Magical, yet true, they are fables of endurance, defeat and triumph, spirituality, and, always, of love. Handed down through the generations, the Villase-or's have been telling these family tales for years. Now, Victor shares them with his unmistakable storyteller style, complete with beautiful imagery and timeless significance.Set against the backdrop of the Mexican revolution and his family's migration to the United States, these stories feature a cast of unforgettable characters who have in common their perseverance and courage. They encounter the supernatural, escape persecution by rebel soldiers, endure hunger, thirst and physical stress, and ultimately, transcend their circumstances to achieve their dreams. They are indeed walking stars.Victor Villaseñor works his magic once again with these extraordinary stories.

    And he has old newspapers stacked up to his ceiling because...well, who knows?

    Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler and The Master Builder.

    It is a kaleidoscopic collage that whirls about an indelible array of images and characters: perverted Winky, who opted for the army to stay off of welfare; eccentric Payne, who’s obsessed with the film he’s making of the war; bucolic Claypool, who’s irrevocably doomed to a fate worse than death. Just to mention a few. And floating at the center of this psychedelic spin is Spec. 4 James Griffin. In country, Griffin studies the jungle of carpet bomb photos as he fights desperately to keep his grip on reality. And battling addiction stateside after his tour, he studies the green of household plants as he struggles mightily to get his sanity back. With mesmerizing action and Joycean interior monologues, Stephen Wright has created a book that is as much an homage to the darkness of war as it is a testament to the transcendence of art.

    In it, Roger Housden offers us poems on life and death, happiness, seeing ourselves in relation to the world, and, of course, the ineffable--the things that really matter when the chips are down. He describes these passionate poems as "bread for the soul and fire for the spirit."The poets Housden has chosen are Billy Collins, Hayden Carruth, Dorianne Laux, James Wright, Naomi Shihab Nye, and Mary Oliver from the United States, D. H. Lawrence and John Keats from England, Rainer Maria Rilke from Germany, Fleur Adcock from New Zealand, and Seng-Ts'an from sixth-century China. And yes, that adds up to eleven, not ten. Housden decided to include a bonus poem for his faithful readers in this, the final volume of the series. As before, Housden's luminous essays provide an elegant and easy passage into the sometimes daunting world of poetry, enabling readers to feel that in him they have found a trusted guide and mentor.

    Bingham's strange sense of morbid fancy collides with a gutsy realism; the result is splendid wreckage: a young man is seduced by his first cousin (or maybe it's the other way around) at her brother's wake ("The Other Family"); a bored couple plot to kill a man during their ski-resort honeymoon ("Marriage Is Murder"); a yuppie banker risks his whole perfect life for an affair with a junkie ("The Fixers"); an insurance-company bounty hunter tracks down walk-aways from drug and alcohol rehab ("Preexisting Condition"); and in the title story, an eleven-year-old boy is caught at the exquisitely uneasy intersection of the safety of childhood play and the pain of grown-up love and longing.These lean, potent stories are utterly original, and yet by turns recall Salinger, in their intellectual acuity, emotional depth, and wicked, dark humor; Fitzgerald, in their vivid chronicling of a new, restless social elite; and the work of "transgressive" writers, in their pervasive sense of the imminent possibility of danger and violence, even in the most civilized surroundings. Above all, the stories in Pure Slaughter Value mark the debut of a striking new literary voice--unsparing, bold, ironic, and true--that will haunt us for a long time to come.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Guy de Maupassant (1850-1893). Maupassant's works available in Penguin Classics are A Parisian Affair and Other Stories, Bel-Ami and Pierre and Jean.

    Find out why it would be great to get accidentally killed by a bus. Find out how to perform hardcore sex and never have any fun. Find out why it would be better if your mom was a Ugandan hooker. And find out how to fill your mouth with confetti before blowing your own head off.Because a dead horse isn't ever fully beaten. Because when you get to Hell there will be a seat saved for you. Because you can't afford too many hellos. Because every time you come home, you stand in the door way and think, "It's time for a monster to eat me now." And then a monster eats you!Be brave enough to read this book.Be brave enough to clone yourself then kill the clone and eat it.

    He's been estranged from his brother Sebastian for decades, ever since their bitter feud over the love of a woman and the inheritance of the family farm.Twelve Nights transports us to the wintry depths of Europe's Black Forest, through the stillness of the snow-covered hills, the dense woods, the cold and mist, in those dark, wild days between Christmas and Epiphany. These nights are a time of tradition and superstition, of tales told around the local innkeeper's table of marauding spirits, as tangible as the ghosts of Manfred's past. But the twelfth night, Epiphany, promises new beginnings, and a hope of reconciliation at last.Twelve Nights is a hymn to the winter landscape and the power of storytelling, a beautiful novella of the natural world and our place in it.

    But she has something else entirely in mind.Kal Carter is disciplined and focused and those things have served him well while training for the Olympics. But in preparing for fatherhood, he learns that neither one of those traits is worth a damn.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    A man becomes obsessed with observing his neighbors. A large family gathers for Christmas only to wait for the one member who never turns up. An old woman lures a man into her house where he finds dolls resembling himself as a boy. Mesmerizing and haunting stories about loss of identity in the modern world.Why Peirene chose to publish this book: 'I love Kafka and here we have a Kafkaesque sense of alienation - not to mention narrative experiments galore! Outwardly normal events slip into drama before they tip into horror. These oblique tales exert a fascinating hold over the reader.' Meike Ziervogel, PublisherFirst published under the original German title: Die Kinder beruhigte das nicht by Kiepenheuer & Witsch, 2006

    Wallace was capable of writing . . .about subjects from tennis to politics to lobsters, from the horrors of drug withdrawal to the small terrors of life aboard a luxury cruise ship, with humour and fervour and verve' Michiko Kakutani, The New York TimesDavid Foster Wallace wrote the novels The Pale King, Infinite Jest, and The Broom of the System and three story collections. His nonfiction includes Consider the Lobster and A Supposedly Fun Thing I'll Never Do Again. He died in 2008.

    There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history.A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth.This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included.Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

    HEY, NIETZSCHE! is the first book to uncover the hidden roots of rock and roll in the romantic movement. Schuftan picks up a clue in My Chemical Romance's 'Welcome the Black Parade', and follows it into a world where Keats meets the Cure, Wordsworth hangs with Weezer, and Byron exchanges haughty glances with Bowie. From Schopenhauer's darkest days to Queen's greatest hits, HEY, NIEtZSCHE! is a wild ride through the nineteenth century with the best mix-tape in the world on the car stereo.