No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen's new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind.As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly, disturbingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story—until the next day, when Ingrid disappears.Searching for the truth about Ingrid's disappearance, Jules digs deeper into the Bartholomew's dark past and into the secrets kept within its walls. Her discovery that Ingrid is not the first apartment sitter to go missing at the Bartholomew pits Jules against the clock as she races to unmask a killer, expose the building's hidden past, and escape the Bartholomew before her temporary status becomes permanent.

    He is Morpheus, the lord of story. Older than humankind itself, he inhabits -- along with Destiny, Death, Destruction, Desire, Despair, and Delirium, his Endless sisters and brothers -- the realm of human consciousness. His powers are myth and nightmare -- inspirations, pleasures, and punishments manifested beneath the blanketing mist of sleep.Surrender to him now.A stunning collection of visions, wonders, horrors, hallucinations, and revelations from Clive Barker, Barbara Hambly, Tad Williams, Gene Wolfe, Nancy A. Collins, and sixteen other incomparable dreamers -- inspired by the groundbreaking, bestselling graphic novel phenomenon by Neil Gaiman.

    Kurtz. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature. Endlessly reinterpreted by critics and adapted for film, radio, and television, the story shows Conrad at his most intense and sophisticated. The other three tales in this volume depict corruption and obsession, and question racial assumptions. Set in the exotic surroundings of Africa, Malaysia, and the east, they variously appraise the glamour, folly, and rapacity of imperial adventure. This revised edition uses the English first edition texts and has a new chronology and bibliography.

    In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.

    You cannot tell, simply from looking at a man, what colour is his soul.For most of his life, Daniel has known only the company of his mother - a silent, reclusive woman who has hidden him away from the outside world.Then a forceful knock at the door changes everything and Daniel realizes just how many secrets his mother has kept from him.Secrets of a dark family history - a history of fiendish spite and devilish wickedness that Daniel must now confront. . . A sinister thriller from Carnergie, Whitbread and Guardian award-winning author Anne Fine.

    Kennedy, Groucho Marx, Charles Dickens, Katharine Hepburn, Mick Jagger, Steve Martin, Clementine Churchill, Ray Bradbury, Kurt Vonnegut and many more.

    There was a fight. The next morning, Sam’s best friend, Hayden, was dead. All he left Sam was a playlist of songs—and a note, saying that he took his own life. But what Sam doesn’t know is: Why?To figure out what happened, Sam has to rely on the playlist and his own memory. But the more he listens, the more he realizes that his memory isn’t as reliable as he thought. Especially when someone claiming to be Hayden starts sending him cryptic messages, and a series of violent attacks begins on the bullies who made Hayden’s life hell.Sam knows he has to face up to what happened the night. But it’s only by taking out his earbuds and opening his eyes to the people around him—including an eccentric, unpredictable girl who’s got secrets, too—that Sam will finally be able to piece together his best friend’s story.And maybe have a chance to change his own.

    Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

    Exploring natural phenomena and the origins of the universe, these beloved tales relate complex scientific concepts to our common sensory, emotional, human world.Now, The Complete Cosmicomics brings together all of the cosmicomic stories for the first time. Containing works previously published in Cosmicomics, t zero, and Numbers in the Dark, this single volume also includes seven previously uncollected stories, four of which have never been published in translation in the United States. This “complete and definitive collection” (Evening Standard) reconfirms the cosmicomics as a crowning literary achievement and makes them available to new generations of readers.

    But after her mother's death, Sarah spirals into depression and overdoses on sleeping pills. While Sarah claims it was an accident, her teenage children aren't so sure. Patrick decides they all need a fresh start and he knows just the place, since the idyllic family home where he was raised has recently come up for sale. There's only one catch: for the past fifteen years, it has become infamous as the "Murder House", standing empty after a family was stabbed to death within its walls.Patrick believes they can bring the house back to its former glory, so Sarah, uprooted from everything she knows, pours her energy into painting, gardening, and giving the rotting old structure the warmth of home. But with locals hinting that the house is haunted, the news that the murderer has been paroled, strange writing on the walls, and creepy "gifts" arriving on the doorstep at odd hours, Sarah can't shake the feeling that something just isn't right. Not with the house, not with the town, or even with her own, loving husband--whose stories about his perfect childhood suddenly aren't adding up. Can Sarah uncover the secrets of the Murder House before another family is destroyed?

    And becoming “heartless” is only the beginning. What lies ahead is a nightmare far bigger, far more monstrous than anything she could have ever imagined.With reality turned on its head, Dee has only a group of other deal-making teens to keep her grounded, including the charming but secretive James Lancer. And as something grows between them amid an otherworldy ordeal, Dee begins to wonder: Can she give someone her heart when it’s no longer hers to give?

    Eleven years later, five come back--with no idea of where they've been.Eleven years ago, six kindergarteners went missing without a trace. After all that time, the people left behind moved on, or tried to.Until today. Today five of those kids return. They're sixteen, and they are . . . fine. Scarlett comes home and finds a mom she barely recognizes, and doesn't really recognize the person she's supposed to be, either. But she thinks she remembers Lucas. Lucas remembers Scarlett, too, except they're entirely unable to recall where they've been or what happened to them. Neither of them remember the sixth victim, Max. He doesn't come back. Everyone wants answers. Most of all Max's sister Avery, who needs to find her brother--dead or alive--and isn't buying this whole memory-loss story.

    Alys, and all the other children, were spared—and they were sent to live in a neighboring village. There the devout people created a strict world where good and evil are as fundamental as the nursery rhymes children sing. Fear of the soul eaters—and of the Beast they believe guides them—rule village life. But the Beast is not what they think it is. And neither is Alys.Inside, Alys feels connected to the soul eaters, and maybe even to the Beast itself. As she grows from a child to a teenager, she longs for the freedom of the forest. And she has a gift she can tell no one, for fear they will call her a witch. When disaster strikes, Alys finds herself on a journey to heal herself and her world. A journey that will take her through the darkest parts of the forest, where danger threatens her from the outside—and from within her own heart and soul.