Six central topics - individuals in society, politics and power, cultural and intellectual life, religion, economics and technology - are explored in two chronological sections, 1450-1600 and 1600-1789. The text takes in Europe in its entirety, eastward to the Ottoman Empire, northward to Sweden, and southward to Portugal, includes European colonies overseas, and integrates religious, ethnic, gender, class, and regional differences. Students are encouraged to think about continuities as well as changes across this formative period and throughout the text, maps, illustrations, timelines, and textboxes of original sources and featured topics illuminate the narrative. Online resources include primary source material, music examples and regularly updated bibliographies.

    But the question of how we understand the British Empire - its origins, nature, purpose, and effect on the world it ruled - is far from settled. In this incisive work, David Cannadine looks at the British Empire from a new perspective - through the eyes of those who created and ruled it - and offers fresh insight into the driving forces behind the Empire.Arguing against the views of Edward Said and others, Cannadine suggests that the British were motivated not only by race, but also by class. The British wanted to domesticate the exotic world of their colonies and to reorder the societies they ruled according to an idealized image of their own class hierarchies.

    In this brilliant new interpretation Steve Pincus refutes this traditional view.By expanding the interpretive lens to include a broader geographical and chronological frame, Pincus demonstrates that England’s revolution was a European event, that it took place over a number of years, not months, and that it had repercussions in India, North America, the West Indies, and throughout continental Europe. His rich historical narrative, based on masses of new archival research, traces the transformation of English foreign policy, religious culture, and political economy that, he argues, was the intended consequence of the revolutionaries of 1688–1689.James II developed a modernization program that emphasized centralized control, repression of dissidents, and territorial empire. The revolutionaries, by contrast, took advantage of the new economic possibilities to create a bureaucratic but participatory state. The postrevolutionary English state emphasized its ideological break with the past and envisioned itself as continuing to evolve. All of this, argues Pincus, makes the Glorious Revolution—not the French Revolution—the first truly modern revolution. This wide-ranging book reenvisions the nature of the Glorious Revolution and of revolutions in general, the causes and consequences of commercialization, the nature of liberalism, and ultimately the origins and contours of modernity itself.

    It destroyed families and towns, ravaged the population and led many, both supporters of Charles I and his opponents, to believe that England’s people were being punished by a vengeful God.This masterly new history illuminates what it was like to live through a time of terrifying violence, religious fervour and radical politics. Michael Braddick describes how pamphleteers, armies, iconoclasts, witch-hunters, Levellers, protestors and petitioners were all mobilized in the chaos, as they fought over new ways to imagine their world.

    A panoramic survey of 2,000 years of English history.

    With the marriage of Ferdinand & Isabella, the final expulsion of the Moslems and the discovery of America, Spain took on a seemingly unstoppable dynamism that made it into the world's first global power. This amazing success however created many powerful enemies and Elliott's famous book charts the dramatic fall of Habsburg Spain with the same elan as it charts the rise.

    Now this legendary battle is re-created in a groundbreaking book by an eminent British military historian making his major American debut. Revealing how and why Napoleon fell in Belgium in June 1815, The Battle of Waterloo definitively clears away the fog that has, over time, obscured the truth.With fresh details and interpretations, Jeremy Black places Waterloo within the context of the warfare of the period, showing that Napoleon’s modern army was beaten by Britain and Prussia with techniques as old as those of antiquity, including close-quarter combat. Here are the fateful early stages, from Napoleon’s strategy of surprise attack—perhaps spoiled by the defection of one of his own commanders—to his younger brother’s wasteful efforts assaulting the farm called Hougoumont. And here is the endgame, including Commander Michel Ney’s botched cavalry charge against the Anglo-Dutch line and the solid British resistance against a series of French cavalry strikes, with Napoleon “repeating defeat and reinforcing failure.”More than a masterly guide to an armed conflict, The Battle of Waterloo is a brilliant portrait of the men who fought it: Napoleon, the bold emperor who had bullied other rulers and worn down his own army with too many wars, and the steadfast Duke of Wellington, who used superior firepower and a flexible generalship in his march to victory.With bold analysis of the battle’s impact on history and its lessons for building lasting alliances in today’s world, The Battle of Waterloo is a small volume bound to have a big impact on global scholarship.

