It was sensational in its day, and has exerted endless fascination over the minds of historians, novelists, dramatists, poets, artists and film-makers ever since.Anne was imprisoned in the Tower of London on 2 May 1536, and tried and found guilty of high treason on 15 May. Her supposed crimes included adultery with five men, one her own brother, and plotting the King's death.Mystery surrounds the circumstances leading up to her arrest. Was it Henry VIII who, estranged from Anne, instructed Master Secretary Thomas Cromwell to fabricate evidence to get rid of her so that he could marry Jane Seymour? Or did Cromwell, for reasons of his own, construct a case against Anne and her faction, and then present compelling evidence before the King? Or was Anne, in fact, guilty as charged?Never before has there been a book devoted entirely to Anne Boleyn's fall. Alison Weir has reassessed the evidence, demolished many romantic myths and popular misconceptions, and rewritten the story of Anne's fall, creating a richly researched and impressively detailed portrait of the dramatic last days of one of the most influential and important figures in English history.

    She has been seen both as a religious fanatic who tried against the will of her people to reverse the course of the Reformation and as the pawn of her husband, Philip II of Spain - her infatuation with whom led her to betray England's vital interests. How this pious, and by contemporary accounts, gentle woman aroused an antipathy that survives until the present is a central question in David Loades's sensitive biography, now in paperback. Based on research into the documents of the time (many newly uncovered) the compelling story of Mary's life is revealed here in unprecedented detail and depth, packed with incident and intrigue, and enmeshed in the politics of secular and religious struggle in England and Europe.

    England had been ravaged for decades by conspiracy, violence, murders, coups and countercoups. Through luck, guile and ruthlessness, Henry VII, the first of the Tudor kings, had clambered to the top of the heap--a fugitive with a flimsy claim to England's throne. For many he remained a usurper, a false king.But Henry had a crucial asset: his queen and their children, the living embodiment of his hoped-for dynasty. Queen Elizabeth was a member of the House of York. Henry himself was from the House of Lancaster, so between them they united the warring parties that had fought the bloody century-long War of the Roses. Now their older son, Arthur, was about to marry a Spanish princess. On a cold November day sixteen-year-old Catherine of Aragon arrived in London for a wedding that would mark a triumphal moment in Henry's reign.In this remarkable book, Thomas Penn re-creates the story of the tragic, magnetic Henry VII--a controlling, paranoid, avaricious monarch who was entering the most perilous years of his long reign.Rich with drama and insight, Winter King is an astonishing story of pageantry, treachery, intrigue and incident--and the fraught, dangerous birth of Tudor England.

    From the moment of Katharine's betrothal to Arthur, Prince of Wales, she looked upon herself as the future Queen of England. Arthur died just after their marriage and it was as the wife of his brother, Henry VIII, that she went to her coronation.

    A year later she endured a traumatic birth that brought her and her son close to death. She was just thirteen years old.As the battle for royal supremacy raged between the houses of Lancaster and York, Margaret, who was descended from Edward III and thus a critical threat, was forced to give up her son – she would be separated from him for fourteen years. But few could match Margaret for her boundless determination and steely courage. Surrounded by enemies and conspiracies in the Yorkist court, Margaret remained steadfast, only just escaping the headman’s axes as she plotted to overthrow Richard III in her efforts to secure her son the throne.Against all odds, in 1485 Henry Tudor was victorious on the battlefield at Bosworth. Through Margaret’s royal blood Henry was crowned Henry VII, King of England, and Margaret became the most powerful woman in England – Queen in all but name. Nicola Tallis’s gripping account of Margaret’s life, one that saw the final passing of the Middle Ages, is a true thriller, revealing the life of an extraordinarily ambitious and devoted woman who risked everything to ultimately found the Tudor dynasty.

    1536 - focusing on a pivotal year in the life of the King - reveals a fuller portrait of this complex monarch, detailing the finer shades of humanity that have so long been overlooked. We discover that in 1536 Henry met many failures - physical, personal, and political - and emerged from them a revolutionary new king who proceeded to transform a nation and reform a religion. A compelling story, the effects of which are still with us today, 1536 shows what a profound difference can be made merely by changing the heart of a king.

    A thousand eyes see all I do.' Elizabeth IThe Tudor monarchs were constantly surrounded by an army of attendants, courtiers and ministers. Even in their most private moments, they were accompanied by a servant specifically appointed for the task. A groom of the stool would stand patiently by as Henry VIII performed his daily purges, and when Elizabeth I retired for the evening, one of her female servants would sleep at the end of her bed. These attendants knew the truth behind the glamorous exterior. They saw the tears shed by Henry VII upon the death of his son Arthur. They knew the tragic secret behind 'Bloody' Mary's phantom pregnancies. And they saw the 'crooked carcass' beneath Elizabeth I's carefully applied makeup, gowns and accessories. It is the accounts of these eyewitnesses, as well as a rich array of other contemporary sources that historian Tracy Borman has examined more closely than ever before. With new insights and discoveries, and in the same way that she brilliantly illuminated the real Thomas Cromwell - The Private Life of the Tudors will reveal previously unexamined details about the characters we think we know so well.

