She tries to remember her mother's voice and the pitch and treble of it passes through her; the rhythm of it so clear that for a moment they are...connected by frail strings. So begins The Land of Women, and we are swept into Fiona O'Faolain's last summer in Ireland, the season of her burgeoning sexuality. It is a time, too, when mother and daughter step toward friendship among the voluminous gowns they make for local brides. Yet that giddy summer also delivers betrayal. Fiona's journey from the shame that ended her girlhood takes her to Santa Fe and to Carlos Aragon, a restorer of antiquities, whose ancestry is mysteriously linked to hers. As he explores their pasts with the precision of an artisan, Fiona must face her excruciating memory. In The Land of Women the past lives in the present, and physical and emotional geography touch.

    As the mine turns the mountains to slag and wastewater, workers struggle with layoffs and children find adventure in the blasted moonscape craters.Strange As This Weather Has Been follows several members of the family, with a particular focus on fifteen-year-old Bant and her mother, Lace. Working at a “scab” motel, Bant becomes involved with a young miner while her mother contemplates joining the fight against the mining companies. As domestic conflicts escalate at home, the children are pushed more and more outside among junk from the floods and felled trees in the hollows— the only nature they have ever known. But Bant has other memories and is as curious and strong-willed as her mother, and ultimately comes to discover the very real threat of destruction that looms as much in the landscape as it does at home.

    The Beatles appear on The Ed Sullivan Show and later that night, nine-year-old Jane MacLeod's life changes forever. It has been said that children are good observers but poor interpreters. Jane's interpretation of the events of that evening shapes her life in ways she doesn't recognize. Think of England follows Jane from an intense love affair in the ex-pat scene in punk-era London to working motherhood in New York to a family reunion in the country -- and a reckoning with the ghost that has stood between her and her dream of a happy family.

    Young Lily Bright works long hours on a market stall, selling furniture and bric-a-brac in order to make ends meet. When a handsome stranger approaches in search of a bargain, It's love at first sight. Swept off her feet, Lily falls for the debonair Charles Grey - only to discover, too late, that he is not what he seems. Pregnant, Lily turns for comfort to her childhood friend Ben James, but as World War II looms, Lily must find the courage to seize control of her own destiny, confront her past mistakes and win true love...

    I can never get used to this, Alexi. Having you, that is. How did I deserve you? Deserve me? You don't have to do anything to deserve me. I love you. It's as simple as that. I love you for what you are. All you need to do is love me back. You don't earn love, as a payment in return.Peter Kingsmill's life had run into the sands since the death of his wife. What was a glittering London career had lost its shine. Until, that is, his life is turned upside down by an unexpected collision of events. He inherits the family estate, meets a girl seventeen years his junior and receives an anonymous letter which casts doubt on all the certainties on which he has built his past life.What follows is a journey of discovery which takes him back in time to war-torn Europe. To a story of betrayal in the secret world of spies and double agents, and ultimately to redemption and a bright new life.The narrative moves at speed from the dusty plains of pre-war Poland to the frozen winter landscapes of German-occupied Norway and finally to the gentle pastoral of the north Yorkshire hills. It is a story of a search for the pieces that make up a human life; and of the love that binds those pieces together....Do you remember the Snow Queen story? I can complete the pattern now. I have everything I need.

    When a drink-fueled accident takes not only his life but that of the mother who tried so hard to shield her sons, the boys sell off what little remains of their daddy's tenant farm and leave Oklahoma. It is 1957, and work is still to be had in the logging camps of northern Idaho. But just outside Snake Junction, they stop at a roadhouse; and there, Lee's country-and-western talents get him a job. The two settle in, Lee to his music-and women and drink-and seventeen-year-old Buddy to roaming the landscape, at loose ends until a woman nearly twice his age turns up. Irene Sullivan is a smoky beauty, and Lee makes a play for her. But it is Buddy she wants. By turns darkly violent and heartbreakingly tender, Finding Caruso is a work of extraordinary emotional power from an astonishingly original writer.

