The big man proves to be the grandest rascal on either side of the Mississippi River -- and Chancy's own long-lost Uncle Will. Joining forces to re-unite the family, they run smack into snorting villians, seat-of-the-pants adventure, and laughter by the barrelful.

    In this book, first published in 1972, he recounts a Zuni myth first recorded a century ago by the anthropologist Frank Hamilton Cushing. Hillerman's version of the story, written to be read by children ten years old and up, will have equal appeal for adults with an interest in Native American culture.In our society, Hillerman explains, this would be called a 'Bible story.' Like stories based on the Old Testament, this narrative is intended to teach both the history and morality of a people. It tells the consequences of a drought in which Zuni crops were ruined and the tribe was forced to accept charity from neighboring Hopis.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Nights with Uncle Remus gathers seventy-one of Harris's most popular narratives, featuring African American trickster tales, etiological myths, Sea Island legends, and chilling ghost stories. Told through the distinct voices of four slave storytellers, indispensable tales like "The Moon in the Mill-Pond" and other Brer Rabbit stories have inspired writers from Mark Twain to William Faulkner, Zora Neale Hurston to Toni Morrison, and helped revolutionize modern children's literature and folktale collecting.

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    The two older girls were lazy and bad-tempered, and made their youngest sister do all the work. When the flames from the cooking fire singed her hair or burned her skin, they laughed and called her Sootface.While she worked, Sootface dreamed that one day she would find a husband. Then a mighty warrior with the power to make himself invisible decides to marry. Only a woman with a kind and honest heart could see him, and be his bride.Though her sisters ridicule her, Sootface sets off to try her luck, never looking back. Her courage and good nature bring her the husband she has longed for.

     When a schoolgirl gets spearated from her tour of the White House and finds herself in the Lincoln bedroom, she also discovers the ghost of the great man himself. Together they embark on a journey across sthe country to answer Lincoln's questions and quiet his concerns abou the nation for which he gave his life. This wholly original tale is signature Lane Smith; Abe Lincoln's Dream is funny, touching, and surprising in a way only possible from this master picture book creator.

    Army in 1864 New Mexico.

    His crying keeps the rattlesnake elders up all night so his parents give him a new rattle. Sure enough, he misuses his new rattle. When he tries to scare the chief's daughter, she steps on his rattle and crushes it. Sad and defeated, he returns to his forgiving family who give him big rattlesnake hugs.

    Now he shares the same gift of storytelling with a new generation. Hiawatha was a strong and articulate Mohawk who was chosen to translate the Peacemaker’s message of unity for the five warring Iroquois nations during the 14th century. This message not only succeeded in uniting the tribes but also forever changed how the Iroquois governed themselves—a blueprint for democracy that would later inspire the authors of the U.S. Constitution. Caldecott Honor–winning illustrator David Shannon brings the journey of Hiawatha and the Peacemaker to life with arresting oil paintings. Together, Robertson and Shannon have crafted a new children’s classic that will both educate and inspire readers of all ages. Includes a CD featuring a new, original song written and performed by Robbie Robertson.

    Any maiden but Ko-Ko-Mik-e-is, that is, who claims she belongs to the Sun alone. And so Anpao sets off for the house of the Sun to ask permission to marry the woman he loves. But Anpao's journey is not an easy one. Before he can reach the Sun, Anapao must travel back in time to the dawn of the world. He must relive his own creation, venture through The World Beneath the World, and battle the many magical mystical creatures of Native American legends. For only by doing so can Anpao discover who he really is, and prove to the Sun why he alone is worthy of the fair Ko-komik-e-is

    Sarah was smart and good at languages, so she was able to link the worlds. As she became older, this made her a great leader. Sarah used condemning letters, fiery speeches, and her autobiography, Life Among the Piutes, to provide detailed accounts of her people’s turmoil through years of starvation, unjust relocations, and violent attacks. With sweeping illustrations and extensive backmatter, including hand-drawn maps, a chronology, archival photographs, an author's notes, and additional resource information, Deborah Kogan Ray offers a remarkable look at an underrepresented historical figure.

    "You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.

    When a mysterious stranger offers to reward Midas for a kindness, the king does not hesitate: He wishes that all he touches would turn to gold. To his delight, his wish is granted and he soon sets about transforming his ordinary palace into a place of golden beauty. But to his dismay, when he accidentally turns his beloved daughter into a golden statue, Midas learns that what at first seems a blessing can also become a curse.

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?