    Charles rose from being Henry's childhood friend to becoming the Duke of Suffolk; a consummate courtier and diplomat. Mary was always royalty. At first married to the King of France, Mary quickly wed Charles after Louis XII's death in 1515, against her brother's wishes. Their actions could have been construed as treason yet Henry chose to spare their lives. They returned to court and despite their ongoing disagreements throughout the years, especially over the king's marriage to Anne Boleyn, the Tudor Brandons remained Henry's most loyal subjects and perhaps more importantly, his beloved family.

    Philippa Gregory and two historians, leading experts in their field who helped Philippa to research the novels, tell the extraordinary 'true' stories of the life of these women who until now have been largely forgotten by history, their background and times, highlighting questions which are raised in the fiction and illuminating the novels. With a foreword by Philippa Gregory - in which Philippa writes revealingly about the differences between history and fiction and examines the gaps in the historical record - and beautifully illustrated with rare portraits, The Women of the Cousins' War is an exciting new addition to the Philippa Gregory oeuvre.

    Even before his birth, his life was threatened: it was rumored that his father, Henry, had tried to make the pregnant Mary miscarraige by forcing her to witness the assasination of her supposed lover, David Riccio. By the time James was a one-year-old, Henry was murdered, possibly with the connivance of his mother, Mary was in exile in England and he was King of Scotland. By the age of five, he had experienced three different regents as the ancient dynasties of Scotland battled for power and made him a virtual prisoner in Stirling Castle. In fact, James did not set foot outside the confines of Stirling until he was eleven, when he took control of the country. But even with power in his hands, he would never feel safe. For the rest of his life, he could be caught up in bitter struggles between the warring political and religious factions who fought for control over his mind and body.

    The first collection of its kind, Elizabeth I reveals brilliance on two counts: that of the Queen, a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well.

    But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion. In The King’s Painter, biographer Franny Moyle traces and analyzes the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror. It is a work of serious scholarship written for a wide audience.

    From her childhood—overshadowed by the marital upheavals of her father Henry VIII and the tragic first encounter with courtship, to the fantastical flirtations of her old age, Elizabeth refused to commit herself to any man. During the marriage negotiations, which spanned half a century, romance blended with diplomacy as one illustrious suitor after another endeavored to ally himself to her in the most intimate of treaties. She played one suitor against another, exploiting her situation to the full both for England's profit and her pleasure. One man did come close to winning her—ambitious, devious Robert Dudley, Earl of Leicester, suspected by many of having murdered his wife, was the most persistent of the suitors to the Queen, and though he never attained the prize he longed for, he was dearly loved by Elizabeth all her life.

    Years later when he reappears to take back his throne, his sister Elizabeth, now Queen to the invading King, Henry Tudor, is torn between family loyalty and duty.As the final struggle between the houses of York and Lancaster is played out, Elizabeth is torn by conflicting loyalty, terror and unexpected love. Will Elizabeth support the man claiming to be her brother, or will she choose the king?Set at the court of Henry VII A Song of Sixpence offers a new perspective on the early years of Tudor rule. Elizabeth of York, often viewed as a meek and uninspiring queen, emerges as a resilient woman whose strengths lay in endurance rather than resistance.

    Defined by the iconic figure of the virgin queen – Elizabeth I – it witnessed the end of the dynastic uncertainties of the Wars of the Roses, the creation and triumph of the Protestant Church; the successful repulsion of a foreign invader and the beginnings of the adventure of empire; the blossoming of a sublimely gifted generation of musical composers, including Thomas Tallis and William Byrd; and the flowering of English poetry and drama, culminating in the glories of Ben Jonson, Christopher Marlowe and William Shakespeare. But it was also a period wracked by rebellion, invasion scares, sectarian strife, and – increasingly – by worries about dynastic succession.The Tudor Chronicles is a compelling, year-by-year chronology of this tumultuous and critical period in the development of the modern English nation. Each year is covered by a concise, informative and accessible narrative, amplified by extensive quotations from contemporary sources and accompanied by generously captioned and stunning images of the period – including portraits, maps, illuminations, royal seals, tapestries and other artifacts.Authoritative, informative and sumptuous, and compiled by a scholar who is steeped in knowledge of the period, The Tudor Chronicles brings a glorious era of English history dramatically and vividly to life. It is the perfect gift book for anyone with a love of, or fascination for, 16th-century English history.