    Its reign ended with the execution of Nicholas II and Alexandra in the early 20th century. Noted Russian scholar W. Bruce Lincoln has portrayed the achievement, significance and high drama of the Dynasty as no previous book has done. His use of rare archival materials has allowed him to present a portrait of the Romanovs based on their own writings and those of the persons who knew them.PrefaceAcknowledgmentsA Note on Russian Names and DatesPrologueMuscovite beginnings (1613-1689)Tsars and tsarinas In the eye of the storm The politics of Muscovy The rise of an empire (1689-1796) Eighteenth-century emperors & empresses An imperial city in the makingFrom debauchery to philosophy Imperial aspirations Empire triumphant (1796-1894) The imperial dynasty The new faces of St. PetersburgFrom golden age to iron ageThe colossus of the north The last emperor (1894-1917) Nicky and Sunny: the last Romanovs The approach of disaster Days of war and revolution The last days of the RomanovsNotes and ReferencesWorks CitedIndex

    How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg "with a kick to my arse," as he expressed it. Yet, less than a hundred years later, Europe's most powerful ruler--Emperor William I of Germany--paid homage to Wagner by traveling to Bayreuth to attend the debut of "The Ring." Today Bono, who was touted as the next president of the World Bank in 2006, travels the world, advising politicians--and they seem to listen.The path to fame and independence began when new instruments allowed musicians to showcase their creativity, and music publishing allowed masterworks to be performed widely in concert halls erected to accommodate growing public interest. No longer merely an instrument to celebrate the greater glory of a reigning sovereign or Supreme Being, music was, by the nineteenth century, to be worshipped in its own right. In the twentieth century, new technological, social, and spatial forces combined to make music ever more popular and ubiquitous.In a concluding chapter, Tim Blanning considers music in conjunction with nationalism, race, and sex. Although not always in step, music, society, and politics, he shows, march in the same direction.

    Iron Kingdom traces Prussia's involvement in the continent's foundational religious and political conflagrations: from the devastations of the Thirty Years War through centuries of political machinations to the dissolution of the Holy Roman Empire, from the enlightenment of Frederick the Great to the destructive conquests of Napoleon, and from the "iron and blood" policies of Bismarck to the creation of the German Empire in 1871, with all that implied for the tumultuous twentieth century.

    It’s the history of how conquerors justified conquest, and how colonists and the colonized changed each other beyond all recognition.

    Here he argues that Canada did not begin in 1867; indeed, its foundation was laid by two visionary men, Louis-Hippolyte LaFontaine and Robert Baldwin. The two leaders of Lower and Upper Canada, respectively, worked together after the 1841 Union to lead a reformist movement for responsible government run by elected citizens instead of a colonial governor.But it was during the "Great Ministry" of 1848—51 that the two politicians implemented laws that created a more equitable country. They revamped judicial institutions, created a public education system, made bilingualism official, designed a network of public roads, began a public postal system, and reformed municipal governance. Faced with opposition, and even violence, the two men— polar opposites in temperament—united behind a set of principles and programs that formed modern Canada. Writing with verve and deep conviction, Saul restores these two extraordinary Canadians to rightful prominence.

    Its homes were well-furnished and fanatically clean; its citizens feasted on 100-course banquets and speculated fortunes on new varieties of tulip. Yet, in the midst of plenty, the Dutch were ill at ease. In this brilliantly innovative book--which launched his reputation as one of our most perspicacious and stylish historians--Simon Schama explores the mysterious contradictions of a nation that invented itself from the ground up, attained an unprecedented level of affluence, and lived in dread of being corrupted by its happiness.Drawing on a vast array of period documents and sumptuously reproduced art, Schama re-creates, in precise and loving detail, a nation's mental furniture. He tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. He tells us how the Dutch celebrated themselves and how they were slandered by their enemies. The Embarrassment of Riches is a book that set a standard for its discipline; it throbs with life on every page.

    Hill leads the reader unsentimentally through Cromwell's life from his beginnings in Huntingdonshire to his brutal end. Hill brings all his considerable knowledge of the period to bear on the relationships God's Englishman had with God and England. Such a detailed understanding of the workings of providence is vital to understanding Cromwell.

    Now, in his second book on the city once known as La Serenissima, Norwich advances the story in this elegant chronicle of a hundred years of Venice’s highs and lows, from its ignominious capture by Napoleon in 1797 to the dawn of the 20th century.An obligatory stop on the Grand Tour for any cultured Englishman (and, later, Americans), Venice limped into the 19th century–first under the yoke of France, then as an outpost of the Austrian Hapsburgs, stripped of riches yet indelibly the most ravishing city in Italy. Even when subsumed into a unified Italy in 1866, it remained a magnet for aesthetes of all stripes–subject or setting of books by Ruskin and James, a muse to poets and musicians, in its way the most gracious courtesan of all European cities. By refracting images of Venice through the visits of such extravagant (and sometimes debauched) artists as Lord Byron, Richard Wagner, and the inimitable Baron Corvo, Norwich conjures visions of paradise on a lagoon, as enduring as brick and as elusive as the tides.