    From the author of "Face-Time" comes an engaging, hilarious, sexy romp of a book about a college professor's unorthodox take on the academic imperative to publish or perish.

    The Supreme Court has ordered the state to desegregate its public schools; on the heels of the failed "massive resistance" movement, the county has instead voted to close them. With only a few weeks in which to establish a private, whites-only system, most of Ben's family is involved in the effort: his grandfather, Daddy Cary, has the ringleaders making speeches at his sixty-fifth birthday party; his father and his older brother "borrow" Farmville High's lights for the new football field; his mother volunteers at the library book drive. Come September, the Negro children will have no schools to attend, and that includes Ben's close friend Burghardt, the son of the hired hand who works on Daddy Cary's farm. Ben has always known that the lives of Negroes and whites are separated by a "color line," but none of what he has known seems to make sense anymore. When events lead to an explosive climax, Ben finds himself facing choices beyond his years; it will be a long time before he begins to understand all he learns that summer-one of the hottest on record, and, for him, the longest and most important.In this, his fifth and finest book, Dennis McFarland evokes, with his customary art and compassion, a wrenching chapter in our nation's history.

    

    Told through the engaging voice of Eleanor, One Last Look takes the reader to the heart of nineteenth-century India. Surrounded by a constant entourage of servants and aides, overwhelmed by the suffocating heat and her own physical vulnerability, Elenanor begins to realize that nothing is as it seems. Will her brother's politicall ambitions lead them inexorably to disaster? Is her sister's sanity under threat? As fragile boundaries begin to dissolve, and desire and horror overcome her, it is clear that Eleanor's vision of this land and herself will be irrevocably transformed.

    

    A globetrotting Irish travel writer, Kathleen de Burca is used to living--and loving--on the run. On the brink of fifty, she decides to leave her job and rethink her life. Intrigued by a divorce case dating back to the days of the Potato Famine, she tries hand at writing about it. The case, called "The Talbot Affair," detailed the clandestine liaison between the wife of a British landlord and an Irish servant in Ireland in the 1850s. After a bitter thirty-year absence, Kathleen returns to Ireland, the land of her troubled childhood and turbulent heritage, in search of answers to her questions about desire and lasting love.

    With Leland Edwards on piano, Neil Novotny on clarinet, Victor Dash on drums, and Connor on bass, the group comes together with the help of its muse, the lovely Peggy Benoit, who plays saxophone and sings. But soon isolated Rookery State will be touched by the great discontent sweeping the country: the first labor union in the college's history comes noisily to campus. As a teachers strike takes shape, the five musicians must struggle with their loyalties--to the school, the town, their families, and one another. . . .

    she has left it too late to ask the crucial questions about scenes confusedly remembered from her childhood, and above all about the identity of her own father, 'lost in the war'. Out of the hundreds of paintings in her mother's studio, one, a portrait of a young man, is inscribed 'For Marion'. Is this her father? And who was he?Marion's search takes her to the Cornish town of St Ives. In the remote and closeknit town where communities of fisherfolk and artists have coexisted for many years, she learns of a tragedy which is intrinsically tied up with her father's life. Over fifty years before, the St Ives lifeboat went down with all hands bar one. Marion must delve deep into the past to discover the identity of a man she never knew,a nd in so doing confront the demons which have tortured her own adult life.The Serpentine Cave is an imagined story containing a true one - a powerful novel about memory and loss, birth and rebirth, and past regrets which still have the power to plague the present.

    Determined to keep the family together, Zetta and their toddlers join Asa and her brothers at the Golden Gate coal camp just before Christmas 1922. She is eight months pregnant. During the first week in the dismal camp, Zetta suffers fearful nightmares of cut trees and fresh dirt--Appalachian signs of trouble. Asa dismisses his wife's pleas to return to their farm, insisting their three-month stay will provide the $400 they need to give their children better lives. Disappointed, Zetta draws strength from her plump red-haired neighbor, Dosha, and the strong willed granny woman, Clarie, who will deliver her baby. And each morning, she thanks the Lord they are one more day closer to home. Or are they?