Prince Sigismund has grown up hearing fantastical stories about enchantments and faie spells, basilisks and dragons, knights-errant and heroic quests. He'd love for them to be true--he's been sheltered in a country castle for most of his life and longs for adventure--but they are just stories. Or are they? From the day that a mysterious lady in a fine carriage speaks to him through the castle gates, Sigismund's world starts to shift. He begins to dream of a girl wrapped, "trapped," in thorns. He dreams of a palace, utterly still, waiting. He dreams of a man in red armor, riding a red horse--and then suddenly that man arrives at the castle! Sigismund is about to learn that sometimes dreams are true, that the world is both more magical and more dangerous than he imagined, and that the heroic quest he imagined for himself as a boy . . . begins now.

    She defies them, hiding the little books she makes that preserve a variety of Cinderella stories from around the world--tales she hears from travelers on the high road who take shelter at the inn run by her stepmother. She knows the sisters would destroy the small, handmade books, for in their view, it is unnatural for a common girl to know how to read.But when the king’s summer gala draws near and Thursey is, as usual, left at home, she takes charge of her own fate. With help from a traveling monk and a friendly goatherd, she secretly prepares to attend the ball. Does she have help, as well, from the ugly white mare whom she loves? And will she gain more than a rare evening of happiness, perhaps even the joy of new-found love?This vivid Cinderella retelling with a spunky and inventive heroine, set in a medieval European village, is a romance enjoyed by YA readers as well as younger ones. Those who have been searching for it will be happy to know that it’s back in print.

    Perrault's Cinderella echoes the elegance and luxury of the French court of King Louis XIV, and it's from his version that we get the famous glass slippers. Sarah L. Thomson's beautiful retelling of the classic fairy tale is matched with the uniquely stunning artwork of Nicoletta Ceccoli. This is a picture book to treasure.

    It includes Li Chi, the serpent slayer, and the old woman sly enough to outsmart the devil.

    Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    Out of her rich imagination she drew forth tales of bold princesses and cowardly kings, spurned suitors and ardent lovers, fearless young men and heartless queens. Every conceivable place of enchantment was Lola Basyang’s domain.The First “Kuwento ni Lola Basyang “ appeared in the Tagalog magazine Liwayway in 1925. Its author, Severino Reyes, was the founder and editor of Liwayway as well as a pioneering figure in Tagalog theater. Mr. Reyes wrote more that 400 stories under the pen name Lola Basyang.Tahanan Books has gathered together a literary dream team to produce this landmark collection of twelve tales. Poet and literary critic Bienvenido Lumbera sifted through hundreds of manuscripts to select the best of Reyes’ tales. Acclaimed author and publisher Gilda Cordero-Fernando delivered the original English translation and renowned children’s book illustrator Albert Gamos rendered over 30 unforgettable illustrations.Tahanan’s anthology introduces Lola Basyang to a new generation of readers in English. Open this book, sit at her feet, and let the magic begin.

    - These great beginning reading books combine a fun-to-read story with easy-to-read text- Series One is designed for those who have just started reading alone- Collect them all!.

    The beautiful, vintage illustrations in this Little Golden Book retelling will charm children and collectors alike.

    She fears for her life, but finds kindness rather than danger there, for the lion by day is a gentle young man by night-a prince under the spell of a wicked enchantress. Soon the lady and the lion fall in love. Unlike the more familiar tale, however, this story has only just begun. The prince is not yet safe from the enchantress, and it will take all of the lady's strength and courage, through a seven-year quest, to rescue him. Dazzlingly romantic and visually magnificent, this is a book for the ages-an exhilarating tale of virtue, heroism, and the power of love. Illustrated by Laurel Long.

    A search throughout the kingdom appears to be fruitless until the lovely Rosamund appears at the palace. She is intelligent and wealthy, as well as beautiful — certainly his equal, Raphael thinks. But what does the mysterious Rosamund think?

    She even falls in love with a human named Prince Eric But will the Little Mermaid remain with the prince of her dreams without losing everything she loves?

    Despite a few variations from telling to telling, the story remains the same—the Queen was jealous of the girl’s beauty, and this jealousy culminated in the Queen’s attempt on the sweet, naive girl’s life. Another tale far less often spoken of is the one that explains what caused the Queen to become so contemptuously vile. Still, some have attempted to guess at the reason. Perhaps the Queen’s true nature was that of a wicked hag and her beautiful, regal appearance a disguise used to fool the King. Others claim that the Queen might have hated the girl for her resemblance to the King’s first wife. Mostly, the Queen is painted as a morally abhorrent woman who never loved another being during the course of her miserable life.In fact, the theories about exactly what cause the Queen’s obsessive vanity and jealous rage are too numerous to catalog. This book recounts a version of the story that has remained untold until now. It is a tragic tale of love and loss, and it contains a bit of magic. It is a tale of the Wicked Queen…

    Magnificent, original full-page and spot illustrations by Stephane Poulin enhance the text.

    The initial sequence consists of three images: beginning, middle and end of a journey. The following six sequences take up this same story, but with new details and extra images added each time. The story thus quickly becomes enormous as the number of new images doubles with each sequence.

    Buran cannot—Buran will not—sit quietly at home and wait to be married to the man her father chooses. Determined to use her skills and earn a fortune, she instead disguises herself as a boy and travels by camel caravan to a distant city. There, she maintains her masculine disguise and establishes a successful business. The city's crown prince comes often to her shop, and soon Buran finds herself falling in love. But if she reveals to Mahmud that she is a woman, she will lose everything she has worked for.