trafficked them both, Livia will have to go beyond just being a cop. Beyond even being a vigilante. She’ll have to relive the horrors of the past. Take on one of the most powerful men in the US government. And uncover a conspiracy of almost unimaginable evil.In every way, it’s an unfair fight. But Livia has two advantages: her unending love for Nason—And a lifelong lust for vengeance.

    Dangerous.They suspect you want to steal another baby.All you know is that you must find your own child before he's out of reach forever.And you're a doctor - you would know if you were losing your mind.Right?

    But what's outside is worse...It's night, and dust swirls against the walls of Rachel's home in the Australian bush. Her fear of other people has led her to a reclusive life as far from them as possible, her only occasional contact with her sister.A hammering on the door. There stand a mother, Hannah, and her sick baby. They are running for their lives from a mysterious death sweeping the Australian countryside - so soon, too soon, after everything.Now Rachel must face her worst fears to help Hannah, search for her sister, and discover just what terror was born of us. . . and how to survive it.For fans of BIRDBOX and A QUIET PLACE, this remarkable, terrifying literary horror thriller holds a mirror up to the changed world we live in today.

    The perfect family. Too good to be true.Kate Webb still grieves for her young son, ten years after his loss. She spends her weekends hungover, attending open houses on Sydney's wealthy north shore and imagining the lives of the people who live there.Then Kate visits the Harding house - the perfect house with, it seems, the perfect family. A photograph captures a kind-looking man, a beautiful woman she once knew from university days, and a boy - a boy that for one heartbreaking moment she believes is her own son.When her curiosity turns to obsession, she uncovers the cracks that lie beneath a glossy facade of perfection, sordid truths she could never have imagined.But is it her imagination? As events start to spiral dangerously out of control, could the real threat come from Kate herself?

    Together they write and illustrate award-winning children’s books; their life together one of enviable privilege and ease—until, one evening after a delightful dinner, Oliver delivers a blow to Alice that renders her unconscious, and subsequently beats her into a coma.In the aftermath of such an unthinkable event, as Alice hovers between life and death, the couple’s friends, neighbours, and acquaintances try to understand what could have driven Oliver to commit such a horrific act. As his story unfolds, layers are peeled away to reveal a life of shame, envy, deception, and masterful manipulation.

    The careful existence they have built for themselves starts to crumble when two murders rock their neighborhood.

    The police are looking to charge me with murder.2. No one knows who I am. Or how I did it.3. If you think you've found me. I'm coming for you next.After you've read this book, you'll know: the truth is far more twisted...

    No ID on her, just hard-earned cash. But there is no doubting the ferocity of the attack.DI Simon Fenchurch takes charge but, as his team tries to identify her and piece together her murder, they’re faced with cruel indifference at every turn - nobody cares about yet another dead prostitute. To Fenchurch, however, she could just as easily be Chloe, his daughter still missing after ten years, whose memory still haunts his days and nights, his burning obsession having killed his marriage.When a second body is discovered, Fenchurch must peel back the grimy layers shrouding the London sex trade, confronting his own traumatic past while racing to undo a scheme larger, more complex and more evil than anything he could possibly have imagined.

    But this is not a detective story, this is a story about the making of a detective . . .William Warwick has always wanted to be a detective, and decides, much to his father’s dismay, that rather than become a lawyer like his father, Sir Julian Warwick QC, and his sister Grace, he will join London’s Metropolitan Police Force.After graduating from university, William begins a career that will define his life: from his early months on the beat under the watchful eye of his first mentor, Constable Fred Yates, to his first high-stakes case as a fledgling detective in Scotland Yard’s arts and antiquities squad. Investigating the theft of a priceless Rembrandt painting from the Fitzmolean Museum, he meets Beth Rainsford, a research assistant at the gallery who he falls hopelessly in love with, even as Beth guards a secret of her own that she’s terrified will come to light.While William follows the trail of the missing masterpiece, he comes up against suave art collector Miles Faulkner and his brilliant lawyer, Booth Watson QC, who are willing to bend the law to breaking point to stay one step ahead of William. Meanwhile, Miles Faulkner’s wife, Christina, befriends William, but whose side is she really on?This new series introduces William Warwick, a family man and a detective who will battle throughout his career against a powerful criminal nemesis. Through twists, triumph and tragedy, this series will show that William Warwick is destined to become one of Jeffrey Archer’s most enduring legacies.

