This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

    The book's lineup of writers reads like a who's who of classic horror authors from America, Great Britain, and the European continent: Edgar Allan Poe, H. P. Lovecraft, Algernon Blackwood, Arthur Machen, Guy de Maupassant, William Hope Hodgson, Ambrose Bierce, Edith Wharton, and more. Its selections include some of the finest weird tales ever published, among them Lovecraft's "The Colour out of Space," Blackwood's "The Willows," Poe's "The Fall of the House of Usher," Bierce's "An Occurrence at Owl Creek Bridge," Robert Louis Stevenson's "The Body-Snatcher," William Fryer Harvey's "August Heat," and W. W. Jacobs's "The Monkey's Paw." Classic Horror Stories is one of Barnes & Noble's Collectible Editions classics. Each volume features authoritative texts by the world's greatest authors in an exquisitely designed bonded-leather binding, with distinctive gilt edging and a ribbon bookmark. Decorative, durable, and collectible, these books offer hours of pleasure to readers young and old and are an indispensable cornerstone for every home library.

    But what if a monster isn’t enough? Shadows gather, winter deepens, and Assevan falls farther into the dark. Pitted against monsters and men, Konrad faces deeper challenges. Darker foes. Some can rival even the Malykant’s power. Pushed beyond his endurance, challenged beyond his sanity, at long last Death’s Avenger might need a little help... Konrad Savast returns for another chilling set of adventures in the second volume of the Malykant Mysteries.

    A young adventurer succumbs to the night world of a diabolic count. A man of medicine explores his darker side only to fall prey to it. They are legendary tales that have held readers spellbound for more than a century. The titles alone -- Frankenstein, Dracula, and Dr. Jekyll and Mr. Hyde -- have become part of a universal language that serves to put a monster's face on the good-and-evil duality of our very human nature. And the authors -- Mary Shelley, Bram Stoker, and Robert Louis Stevenson -- equally mythic, are still possessed of as inventive and subversive power that can shake a reader to this day with something far more profound than fear. They gave root to the modern horror novel, and like the creatures they invented, they've achieved immortality.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

    Her name is Wild Woman, but she is an endangered species. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller shows how women's vitality can be restored through what she calls "psychic archeological digs" into the ruins of the female unconsious. Using multicultural myths, fairy tales, folk tales, and stories, Dr. Estes helps women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype.Dr. Estes has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

    Le Guin’s Earthsea novels are some of the most acclaimed and awarded works in literature—they have received prestigious accolades such as the National Book Award, a Newbery Honor, the Nebula Award, and many more honors, commemorating their enduring place in the hearts and minds of readers and the literary world alike.Now for the first time ever, they’re all together in one volume—including the early short stories, Le Guin’s “Earthsea Revisioned” Oxford lecture, and a new Earthsea story, never before printed.With a new introduction by Le Guin herself, this essential edition will also include fifty illustrations by renowned artist Charles Vess, specially commissioned and selected by Le Guin, to bring her refined vision of Earthsea and its people to life in a totally new way.Contents:Introduction“Earthsea Revisioned” (a retrospective essay by the author)A Wizard of EarthseaThe Tombs of AtuanThe Farthest ShoreTehanuTales from EarthseaThe Other Wind“The Word of Unbinding”“The Rule of Names”“The Daughter of Odren” (never before published in print)"Firelight" (never before collected with other Earthsea stories; originally published in Paris Review Summer 2018)With stories as perennial and universally beloved as The Chronicles of Narnia and The Lord of The Rings—but also unlike anything but themselves—this edition is perfect for those new to the world of Earthsea, as well as those who are well-acquainted with its enchanting magic: to know Earthsea is to love it.

    'The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.'Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.Also contains The Rocking-Chair and Old Water.

    She is different from the other girls: at once an outcast and object of fascination. As Marina struggles to find her place, she invents a game whose rules are dictated by a haunting violence. Written in hypnotic, lyrical prose, alternating between Marina’s perspective and the choral we of the other girls, Such Small Hands evokes the pain of loss and the hunger for acceptance.

    This anthology not only features the beloved tale, but 100 enchanting stories chosen from The Blue Fain/Book and other collections by Andrew Lang: 50 devoted to beauties and another 50 from the perspective of the beast.

    The tales were collated and edited by JRR Tolkien’s son and literary heir, Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father’s writings.

    But when they wake to find two of their own dead and covered in blood, it's clear there's a killer among them.As the police try to unravel the case, Mackenzie launches her own investigation. Before long secrets start to emerge, revealing a sinister web of sins among the original seven friends. The killer is still free. Every one of them is a suspect. And Mackenzie starts to realize that no one is innocent…

    A slayer destined to protect the human race. She alone must fight the demons of hell. She alone must risk her life to stop the spread of evil. Buffy is the Chosen One. In Coyote Moon, a typical night at the carnival becomes deadly as shape shifters turn the amusement park into their own house of horrors. Buffy starts having past-life nightmares in Night of the Living Rerun, and must face her historic counterpart before the events of the past repeat in the present. In Portal through Time, Slayers over the centuries are in danger, and Buffy must protect them in order to save her own life and legacy.

    Ovid conjures the witch Medea, Virgil channels Aeneas’s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches’ brew of poems from the spirit world.