    He smells gun oil too, too much oil on a brand-new shotgun. These aren't hunters, they're rich kids who don't care about the river and the fish and the old man.Or his dog. Red is the name of the old man's dog, his best friend in the world. And when the boys shoot the dog -- for nothing, for simple spite -- he sees red, like a mist before his eyes. And before the whole thing is done there'll be more red. Red for blood...

    . . . Just scream.The murder of eighteen-year-old Angie Vance was exceptionally vile–her mouth was sealed with glue, an obscenity was scrawled across her skin, and she was suffocated in a garbage bag. The killing seems personal, so police detective Carina Kincaid focuses her efforts on the victim’s much older ex-boyfriend, Steve Thomas. But without physical evidence, Carina can’t make a collar or a case. She also can’t stop Sheriff Nick Thomas, the prime suspect’s brother, from conducting his own unwelcome investigation. Though Nick is still scarred and unsteady from a recent confrontation with a serial killer, he’s determined to prove his brother’s innocence. But his confidence is shaken when he learns of Steve’s dark side, and when a friend of the murdered girl meets a similarly gruesome fate. With no time to lose, Carina and Nick work together to trap a psychopath, before another unlucky woman faces an unspeakable end.

    “With its tale of provincial life, gimlet-eyed spinsters, and thwarted love…it feels almost like a Miss Marple mystery written by Colm Tóibín” (New York Times).The remote Irish village of Duneen has known little drama, and yet its inhabitants are troubled: Sergeant P.J. Collins hasn’t always been this overweight; Brid Riordan, a mother of two, hasn’t always been an alcoholic; and elegant Evelyn Ross hasn’t always felt that her life was a total waste.So when human remains—suspected to be those of Tommy Burke, a former lover of both Brid and Evelyn—are discovered on an old farm, the village’s dark past begins to unravel. As a frustrated P.J. struggles to solve a genuine case for the first time in his professional life, he unearths a community’s worth of anger and resentments, secrets and regrets.Darkly comic, at times profoundly sad, and “especially inviting because of its tongue-in-cheek wit” (Kirkus Reviews), Holding is a masterful debut. Graham Norton employs his acerbic humor to breathe life into a host of lovable characters, and explore—with searing honesty—the complexities and contradictions that make us human.

    But when a car accident reveals her husband’s secret life as a serial killer, she must remake herself as Gwen Proctor—the ultimate warrior mom.With her ex now in prison, Gwen has finally found refuge in a new home on remote Stillhouse Lake. Though still the target of stalkers and Internet trolls who think she had something to do with her husband’s crimes, Gwen dares to think her kids can finally grow up in peace.But just when she’s starting to feel at ease in her new identity, a body turns up in the lake—and threatening letters start arriving from an all-too-familiar address. Gwen Proctor must keep friends close and enemies at bay to avoid being exposed—or watch her kids fall victim to a killer who takes pleasure in tormenting her. One thing is certain: she’s learned how to fight evil. And she’ll never stop.

    To Dusty it's the chance she's been looking for: a spectacular case to revive her flagging career.

    It starts with a body—a young woman found dead in an Iowa cornfield, on one of the few family farms still managing to compete with the giants of Big Agriculture.When Sergeant Riley Fisher, newly promoted to head of investigations for the Black Hawk County Sheriff’s Office, arrives on the scene, an already horrific crime becomes personal when she discovers the victim was a childhood friend, connected to a dark past she thought she’d left behind.The investigation grows complicated as more victims are found. Drawn deeper in, Riley soon discovers implications far beyond her Midwest town.